Ashton D. Simmonds (born April 5, 1995), known professionally as Daniel Caesar, is a Canadian singer and songwriter.

Barcode 0753936905757

Tamara Lindeman’s songwriting has reached stunning new heights. With a full band supporting her, her new album draws upon the natural world to create unforgettable moments of calm and beauty.

"It all started with a field recording
taken near a waterfall,
where the rushing sound
reminded me
of the drowsy hiss of a cassette tape.
Listening to the movement of water
enticed me to explore the poetics of linearity.
Each track of the album
is made from a tape loop
sample of the previous one;
what is to come
could not exist without the present."
-- Pier-Luc Tremblay

Bummer received generally positive reviews from music critics. Exclaim! praised the album's "excellent grooves", "unique energy" and "plenty of pounding, cathartic moments throughout",while Kerrang! praised the bands "titanic riffs", although criticised the way "the songs seem to meld into one another".
Metacritic assigned the album 72/100, based on five reviews

During their brief existence, Heat Exchange - from Canada - recorded an album of which only four tracks were released as 45s for the legendary Yorkville label.
Here’s for the first time ever the complete Heat Exchange studio recordings, including their three 45s plus the previously unreleased recordings they did for their never released LP in 1972.
Fabulous UK sounding heavy progressive and psychedelic hard rock. Top level musicianship, well constructed songs, powerful vocals, sax, flute, wah-wah, Organ, solid rhythm section…
*Remastered from original reel-to-reel tapes and 45s.
*Insert with detailed liner notes and photos, including an introduction by Rich Sheppard (After The Sabbath).
RIYL: King Crimson, Jethro Tull, Samurai (UK), Web (“I Spider”), Human Beast, Deep Purple…

The remixes features the titled track (Album Version) backed with five non-LP versions, (Midi Mafia Remix, Rizzo Global Club Mix, Rizzo Sexy Radio, Felix's Hechtic Club Mix & Felix's Hechtic Dub Mix). Elektra. 2003.

The First Nations songwriter receives his overdue recognition with this brilliant and troubling anthology, which shows the breadth of his skill. Nearly every song is remarkable, and nearly any of them could have served as a breakthrough.

Up in the Great White North, the buzz is palpable. Knighted the latest Canadian "it" band, The Organ have been riding a wave of attention and acclaim revolving around the band’s Mint/604 Records debut, 'Grab That Gun.' With cover stories in Canada’s biggest music monthly (Exclaim) and myriad reviews and features from coast to coast — including unanticipated yet welcome coverage in American mags Fader and Venus — The Organ are ready to take on the U.S. with the release of 'Grab That Gun' on November 2, 2004.

Based around the warm, melancholic tones of Jenny Smyth’s Hammond organ, Katie Sketch’s Morrissey-meets-Alison Moyet vocals and Debora Cohen’s guitar that alludes to Johnny Marr, the band has been consistently compared with the best songwriters of the early ‘80s new-wave, writing structured songs around minimal arrangements and creating a nuanced, textured sound that is brooding and catchy at the same time. The best of many bands can be found here — whether it is the weaving counterpoint melodies between organ and bass, the lean bell-like intonation of sparkling guitars, the charmed tenacity of the snare, or the suspended lamentation of Sketch’s cascading vocals — and much excitement is borne out of the desire to name The Organ’s sound in precise terms.