This is the very first public showing of David Lynch's new documentary entitled Meditation Creativity Peace, with exclusive footage from David's 16 country tour. The film will be shown as part of the David Lynch Foundation's new student outreach program, aimed at teaching students across the country Transcendental Meditation. The screening of the film will be followed by an information Q & A session.
David Lynch has asked for your comments and your help with showing this film around the country! We will have forms at the door for your comments and contact information.
Hosted by David Lynch Foundation student outreach
co-hosted by STMA (Student TM Association)

以测试观众智商、挑战观众观影忍耐极限的大卫林奇的2007年纪录片。林奇说：电影的好处之一就是它能表达一些言语无法表达的侧面。绘画有一种特质，其对于生活中的一切来说都是真理。这就是绘画之道。音乐也有同样的的特质。有些事没法付诸言语。那就是绘画要处理的内容，那也是拍电影，起码对我来说，大部分的目的所在。这个世界上有语言有故事，但是也有能用电影表达却没法用言语诉说的东西。那就是属于电影的的美丽语言。它还得跟时间，交接以及所有绘画的规则打交道。绘画更本质，更持久，胜过世上的一切。

画面中，船只缓慢驶入湖面。船总给出旅行的想像，可在大卫·林奇的电影中，这却是梦境黑海的启航。导演且出现在电影中，亲自作为掌舵者，将观众牵引着曳入迷航。 「我们将要远行，越走越快，越走越深，直到黑夜底尽。」船加速着，白日是否仍等在彼方？
乍看之下，《船》的形式感似乎与大卫·林奇一贯的作品有几许出入，比较柔软而敞开一点，但跟着缓缓流泄而出的诗般口白，我们再度卷近了导演最拿手、最具个人特色的梦的幽闭。

Method actor, filmmaker, photographer, fine artist, art collector, and all-American madman—the many sides of Dennis Hopper are explored in Nick Ebeling’s documentary, confirming Hopper as a major filmmaker, a fact often eclipsed by his legend. Through the triumph of Easy Rider, the magnificent career suicide of The Last Movie, the overlooked masterpiece Out of the Blue, and a midlife comeback after plenty of booze and brawling, Along for the Ride is a work of film biography with a freewheeling style that’s only appropriate to its anarchic subject.

大卫·林奇一直对录像的「可能性」极为执迷。作为林奇非常早期的作品，本片既是趁《橡皮头》拍摄空档对方兴未艾的录像科技所做的一场影像实验，同时也预告了大卫·林奇自此长达三十年对以数位媒体进行创作的热情。
片中的女孩凯瑟琳·E·考森曾与林奇合作过《双峰》，她在短片中饰演失去双腿的女孩，正在写一封信叙述她最近种种历经，并探讨着她的思索。短片从平静转而令人惊慌，表现着人在生命中面对内外在各种剧烈变化所可以抱持的漠然。值得一提的是，大卫·林奇也在片中献出自己首次银幕客串。

Featuring interviews with the likes of Hitchcock, Kurosawa, Robert Bresson and David Lynch, What is Cinema? is documentarian Chuck Workman’s engrossing visual essay about mastery of cinematic form. Our world premiere will be followed by a live conversation with Workman.

Compiled from over two years of footage, the film is an intimate portrait of Lynch's creative process as he completes his latest film, INLAND EMPIRE. We follow Lynch as he discovers beauty in ideas, leading us on a journey through the abstract which ultimately unveils his cinematic vision. The director of the documentary immersed himself in David Lynch's world; living and working at Lynch's home. His unobtrusive style has captured a personal side of David Lynch not seen before. The film reveals Lynch not only as one of the most original and compelling directors of contemporary film but also as an artist who continues to explore and experiment in countless mediums. We witness his "hands on" approach to painting, sculpting, music and screenwriting. His enthusiasm is infectious; inspiring us to tap into the well of creativity that Lynch believes we all have.

2007年双峰金盒子花絮，林奇同Mädchen Amick（饰女招待Shelly）、Kyle MacLachlan（饰Cooper探员）、John Wentworth（制片助理）的“圆桌会议”，片长约30分钟。

GREAT DIRECTORS, directed by Angela Ismailos, features original, in-depth conversations with nine of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera. She explores the filmmakers' artistic evolution and personal identity, the role of politics and history on their work, and the agony and dilemmas in the creative process. It also examines the challenges of being an artist in an age of commercialism and globalization. The film traces the influence of cinematic movements and iconic directors on these directors' work-from the role of Neo-Realism in Bertolucci's evolution to the influence of Federico Fellini on David Lynch, Ingmar Bergman on Catherine Breillat and Rainer Werner Fassbinder on Todd Haynes. Written by Anonymous

a camera-eye is aimed at David Lynch´s back while in Hanover a second one records the internet-stream, which connects the continents. a third one shoots parallely agnieszka jurek. she is interviewing Mr. Lynch, question, next question, no query raised until she finally runs out of questions. in the meantime a childish personality called "drawlly" crept in secretly, interfers, anticipates the story. maybe it´s the alter-ego of the interviewer. but she could be as well a comic character, cut out of "dumbland", the topical flash animation that Lynch presents at

这部纪录片探究制度化的晦涩，比如在全球笃信宗教的上升趋势下所推出的相关政策。来自柏林的年轻导演David Sieveking为寻找这种崇拜迷思背后的意义，开始了横跨大陆之旅，从荷兰到美国再到印度，最后再次回到了柏林的Teufelsberg——传说中的魔鬼之山(由二战期间摧毁的40万间房子的碎片做成的假山)。 <转自时光网 nicktime文>

David Lynch discusses the making of the film "Eraserhead."

兒時朋友拍的，一半是lost highway幕後詳細一半是繪畫生涯回顧。有啓蒙繪畫老師、Jack Fisk、Peggy、Dean Stockwell、Mel Brooks、兒子女兒訪談，橡皮頭cast舊地重遊等，料很多。

In a locked down train station, a homicide detective conducts an interview with a tormented monkey.

An avant-garde figure in filmmaking, David Lynch introduced mainstream audiences to art-house films.
Now the Oscar-nominated director of Mulholland Drive teaches his cross-disciplinary creative process.
Learn how he catches ideas, translates them into a narrative, and moves beyond formulaic storytelling. Embrace the art life in David’s MasterClass and learn to test the boundaries of your own artistic expression in any medium.

影片从2012年大卫林区小女儿出生后开拍，在个人工作室展开长达三年的记录。,从抗拒到坦言，从安逸小镇到费城暗巷，影片带领观众一窥鬼才名导的创作灵魂。,大卫林区追溯私密的成长岁月，仿如电影中的场景，奇异的人事物在不同阶段登场，再一一淡出他的生命，也在他的创作历程留下不可抹灭的印记…

喜爱Cult电影的影迷们对于《蓝丝绒》一定不会陌生，这部充满艺术性和诡异气氛的电影于1986年在美国上映，导演大卫·林奇凭借此片入围第59届奥斯卡金像奖最佳导演。这部名为《重访蓝丝绒》的纪录片，正是集合了大卫·林奇拍摄创作《蓝丝绒》期间，大量台前幕后的珍贵文献、拍摄现场以及制作人员和演员采访。通过这部纪录片，影迷们可以近距离一睹大卫·林奇风采，了解这位电影大师的创作心路历程。本片结构精巧、艺术表现力强、兼具艺术性和文献性。

Louis C.K. as a newly meijubar.net divorced father raising his two daughters in New York City.It will be a half-hour production.
The series will be loosely based on C.K.'s life, and will blend his stand-up material with extended autobiographical comedy short films depicting moments of his off-stage experiences.

奥古斯都与路易斯·卢米埃兄弟，是现代电影之父，本片就是为了纪念他们而拍摄的，每位受到邀请的导演，都要回答三个问题：为什么你愿意参与拍摄这部影片；为什么你要拍摄电影；电影是否会消亡？每个导演还要用当初卢米埃兄弟制造的世界上最古老的摄影机拍摄一段52秒钟的短片，而且有三个规则：52秒；不能同步录音；不能重复拍三次以上。