In this poignant and humorous work, Virginia Woolf observes that though illness is part of every human being’s experience, it has never been the subject of literature—like the more acceptable subjects of war and love. We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!
On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.

In this vivid portrait of one day in a woman's life, Clarissa Dalloway is preoccupied with the last-minute details of party she is to give that evening, while in her mind she is much more than a perfect society hostess. As she readies her house she is flooded with memories and, met with the realities of the present, Clarissa re-examines the choices she has made, hesitantly looking ahead to growing old. Undeniably triumphant, this is the inspired novelistic outline of human consciousness.

As children, Virginia Woolf, sister Vanessa Bell, and brother Thoby, collaborated on their own family newspaper. Published here for the first time ever, the Hyde Park Gate News also includes their original drawings.
Ingeniously mimicking the style of the leading newspapers of their day, the Stephen children—Virginia, Vanessa, and Thoby—present a charming and candid portrayal of the day-to-day events at the family home in London and at their holiday home in St. Ives. Gossipy, playful, and at times irreverent, they record the comings and goings of a host of figures while also proffering their own fictional, poetic, and artistic creations. Virginia Woolf (1882-1941) is one of the most important figures of the Modernist Movement; her sister Vanessa Bell (1879-1961) was a painter and a central figure of the Bloomsbury Group.

The definitive edition of Virginia Woolf's last and most lyrical work containing the original text she was working on at the time of her death. The story takes place at Pointz Hall, the country home of the Oliver family for 120 years, and revolves around the village pageant which aspires to present the entire history of England from the Middle Ages to the summer of 1939. The comic events on stage, the reactions of the villagers in the audience, the blend of past and present all affirm Virginia Woolf's belief in art as the unifying principle of life.

Here, in twenty-six essays, Woolf writes of English literature in its various forms, including the poetry of Donne; the novels of Defoe, Sterne, Meredith, and Hardy; Lord Chesterfield's letters and De Quincey's autobiography. She writes, too, about the life and art of women. Edited and with an Introduction by Andrew McNeillie; Index.

《燈塔行》為自傳意味濃厚的作品，書中雷姆塞夫婦影射吳爾芙自己的父母。小說第一部份〈窗〉精確刻畫日常生活中夫妻之衝突與衝突後心靈契合之和諧狀態。第二部分〈歲月流逝〉以快速筆調描寫十年之變遷。第三部分〈燈塔〉敘述喪偶之雷姆塞先生與其子女完成其妻生前未竟之燈塔之行，以及受雷姆塞夫人影響之莉莉完成其畫。全書文辭精鍊，象徵意味濃厚，並充滿吳爾芙揮之不去的女性意識關懷。

Mrs Dalloway said she would buy the flowers herself......

The serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life, and the conflict between male and female principles. One of the great literary achievements of the twentieth century, To the Lighthouse is often cited as Virginia Woolf's most popular novel.

Virginia Woolf turned to her diary as to an intimate friend, to whom she could freely and spontaneously confide her thoughts on public events or the joys and trials of domestic life. Between 1st January 1915 and her death in 1941 she regularly recorded her thoughts with unfailing grace, courage, honesty and wit. The result is one of the greatest diaries in the English language.

In 1926 Virginia Woolf wrote an essay entitled, "How Should One Read a Book?" to deliver as a lecture at a private girls' school in Kent, England. In revised form it appears to have been first published in The Yale Review, October, 1926. Along with other essays, it first appeared in book form in Woolf's
in 1932.

'The ponderous woman looked through the pattern of falling words at the flowers standing cool, firm, and upright in the earth, with a curious expression. . .So heavy the woman came to a standstill opposite the oval shaped flowerbed, and ceased even to pretend to listen to what the other woman was saying.'

Virginia Woolf's short fiction has long been acknowledged as the place where she tried out some of her more experimental techniques before adopting and adapting them for use in her novel-length works. While this is certainly true, it is also the case that these short pieces are now increasingly being recognized as important works of art in their own right, rather than simply flights of experimental fancy awaiting their full actualization in the novel form.

This new edition edited by Bryony Randall emphasises the startling variety in Woolf's experimentation during the most productive period of short fiction writing in Woolf's life, the late 1910s through to the end of the 1920s. It draws readers' attention to the deep political engagements evident across the range of her work and on the recent burgeoning of work in modernist print culture to set out the importance of the material context of these works' initial publication and
reception.