详细内容: 1. Symphony No.5 In D Minor, Op.47: I. Moderato2. Symphony No.5 In D Minor, Op.47: II. Allegretto3. Symphony No.5 In D Minor, Op.47: III. Largo4. Symphony No. 5 In D MInor, Op.47: IV. Allegro non troppo5. Symphony No.9 In E-Flat Major, Op.70: Allegro6. Symphony No.9 In E-Flat Major, Op.70: Moderato7. Symphony No.9 In E-Flat Major, Op.70: Presto8. Symphony No.9 In E-Flat Major, Op.70: Largo9. Symphony No.9 In E-Flat Major, Op.70: Allegretto - Allegro广告语: 肖斯塔科维奇《第15交响曲》/肖斯塔科维奇被认为是20世纪世界上举足轻重的作曲家之一，他的15首交响曲，继马勒之后在音乐历史上建立了又一座丰碑。海汀克在DECCA的全套录音，管弦乐色彩和录音效果都相当出色，是企鹅指南三星级评论名演

ショスタコーヴィチ・ファン驚愕の衝撃音源が出現しました。いずれもロストロポーヴィチによるショスタコーヴィチですが、大半が世界初出。
「チェロ協奏曲第1番」はロストロポーヴィチの独奏、ムラヴィンスキー指揮レニングラード・フィルにより1959年10月4日にレニングラードで初演されました。その約1カ月後の11月8日にロストロポーヴィチの独奏、オーマンディ指揮フィラデルフィア管によりアメリカで録音され、それが世界初とされていますが、それより早い世界初演の2日後のモスクワ初演の音源が残っていました。ムラヴィンスキーの師匠ガウクの指揮というのも興味津々です。このアルバムには、同曲をコンドラシン&チェコ・フィルと1960年の「プラハの春」音楽祭で共演した初出音源も収録されていますが、ガウクとコンドラシンの個性の違いが聴き所。気迫にあふれ、噛みつくようなコンドラシンと、抒情的で大人然としたガウク、どちらも甲乙つけがたい名演です。ロストロポーヴィチの巧さはどれも神業で、誰にも真似できぬ巧さに加え、若さあふれる快刀乱麻ぶり。
「チェロ協奏曲第2番」は初演指揮者スヴェトラーノフですが、オーケストラがプラハ響という点に注目。スヴェトラーノフならではの爆演で、オケの音色が明るく軽いのに驚かされます。珍品中の珍品と申せましょう。
チェロソナタは、これまでもリリースされたことのあるショスタコーヴィチ自身の伴奏による名演中の名演。何よりもショスタコーヴィチのピアノの巧さが光ります。彼はいくつか自作自演を残していますが、このロストロポーヴィチとのチェロソナタは空前の出来で、物凄い説得力。テンポ、解釈、強弱いずれもこれ以外あり得ない決定的なもので、あまりの素晴らしさに聴き終わると茫然自失状態になること間違い無し。
録音はモノラルながら、当時のチェコとしては非常な良さ。ロストロポーヴィチの輝くようなチェロが目前で物凄いエネルギーを放ちます。

This is DOREMI's first volume of recordings and live performances by the legendary Daniel Shafran (1923-1997), one of the greatest cellists of all time. His father, Boris, who was first cellist of the Leningrad Philharmonic for thirty years, was his first teacher. He continued with Boris' own teacher, Alexander Strimer. At age 11 Daniel performed Tchaikovsky's Rococo Variations with the Leningrad Philharmonic under Albert Coates. In 1937 he won the first prize at the All-Union Competition of Violinists & Cellists. The prize was a 1630 Antonio Amati Cello which he subsequently used for the rest of his life. In 1949 he shared top honours with Rostropovich at the World Youth Festival in Budapest. In the following year he won the Hanus Vigan competition in Prague. From the 1950s Shafran concertized widely throughout Europe and the far-east, In the early 1960s he toured America as soloist with the Moscow State Orchestra, the first of three tours. In 1955 he was made Artist of Merit of the USSR. In 1959 he was elected to the International Academy of Artists in Rome and in 1971 he was named ''People's Artist of the USSR''. Throughout his career, he recorded extensively, taught, and served on competition juries. Shafran's playing was unique. His sonority had a special quality that distinguished him from all other cellists. The ''Abend Zeitung'' described it as ''blossoming...colourful, tender, melancholic and graceful''.. Most items on this volume are first time on CD. This CD contains a rare recording made in 1946 of Shostakovich's cello sonata, in which Shafran is teamed up with Shostakovich (at the piano).

Recorded 1998 and 2000
ECM New Series 1679

德米特里·肖斯塔科维奇（Dmitri Shostakovich），1906年9月25日出生于俄国圣彼得堡，1975年8月9日逝世于莫斯科。作有15首交响曲、15首弦乐四重奏、两部歌剧、一部轻歌剧、六首协奏曲、三部芭蕾舞剧、36部电影配乐以及室内乐等各种形式的音乐作品。这些作品确立了一种将时代感与个性融为一体的新的音乐语言，奠定了肖斯塔科维奇作为20世纪最伟大的作曲家之一的不朽地位。
Dmitri Dmitriyevich Shostakovich (Russian: About this sound Дмитрий Дмитриевич Шостакович (help·info), tr. Dmitrij Dmitrievič Šostakovič) (25 September [O.S. September 12] 1906 – 9 August 1975) was a Soviet Russian composer and one of the most celebrated composers of the 20th century.
Shostakovich achieved fame in the Soviet Union under the patronage of Leon Trotsky's chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the Stalinist bureaucracy. His music was officially denounced twice, in 1936 and 1948, and was periodically banned. Yet he also received accolades and state awards and served in the Supreme Soviet of the RSFSR. Despite the official controversy, his works were popular and well received.
After a period influenced by Prokofiev and Stravinsky, Shostakovich developed a hybrid style, as exemplified by his opera Lady Macbeth of the Mtsensk District (1934). This single work juxtaposed a wide variety of trends, including the neo-classical style (showing the influence of Stravinsky) and post-Romanticism (after Mahler). Sharp contrasts and elements of the grotesque[1] characterize much of his music.
Shostakovich's orchestral works include 15 symphonies and six concerti. His music for chamber ensembles includes 15 string quartets, a piano quintet, two pieces for a string octet, and two piano trios. For the piano he composed two solo sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include two operas, and a substantial quantity of film music.

Decca best 100 the special
录音时间：1962.9（5-13）&1963.10（1-4）

苏俄指挥大师康德拉辛(1914-1981)年青时就学于莫斯科音乐院，是著名教授凯金的高足。他担任过波修剧场、苏联国家交响乐团和莫斯科爱乐的音乐总监，首演过肖斯塔科维奇《第4号交响曲》、《第12号交响曲》和《第13号交响曲》，1978年投奔自由获荷兰政治庇护，出任阿姆斯特丹大会堂管弦乐团首席指挥，可惜在接掌巴伐利亚广播交响乐团音乐总监前夕因心脏病去世。
康德拉辛是苏俄指挥学院派的代表人物，也是肖斯塔科维奇的同代人，对作曲家的经历及生活环境有深切的了解。因此他以粗犷、厚重及充满戏剧化的手法诠释出来的音乐有让人身临其境之感，他对肖氏交响曲中许多弱音和强音的处理相当独特，也善于运用内在具体意象来达成特殊情调和效果。
本辑取自1962-75年间康德拉辛担任莫斯科爱乐音乐总监时的著名录音，由于演出录音精彩异常，苏俄 Melodiya(旋律)与Aulos Classics(韩国Saehan Media获Melodiya正规许可，挂名制造的CD商品)唱片公司特别将之出版为全集纪念盘。与海廷克(Bernard Haitink)的全集版比较，康德拉辛给人更多的是感官的体验；海廷克的诠释则是留下更多让人思索的空间。同样的作品，因各自的切入点不同，最后都能殊途同归用音乐对人生作出了深刻的揭示，或许这就是古典音乐唱片版本比较的奇妙魅力所在。(魔术号角)

David Oistrakh（Violin）
Daniil Shafran（Cello）
Dmitri Shostakovich（Piano）