位于亚洲西南部的安纳托利亚，一个远离城镇的蛮荒山区，肃杀静谧。正是黄昏时分，自山路的另一头驶来三辆汽车，最终停靠在路边一处喷泉旁边。车上的人走下来，似乎在辨认着什么东西。原来不久前发生一起命案，嫌疑人将尸体掩埋在荒原的某个角落。被捕后，嫌疑人带着当地的警察、法医、来自主 城镇的检察官以及其他不同身份的人四处寻找藏尸地点。犯人依稀记得几个标志性物件，却无法确定哪里才是真正的藏尸地。这群人彻夜奔波在山谷中，无聊之时便随意聊天，诉说着心中的隐秘以及对现状的不满。漫漫长夜似无尽头……
本片荣获2011年戛纳电影节评委会大奖、2012年都柏林国际电影节影评人奖最佳导演奖、2011年亚太电影节最佳摄影、最佳导演和评委会大奖。

☆ 德国图书奖大奖、艾兴多夫文学奖获奖作品！《明镜周刊》畅销榜首，蝉联畅销榜75周！25国语言火热抢读。
☆ 作者生于波斯尼亚，14岁时与父母逃亡到德国海德堡，从波黑战争难民成长为德国文坛新星。机智、疯狂、奇妙、幽默的文风，被媒体誉为“德国当代文学的领军人物”。
☆ 贝尔格莱德红星队、飞向太空的山羊、龙守护神、初恋、祖辈墓地中的井水……自由穿行于回忆与现实，在心酸与温暖交织的故事中找回故乡。
☆ 小说叙事的高度革新！最后一章《龙——守护神》是大胆的文学实验，让读者参与到结尾的叙述中，根据不同的线索和阅读顺序，展现小说结局的多种可能性。
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在呈递给德国移民局的履历表上，我写道：1978年3月7日，我出生在德里纳河畔的维舍格勒。出生前的几天，德里纳河躁动不安，波涛汹涌。在我人生最初几年里，奶奶一直照看我，奶奶是黑社会的人，我给移民局这样写道，干黑社会这一行，有的是时间照看孩子。
随着南斯拉夫解体，波黑战争爆发，我和母亲逃亡到德国。我的家族分散地生活在整个世界，和南斯拉夫一样四分五裂，无法融合到一起。
2009年，我回到维舍格勒探望奶奶，第一次和她一起来到奥斯克鲁沙村：一个只剩下13个居民的村庄。爷爷就生在这里，也葬在这里。
在做梦的南斯拉夫岁月，父母仍在樱桃树下翩翩起舞；而沧桑归来，我站在古老的群山中，寻找祖先的起源。
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【评价】
萨沙以丰盈的想象将小说从编年史、现实主义和精确纪事的传统中解放出来，以极大的幽默感重新呈现了历史的样貌。——德国图书奖评审委员会
《我从哪里来》书写了超越民族的、南斯拉夫理想式的、属于全欧洲的故事。萨沙已成为德国最好的作家之一。 ——《明镜》周刊
如果说德国当代文学中出现了具有移民背景的黄金一代，萨沙·斯坦尼西奇则是当之无愧的领军人物。——德国《世界报》
在民族主义和分裂主义撼动欧洲之际，我们能做什么呢？也许是读萨沙·斯坦尼西奇的作品。——《南德意志报》
斯坦尼西奇笔下的每件事都在回答“你从哪里来”这个问题，在这个美妙的故事中，他并没有直接给出明确的答案，而是以机趣而优雅的方式展开他的想象和经验，并探索了生存的本质问题。——《南德意志报》
萨沙·斯坦尼西奇是我们拥有的最好的现代民谣歌手——《我从哪里来》再次证明了这一点。——《滚石》杂志
机智，扣人心弦，疯狂。这本书已经登峰造极，打开看看，绝对值得！——北德广播公司
斯坦尼西奇以浓墨重彩绘出了祖先的肖像画和自己的生平——没有半点陈词滥调，而是以艺术家的绚烂手笔。——北德广播公司
《我从哪里来》塑造了全新的叙述形式：交织漫游的故事、游戏攻略式写法，令人感动、惊叹、目不暇接。——《法兰克福汇报》

《德里纳河上的桥》这部表现形式新颖别致的小说，仅用20多万字的篇幅就概括了一个国家450年的历史。它既准确地描述了几个世纪以来维合格勒城一系列的重大历史事件，也细致地勾画出一幅幅情趣盎然的生活场景，成功地塑造了几十个不同历史时期的典型人物。
德里纳河上的桥即是作者构思的焦点，几乎成了小说主人公的化身。它在地理上连结着东方和西方，在时间上联结着过去和现在。“桥”，它更像人民苦难的目击者，好似反映波斯尼亚历史的万花筒或多棱镜，叙述着有关波斯尼亚人民的苦难和抗争的庄严史诗。

《特拉夫尼克纪事》是诺贝尔文学奖得主、前南斯拉夫文学大师伊沃·安德里奇代表作“波斯尼亚三部曲”之一。
小说以法国大革命，拿破仑帝国的盛衰，波旁王朝复辟，塞利姆三世的统治和灭亡为历史背景，叙述了法国驻波斯尼亚领事达维尔探索人生道路，最终理想破灭的过程，以及波斯尼亚两任总督穆罕默德帕夏和易卜拉欣帕夏的命运。
特拉夫尼克大街小巷和市场内的斗争，塞尔维亚—克罗地亚农民起义，奥地利与法国两国军队间的仇恨；各种观念、信仰相互冲突，相互博弈……它们与几位主人公的行为轨迹和内心激荡宿命般地交织在一起。安德里奇以极其精美的形式，展现了那一段疾风骤雨的历史。

《萨拉热窝女人》是诺贝尔文学奖得主、前南斯拉夫文学大师伊沃·安德里奇代表作“波斯尼亚三部曲”之一。
一战前后的萨拉热窝，继承遗产的女主人公因父亲的临终遗言，开始了偏执的、疯狂敛财的一生。为了追逐金钱，她不惜同身边的一切决裂，从纯真懵懂的少女变成一个唯利是图、众叛亲离的女高利贷者和发国难财的商人，最终因长期的阴郁、焦虑、多疑而病发猝死。

The Question of Bruno is a novella and stories that are linked by characters, by locations, by interwoven substories, and by a literary voice so strong and sensitive that no matter how many guises it adopts, the stories cannot help but gather momentum and join together as a powerfully inventive whole.
Set in Chicago and Sarajevo, it is a book about the trauma of war, about how an exile makes a new life in a new land. But above all it is a work of impressive range, stunning accomplishment, and deep humor. In the novella "Blind Jozef Pronek and Dead Souls," a young Sarajevan travels to the United States and decides to stay when he sees war break out at home on CNN--he goes on to experience a starkly contemporary version of "coming to America." In "The Sorge Spy Ring," a young boy in communist Yugoslavia becomes convinced his father is a spy because of the strange toys he brings back from Moscow.
Whether Hemon is writing of the assassination of Archduke Ferdinand or of a family trip to the beach, of an immigrant in the United States fired from a sandwich shop for an inability to distinguish between romaine and iceberg lettuce, or of the art of dodging sniper fire in a modern city under siege, he is both painfully funny and heartbreakingly sad. He writes with a wit, freshness, and true originality that prove him one of the most talented and skilled writers of his generation.

The World and All That It Holds―in all its hilarious, heartbreaking, erotic, philosophical glory―showcases Aleksandar Hemon’s celebrated talent at its pinnacle. It is a grand, tender, sweeping story that spans decades and continents. It cements Hemon as one of the boldest voices in fiction.
As the Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It’s not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it’s nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can’t put in perspective.
And then the world explodes. In the trenches in Galicia, fantasies fall flat. Heroism gets a man killed quickly. War devours all that they have known, and the only thing Pinto has to live for are the attentions of Osman, a fellow soldier, a man of action to complement Pinto’s introspective, poetic soul; a charismatic storyteller; Pinto’s protector and lover.
Together, Pinto and Osman will escape the trenches, survive near-certain death, tangle with spies and Bolsheviks. Over mountains and across deserts, from one world to another, all the way to Shanghai, it is Pinto’s love for Osman―with the occasional opiatic interlude―that keeps him going.

南斯拉夫战争结束不到20年，一群老兵怀着相同的心愿，聚集在遥远大山里的酒店中，他们希望通过数日的努力来治愈自己内心的创伤。性格迥然不同的男人们聚在一起，各自的棱角让他们难以和谐共处。失去战友的感伤，时过境迁的悲悯，亲历战场的惊恐，种种负面情绪在夜深人静时悄然袭来，折磨他们脆弱得不堪一击的内心。他们因而徘徊、失落、争吵、辱骂、打斗……情绪找不到出口，只能诉诸于暴力的方式。幸运的是，经过不断地磨合，他们越来越能理解彼此，愿意为了照顾别人的感情而放弃自己所谓的坚持。同时，随着他们的情感纽带在不知不觉间越来越坚固，他们内心的创伤也在不断愈合。冷静下来的老兵们已经意识到，只有宽恕了自己，才能去宽恕别人，才能拥抱这个世界。

"Today, it seems, was the day I was meant to die." When a writer suffers a heart attack at the age of fifty, he must confront his mortality in a country that is not his native home. Confined to a hospital bed and overcome by a sense of powerlessness, he reflects on the fragility of life and finds extraordinary meaning in the quotidian. In this affecting autobiographical novel, Semezdin Mehmedinovic explores the love he and his family have for one another, strengthened by trauma; their harrowing experience of the Bosnian war, which led them to flee for the United States as refugees; eerie premonitions of Donald Trump's presidency; the life and work of a writer; and the nature of memory and grief.
Poetically explosive and pure to the core, My Heart serves as a kind of mirror, reflecting our human strengths and weaknesses along with the most important issues on our minds--love and death, the present and the past, sickness and health, leaving and staying.

Through a photographic narrative, this film presents texts of Bosnian poet Marko Tomaš. Marko and Maja are moving flats in Sarajevo. Maja's depression turns Marko's struggle into poetry, and played on the radio, Marko’s poems become the last bridge of communication between them

Two books in one in a flip dos-à-dos format: The story of Aleksandar Hemon’s parents’ immigration from Sarajevo to Canada and a book of short memories of the author’s family, friends, and childhood in Sarajevo
In My Parents, Aleksandar Hemon tells the story of his parents’ immigration to Canada―of the lives that were upended by the war in Bosnia and siege of Sarajevo and the new lives his parents were forced to build. As ever with his work, he portrays both the perfect, intimate details (his mother’s lonely upbringing, his father’s fanatical beekeeping) and a sweeping, heartbreaking history of his native country. It is a story full of many Hemons, of course―his parents, sister, uncles, cousins―and also of German occupying forces, Yugoslav partisans, royalist Serb collaborators, singing Ukrainians, and a few befuddled Canadians.
My Parents is Hemon at his very best, grounded in stories lovingly polished by retelling, but making them exhilarating and fresh in writing, summoning unexpected laughs in the midst of the heartbreaking narratives. This Does Not Belong to You, meanwhile, is the exhilarating, freewheeling, unabashedly personal companion to My Parents―a perfect dose of Hemon at his most dazzling and untempered in a series of beautifully distilled memories and observations and explosive, hilarious, poignant miniatures. Presented dos-à-dos with My Parents, it complements and completes a major work from a major writer.
In the words of Colum McCann, “Aleksandar Hemon is, quite frankly, the greatest writer of our generation.” Hemon has never been better than here in these pages. And the moment has never been more ready for his voice, nor has the world ever been more in need of it.

After the end of the war in Bosnia, Halima, a good-natured peasant woman from a remote Muslim village in Western Bosnia, searches for the remains of her husband and her teenage son, who were taken by Serbian paramilitary forces and executed. Using DNA analysis, the UN Committee for Missing Persons manages to identify the remains of her husband in one of the mass graves, but the Committee still can't identify the remains of her son, since Halima refuses to give a blood sample for DNA testing. There is something that the Committee doesn't know, something that Halima is hiding from others: her beloved son wasn't actually her biological son. The story takes us back two decades ago, during the period of Yugoslavia, where we learn how Halima and her husband became adoptive parents, after fruitless efforts to have a child on their own. Along with that story, we follow Halima's path nowadays while she is searching for the biological mother of her son, the only person who can give a blood.