Grigory Lipmanovich Sokolov born April 18, 1950, is a Russian concert pianist. He is among the most esteemed of living pianists, his repertoire spanning composers from the Baroque period such as Bach, Couperin or Rameau up to Schoenberg and Arapov. He regularly tours Europe, and resides in Italy.

Disk: 1
01 Akademische Festouvertüre op.80
02 Serenade Nr.1 D-dur op.11
03 Alt-Rhapsodie op.53

Disk: 2
01 Serenade Nr.2 A-dur op.16
02 Haydn-Variationen op.56a

This new performance of one of the most emblematic music works ever composed is the debut recording of Insula Orchestra, a new formation (on period instruments) co-founded in 2012 by Laurence Equilbey. Along with an impressive range of soloists (Sandrine Piau, Sara Mingardo, Werner Güra and Christopher Purves) and Accentus, the leading European choir also founded by Laurence Equilbey twenty years ago, they offer an intense and stylish performance of Mozart’s Requiem. Composed in his final year and unfinished, the work is still today shrouded in mystery.

介质为1CD！

01 Les Saisons (The Seasons), Op. 37b: I. January: By the Fireside 5:44
02 Les Saisons (The Seasons), Op. 37b: II. February: Carnival 2:38
03 Les Saisons (The Seasons), Op. 37b: III. March: Song of the Lark 2:44
04 Les Saisons (The Seasons), Op. 37b: IV. April: Snowdrop 2:35
05 Les Saisons (The Seasons), Op. 37b: V. May: May Nights 4:30
06 Les Saisons (The Seasons), Op. 37b: VI. June: Barcarolle 4:17
07 Les Saisons (The Seasons), Op. 37b: VII. July: Song of the Reaper 1:36
08 Les Saisons (The Seasons), Op. 37b: VIII. August: The Harvest 3:33
09 Les Saisons (The Seasons), Op. 37b: IX. September: The Hunt 2:53
10 Les Saisons (The Seasons), Op. 37b: X. October: Autumn Song 4:31
11 Les Saisons (The Seasons), Op. 37b: XI. November: Troika 3:04
12 Les Saisons (The Seasons), Op. 37b: XII. December: Christmas 4:32

Hélène Rose Paule Grimaud is a French classical pianist and the founder of the Wolf Conservation Center in South Salem, New York.

A 7-CD set of the complete piano works by the late Anna Stella Schic, who was a close friend of Villa-Lobos and Mindinha in Paris. This was the first recording of the whole piano music series, and can be considered the reference set for the piano music because of Schic's scholarship and closeness to the Villa-Lobos family.

This set of Annie Fischer’s complete EMI recordings represent her during a particular decade, when she had made her European reputation. These recordings helped spread that reputation and increased her prominence among pianists.
As studio recordings, they form an unusual part of Fischer’s legacy – during most of her time as a performer, she avoided recording studios as she did not believe in playing in a studio without the presence of an audience. She shared this view with her eminent colleague Sviatoslav Richter, who said of her, ‘Annie Fischer is a great artist, imbued with a spirit of greatness and genuine profundity.’ However, from 1955 to 1966, she made a series of recordings for EMI. It began with Bartók’s Third Piano Concerto, the only work she recorded in 1955, and concluded with two of the six Mozart Piano Concertos. They were all made at Abbey Road Studios in London, with the exception of Schumann’s Kinderszenen and Kreisleriana, recorded in Vienna.