"The Garden of Forking Paths" (original Spanish title: "El jardín de senderos que se bifurcan") is the title story in the collection El jardín de senderos que se bifurcan (1941), which was republished in its entirety in Ficciones (Fictions) in 1944. It was the first of Borges's works to be translated into English by Anthony Boucher when it appeared in Ellery Queen's Mystery Magazine in August 1948.

The acclaimed translation of Borgesas valedictory stories, in its first stand-alone edition Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borgesas remarkable last major story collection, "The Book of Sand," is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borgesas signature fantastic inventiveness. Containing such marvelous tales as aThe Congress, a aUndr, a aThe Mirror and the Mask, a and aThe Rose of Paracelsus, a this edition showcases Borgesas depth of vision and superb image-conjuring power.

After almost a half a century of scrupulous devotion to his art, Jorge Luis Borges personally compiled this anthology of his workshort stories, essays, poems, and brief mordant sketches,” which, in Borges’s hands, take on the dimensions of a genre unique in modern letters.

Labyrinths (1962) is an English-language collection of short stories and essays by Jorge Luis Borges.
It includes Tlön, Uqbar, Orbis Tertius, The Garden of Forking Paths, and The Library of Babel, to name some of Borges' more famous stories. Many of the stories are from the collections Ficciones (1944) and El Aleph (1949). The English edition was edited by Donald A. Yates and James E. Irby
Collected Stories
Tlön, Uqbar, Orbis Tertius
The Garden of Forking Paths
The Lottery in Babylon
Pierre Menard, Author of the Quixote
The Circular Ruins
The Library of Babel
Funes the Memorious
The Shape of the Sword
Theme of the Traitor and the Hero
Death and the Compass
The Secret Miracle
Three Versions of Judas
The Sect of the Phoenix
The Immortal
The Theologians
Story of the Warrior and the Captive
Emma Zunz
The House of Asterion
Deutsches Requiem
Averroes' Search
The Zahir
The Waiting
The God's Script

This remarkable book by one of the great writers of our time includes essays on a proposed universal language, a justification of suicide, a refutation of time, the nature of dreams, and the intricacies of linguistic forms. Borges comments on such literary figures as Pascal, Coleridge, Cervantes, Hawthorne, Whitman, Valéry, Wilde, Shaw, and Kafka. With extraordinary grace and erudition, he ranges in time, place, and subject from Omar Khayyam to Joseph Conrad, from ancient China to modern England, from world revolution to contemporary slang.<br/>
This remarkable book by one of the great writers of our time includes essays on a proposed universal language, a justification of suicide, a refutation of time, the nature of dreams, and the intricacies of linguistic forms. Borges comments on such literary figures as Pascal, Coleridge, Cervantes, Hawthorne, Whitman, Valéry, Wilde, Shaw, and Kafka. With extraordinary grace and erudition, he ranges in time, place, and subject from Omar Khayyam to Joseph Conrad, from ancient China to modern England, from world revolution to contemporary slang.</p>

豪尔赫·路易斯·博尔赫斯（Jorge Luis Borges, 1899—1986），享誉世界的阿根廷诗人、作家、翻译家。西语美洲文学之父，创作风格深邃、博学，独树一帜，尤以融现实于虚构而臻于神秘的迷宫式构思著称，对世界当代文学创作及文艺批评均有重大影响。
1976年， 博尔赫斯在印第安纳大学参加了一系列有关他的生平与创作的对话活动。1980年春，他作为帕登教授重返印第安纳，度过了一个月的时光。他还访问了芝加哥、纽约和波士顿，一路上边走边谈。本书为这两次美国之行中接受访谈的记录结集，共十一篇对话，涉及博尔赫斯对时代、宗教、哲学、文学和写作的诸多观点。
博尔赫斯的性格与谈吐，至少同他的作品一样意味深长，富于机智。在生命的最后几十年，他游走四方，口授诗歌、寓言和故事。在旅行和闲谈中，他发展出一种特殊的口头文学。博尔赫斯作品中无处不在的主题，耄耋之年炉火纯青的思想，交织闪耀在这十一篇谈话中，使人得以一窥这位文学巨擘的心灵堂奥。
本书为博尔赫斯、巴恩斯通、西川三位诗人一次跨越时空和语言的诗艺合作。西川自1980年代开始译介博尔赫斯，二十年后重校精译，修订新版。编者巴恩斯通三十年后新作“后记”，重新评价博尔赫斯的文学遗产。

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Borges' first collection of stories (1935). In his writing, Borges always combined high seriousness with a wicked sense of fun. Here he reveals his delight in re-creating (or making up) colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge. Spark-ling with the sheer exuberant pleasure of story-telling, this collection marked the emergence of an utterly distinctive literary voice.

Jorge Luis Borge's Fictions introduced an entirely new voice into world literature. It is here we find the astonishing accounts of Funes, the man who can forget nothing; the French poet who recreated Don Quixote word for word; the fatal lottery in Babylon; the mysterious planet of Tlön; and the library containing every possible book in the whole universe. Here too are the philosophical detective stories and the haunting tales of Irish revolutionaries, gaucho knife fights and dreams within dreams which proved so influential (and yet impossible to imitate). This collection was eventually to bring Borges international fame; over fifty years later, it remains endlessly intriguing.
'Hurley's efforts at retranslating Borges are not anything but heroic. his versions are clear, elegant, crystalline' — Ilan Stavans, The Times Literary Supplement

"Dreamtigers" has been heralded as one of the literary masterpieces of the twentieth century by Mortimer J. Adler, editor of "Great Books of the Western World". It has been acknowledged by its author as his most personal work. Composed of poems, parables, and stories, sketches and apocryphal quotations, "Dreamtigers" at first glance appears to be a sampler - albeit a dazzling one - of the master's work. Upon closer examination, however, the reader discovers the book to be a subtly and organically unified self-revelation. "Dreamtigers" explores the mysterious territory that lies between the dreams of the creative artist and the "real" world. The central vision of the work is that of a recluse in the "enveloping serenity" of a library, looking ahead to the time when he will have disappeared but in the timeless world of his books will continue his dialogue with the immortals of the past - Homer, Don Quixote, and Shakespeare. Like Homer, the maker of these dreams is afflicted with failing sight. Still, he dreams of tigers real and imagined and reflects upon of a life that, above all, has been intensely introspective, a life of calm self-possession and absorption in the world of the imagination. At the same time he is keenly aware of that other Borges, the public figure about whom he reads with mixed emotions: "It's the other one, it's Borges, that things happen to". First published in Buenos Aires in 1960 as "El Hacedor", "Dreamtigers" was translated into English by Mildred Boyer, professor emerita of romance languages at the University of Texas at Austin, and the poet Harold Morland. The late Miguel Enguidanos, who was Centennial Professor of Spanish at Vanderbilt University, wrote the introduction to this handsome volume, which is enhanced by woodcuts by the renowned artist Antonio Frasconi.

Everything and Nothing collects the best of Borges' highly influential work-written in the 1930s and '40s-that foresaw the internet ("Tlon, Uqbar, Orbis Tertius"), quantum mechanics ("The Garden of Forking Paths"), and cloning ("Pierre Menard, Author of the Quixote"). David Foster Wallace described Borges as "scalp-crinkling . . . Borges' work is designed primarily as metaphysical arguments...to transcend individual consciousness."

El saber y la sensibilidad de Jorge Luis Borges se hallan unidos por mil lazos con la cultura de todos los países y épocas; y su obra es universalmente reconocida como una de las escasas nuevas realidades y explorado territorios ignorados. Este volumen reúne dieciocho relatos -quizá los más eleogiados y citados sean "El Aleph", "El inmortal", "Los teólogos", "Deutsches Requiem" y "La espera"--Que muestran las posibilidades expresivas de la "estética de la inteligencia", borgiana, inimitable fusión de mentalidad matemática, profunidad metafísica y captación poética del mundo.

"El Informe Brodie" supone una evolución imprevista en la estética de Jorge Luis Borges, A diferencia de "El Aleph" y "Ficciones", que abundan en enigmas y en símbolos, los once cuentos de este volumen, fruto de la lenta madurez del gran escritor, son directos, desnudos y sencillos.