该剧讲述25年前被困在红房间里的库珀被超自然力量释放回人间，当年双峰镇的居民早已衰老，而诡异的谋杀案件又出现了的故事。

经过上百年的发展，胶片技术从蛮荒走到成熟，电影人采用化学摄影法创造了一个又一个经典和视觉奇迹。而当时间逐渐走向21世纪时，化学摄影法趋近临界点，几无上升空间，且越来越无法应对电影工业对新技术和全新拍摄手法、理念的诉求。与此同时，数字摄影方兴未艾，正以前所未有的势头进入传统技术固若金汤的电影领域。从Dogma 95对手提DV的使用，到乔治•卢卡斯大胆的HD摄影之应用，伴随着“顽固派”和“革新派”的政治和讨论，数字摄影蚕食着传统胶片的领土，逐渐成为当今电影工业的主流。在这一过程中，配光、摄影、剪辑等工作也相继受到冲击和影响。
这是一场全新的革命，是对充满各种可能性的未来满怀信心的展望……

故事将围绕哈利·戴恩·斯坦通饰演的90岁高龄的无神论者的一次精神之旅展开。大卫·林奇、朗·里维斯顿加盟出演。影片将于今年西南偏南电影节期间亮相。

本片由资深的好莱坞声音编辑米奇·科斯汀执导，揭示了声音在电影中扮演的重要角色。影片主要通过电影声音编辑的视角，结合好莱坞经典电影案例和一些电影大咖的采访构架起叙事，包括乔治·卢卡斯、史蒂芬·斯皮尔伯格、芭芭拉·史翠珊、罗伯特·雷德福、大卫·林奇、李安、索菲亚·科波拉和瑞恩·库格勒等。影片带我们见证了一些业内最受尊敬的音效设计师的狂野创造力——包括奥斯卡奖得主沃尔特·默奇(《现代启示录》)、本·伯特(《星球大战》)、加里·瑞德斯特伦(《拯救大兵瑞恩》)和劳拉·赫斯伯格(《盗梦空间》)。在追求艺术和推动媒介发展的过程中，正是这些人，开创了今天这种沉浸式且带有叙事性的电影声音先河。

奥古斯都与路易斯·卢米埃兄弟，是现代电影之父，本片就是为了纪念他们而拍摄的，每位受到邀请的导演，都要回答三个问题：为什么你愿意参与拍摄这部影片；为什么你要拍摄电影；电影是否会消亡？每个导演还要用当初卢米埃兄弟制造的世界上最古老的摄影机拍摄一段52秒钟的短片，而且有三个规则：52秒；不能同步录音；不能重复拍三次以上。

Louis C.K. as a newly meijubar.net divorced father raising his two daughters in New York City.It will be a half-hour production.
The series will be loosely based on C.K.'s life, and will blend his stand-up material with extended autobiographical comedy short films depicting moments of his off-stage experiences.

喜爱Cult电影的影迷们对于《蓝丝绒》一定不会陌生，这部充满艺术性和诡异气氛的电影于1986年在美国上映，导演大卫·林奇凭借此片入围第59届奥斯卡金像奖最佳导演。这部名为《重访蓝丝绒》的纪录片，正是集合了大卫·林奇拍摄创作《蓝丝绒》期间，大量台前幕后的珍贵文献、拍摄现场以及制作人员和演员采访。通过这部纪录片，影迷们可以近距离一睹大卫·林奇风采，了解这位电影大师的创作心路历程。本片结构精巧、艺术表现力强、兼具艺术性和文献性。

影片从2012年大卫林区小女儿出生后开拍，在个人工作室展开长达三年的记录。,从抗拒到坦言，从安逸小镇到费城暗巷，影片带领观众一窥鬼才名导的创作灵魂。,大卫林区追溯私密的成长岁月，仿如电影中的场景，奇异的人事物在不同阶段登场，再一一淡出他的生命，也在他的创作历程留下不可抹灭的印记…

An avant-garde figure in filmmaking, David Lynch introduced mainstream audiences to art-house films.
Now the Oscar-nominated director of Mulholland Drive teaches his cross-disciplinary creative process.
Learn how he catches ideas, translates them into a narrative, and moves beyond formulaic storytelling. Embrace the art life in David’s MasterClass and learn to test the boundaries of your own artistic expression in any medium.

In a locked down train station, a homicide detective conducts an interview with a tormented monkey.

David Lynch discusses the making of the film "Eraserhead."

这部纪录片探究制度化的晦涩，比如在全球笃信宗教的上升趋势下所推出的相关政策。来自柏林的年轻导演David Sieveking为寻找这种崇拜迷思背后的意义，开始了横跨大陆之旅，从荷兰到美国再到印度，最后再次回到了柏林的Teufelsberg——传说中的魔鬼之山(由二战期间摧毁的40万间房子的碎片做成的假山)。 <转自时光网 nicktime文>

a camera-eye is aimed at David Lynch´s back while in Hanover a second one records the internet-stream, which connects the continents. a third one shoots parallely agnieszka jurek. she is interviewing Mr. Lynch, question, next question, no query raised until she finally runs out of questions. in the meantime a childish personality called "drawlly" crept in secretly, interfers, anticipates the story. maybe it´s the alter-ego of the interviewer. but she could be as well a comic character, cut out of "dumbland", the topical flash animation that Lynch presents at

GREAT DIRECTORS, directed by Angela Ismailos, features original, in-depth conversations with nine of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera. She explores the filmmakers' artistic evolution and personal identity, the role of politics and history on their work, and the agony and dilemmas in the creative process. It also examines the challenges of being an artist in an age of commercialism and globalization. The film traces the influence of cinematic movements and iconic directors on these directors' work-from the role of Neo-Realism in Bertolucci's evolution to the influence of Federico Fellini on David Lynch, Ingmar Bergman on Catherine Breillat and Rainer Werner Fassbinder on Todd Haynes. Written by Anonymous

2007年双峰金盒子花絮，林奇同Mädchen Amick（饰女招待Shelly）、Kyle MacLachlan（饰Cooper探员）、John Wentworth（制片助理）的“圆桌会议”，片长约30分钟。

Compiled from over two years of footage, the film is an intimate portrait of Lynch's creative process as he completes his latest film, INLAND EMPIRE. We follow Lynch as he discovers beauty in ideas, leading us on a journey through the abstract which ultimately unveils his cinematic vision. The director of the documentary immersed himself in David Lynch's world; living and working at Lynch's home. His unobtrusive style has captured a personal side of David Lynch not seen before. The film reveals Lynch not only as one of the most original and compelling directors of contemporary film but also as an artist who continues to explore and experiment in countless mediums. We witness his "hands on" approach to painting, sculpting, music and screenwriting. His enthusiasm is infectious; inspiring us to tap into the well of creativity that Lynch believes we all have.

《哑巴乐园》是林奇制作的数量庞大的实验性短片的其中一系列，分为8个章节，制作时间从2001年至2002年的5月，尤其特别指出的是林奇对于Flash这一更为现代的制作技术手段的称赞和迷恋，尤其是传播的快速性及其独特的表现力。《哑巴乐园》与大多数林奇的电影作品相同的是，其中渗透出的暴力与荒诞，愚蠢与腐败，强烈的表现欲望与批判性色彩。

Featuring interviews with the likes of Hitchcock, Kurosawa, Robert Bresson and David Lynch, What is Cinema? is documentarian Chuck Workman’s engrossing visual essay about mastery of cinematic form. Our world premiere will be followed by a live conversation with Workman.

大卫·林奇一直对录像的「可能性」极为执迷。作为林奇非常早期的作品，本片既是趁《橡皮头》拍摄空档对方兴未艾的录像科技所做的一场影像实验，同时也预告了大卫·林奇自此长达三十年对以数位媒体进行创作的热情。
片中的女孩凯瑟琳·E·考森曾与林奇合作过《双峰》，她在短片中饰演失去双腿的女孩，正在写一封信叙述她最近种种历经，并探讨着她的思索。短片从平静转而令人惊慌，表现着人在生命中面对内外在各种剧烈变化所可以抱持的漠然。值得一提的是，大卫·林奇也在片中献出自己首次银幕客串。