At her husband's funeral, Pearl, Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl.

在都灵，一名牧师被蜡烛爆炸炸死，Santamaria专员必须解决这个问题。

A photographer named Corrado snaps a picture of Antonietta. When it shows up on the front page of a magazine, she wants to take him to court over it.

義大利佛羅倫斯，1925 年，法西斯專政時期。為了住在女友 Bianca 身邊，年輕的 Mario 搬到舊市中心一條簡陋的街道，並在那裡結識了 Maciste 和 Ugo 這兩位反法西斯人士。

Two trains collide: who said that rail was a safe mode of transport? A young Pole girl becomes an orphan and a semi-whore, and Mara (Silvanna Pampanini) would like to adopt her. Alas she lives a life of sin and she and the nuns who take care of the girlie are worlds apart. So she decides she would start over, leaving her pimp (Franco Fabrizi) behind and trying to get a job, which is no easy task. No sooner has she found work in a factory than her former lover (who gave her a child who died when she was young: hence her longing to have another one) turns up. He is played by Marcello Mastroianni who was supporting at the time. Of course he thinks that the new child is his own and as his wife cannot conceive...
This "slave to sin" (check the title) suffers, suffers and suffers; every time she seems to work it out, every time something happens. The movie is a long flashback told by an old woman who stole a medallion in the hotel where she works as a linen maid.

The story of "King Lazzarone" Ferdinand I of Bourbon whose pastime was to neglect the government and disguise himself as a poor man and turn to the infamous city premises in search of love adventures. With the De Filippo brothers to complete.

通过电视频道的一天节目，对70年代意大利的政治和社会地位进行了情节讽刺。

Luca (Marcello Mastroianni) is a man who runs a mill and he is married to Carmela (Sophia Loren), a beautiful wife, set in Naples in 1860. But his wife's beauty catches the eye of Don Teofilo the Governor (Vittorio De Sica), who sets about to have Carmela. He has Luca arrested on trumped up charges, and then tries seduce Carmella. She resists, so he tells her he can free Luca, but there are strings attached.

联合国毒品管制局试图追查从阿富汗-伊朗边境向主要欧洲经销商运送海洛因的情况。

Domenica D'Agosto was the first feature-length effort from Italian documentary filmmaker Luciano Emmeri. The film keeps within the accepted guidelines of Italian neorealism, albeit with a surfeit of warmth and humor. Emmeri details a typical midsummer Sunday in a seaside resort.

Since her husband pronounced her frigid on her wedding night, Antonia DeAngelis has been an invalid. When he disappears, she believes him dead: she leaves her bed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. She improves their lot, begins an affair with a young foreign doctor, and publishes her husband's writings. All this time, he's hiding from a murder charge in a house across the square. Amazed, he watches her become his sexual and social equal. After the police drop the murder charge, will he disappear, end his life, or rejoin her on new terms?

In 1925, Gabriela becomes cook, mistress, and then wife of Nacib, a bar owner in a small Brazilian coastal town runs by the local colonels. Nacib becomes tired of Gabriela's uneducated ways, and annuls the marriage when he finds her in bed with his friend Tonico. The political ways of the town modernize slightly and Gabriela returns as Nacib's mistress.
Gabriela was based on Jorge Armado's novel Gabriela, Clove and Cinammon, which also served as the source of a typically steamy Brazilian TV soap opera. Set in 1925 (when the novel was first published), the film stars Marcello Mastrioanni as Nacib, a bartender in the Bahian village of Parati. When a drought descends upon the surrounding countryside, slovenly-but-sexy Gabriela (Sonja Braga) wanders into Parati with some friends and relatives. Immediately entranced by Gabriela's earthy sensuality, Nacib hires her as a cook and potential lover. Jealous of the attentions paid to Gabriela by the local menfolk, Nacib decides to marry her, then orders her to dress and behave in a more prudish fashion. But Gabriela can't help straying sexually, and as consequence it is Nacib who is forced to undergo the film's major character transformation.

当年轻迷人的利娜·斯特罗皮亚尼（Lina Stroppiani）和她的家人一样是一个小偷，她和两名同伙试图偷走保罗的出租车时，她不可能知道这会产生深远的后果。

罗马高速公路环路严重拥堵。有史以来最大的交通堵塞持续了36个多小时。起初，被困在车里的人反应正常。但随着时间的推移，我们看到的个人戏剧、歇斯底里的反应和其他怪诞的情况就越多。所有的情节都像在一个情节中一样联系在一起。汽车和它们的主人是更大宇宙中故事的缩影：拥堵。

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A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.

素有「新浪潮祖母」之称的导深安妮华达，以拟迈化及不受考据限制的嘉剧风格，来表达「电影一百周年」这个严肃的主题。已经一百岁的电影先生有感于生命稍纵即逝，遂雇用年轻女孩卡蜜帮助他对一百年来的电影纪事做一番回顾。家里就是一座博物馆的电影先生，对电影如数家珍，完全沉溺在往的的电影情怀中。卡蜜除了每天接受电影洗礼外，更因电影先生的关系，经常接触到许多大明星，如马斯楚安尼、杰哈德巴狄厄、凯萨琳丹妮芙、劳勃狄尼洛等，甚至连亚兰德伦听到电影先生病了都特地赶来看他……

恩瑞克（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）和洛伦佐（雅克·贝汉 Jacques Perrin 饰）是血浓于水的亲兄弟，两人在很小的时候就失去了母亲，是祖母将他们一手拉扯长大。某日，一位神秘的英国富翁来到了恩瑞克家，希望能够收养弟弟洛伦佐，就这样，兄弟两人就此踏上了不同的道路。
很多年过去了，当初收养洛伦佐的富翁家道中落，无法再抚养这个孩子了，于是，洛伦佐回到了恩瑞克的身边，两人共同谋生。然而，长年养尊处优的生活让洛伦佐的性格变得软弱又懒惰，根本经不起生活的捶打，最终，恩瑞克离开了洛伦佐前往罗马成为了一名记者，洛伦佐则留在了佛罗伦萨结婚成家。