Dim Days of Dolor is the title of our new upcoming album. It consists of 11 brand new songs plus one bonus track. The release date for the a lbum is set to the 11th of November 2016. The artwork is again done by Gyula Havancsák from Hjules Illustration and Design. All recordings are completed and the album is being mixed in Hansen Studios in Denmark these days. The new Sirenia singer will be announced officially on the 8th of September.

窈窕美眉是由來自挪威的瑪麗特·拉森及瑪麗安·雷文組成的雙人女子團體。因兩人名字開頭均為M，故取名為M2M。已於2002年9月23日解散

The Norwegian vocalist’s new covers album offers spare, chilly takes on songs from post-punk Manchester, 1970s New York, and Elizabethan England.

"Drowning In The Sky" is a collaboration album between PJUSK (Rune Sagevik & Jostein Gjelsvik) & SLEEP ORCHESTRA (Christopher Pegg).
The project came about after SLEEP ORCHESTRA was given some recommended listening by a friend. After listening to PJUSK for many months, he found out that they were performing at Storung Festival in Barcelona the next year. PJUSK and SLEEP ORCHESTRA met at the festival and after a good chat and listening to each others material, it was agreed by both parties that they wanted to work together on a collaboration album.
Chris has said that, "If it wasn't for my friend recommending me to listen to PJUSK's "Tele" album this project may never have happened!"
That friend was Juan Diego Burillo (1974 - 2012). The Album "Drowning In The Sky" is dedicated to his memory.
The music of "Drowning In The Sky" creates a soundtrack of ambient soundscapes and drones that move you slowly and steadily through an ever changing landscape of water, fog and the clouds in the sky. This is the type of music to listen to when you just want to float away to another world.

1999 release by the absolute masters of death metal. Six tracks, including 'Tragedies Blows At Horizon', 'Solarfall', and 'Years Of Silent Sorrow'. Standard jewel case.

Satyricon's first full-length album release in four years. Includes the bonus track 'Storm (Of The Destroyer)'. Roadrunner. 2006.

6th full-length
Ole Jørgen Moe - Vocals, Bass
Rune Eriksen - Guitars
Carl-Michael Eide - Drums

Wardruna由Einar "Kvitrafn" Selvik成立于2003年的乐队，之后又相继加入了Gaahl 和Lindy Fay Hella，Kvitrafn和Gaahl都是前Gorgoroth乐队成员。乐队的音乐内容上是基于北欧唯灵论和古北欧Elder Futhark字母。乐队成立至今发行了两张全长专辑，每一张基于一组古北欧字母。
2013年的专辑《Runaljod - Yggdrasil》是他们的第二张专辑。

A re-recording of some songs from the Wrath of the Tyrant demo with better
production and different vocal style.
Ihsahn - vocals, guitar, keyboards
Samoth - guitar
Mortiis - bass
Faust - drums
Re-released in 2000 on digiCD by Spikefarm Rec. as part of the "True Kings of
Norway" split with Immortal, Dimmu Borgir, Ancient and Arcturus. This version
switches the order of "Lord of the Storms" and "Witches Sabbat," and the former
is a remixed version.
Bootleg release by Hell Slaughter Records in 2006 on 7" PicLP,
limited to 300 copies.

Highasakite is an indie pop and indie rock band originating from Norway. The band formed when vocalist and songwriter Ingrid Helene Håvik met drummer Trond Bersu whilst studying jazz at the Trondheim Jazz Conservatory. In 2010, after just six months, the duo started working on their debut album. The album All That Floats Will Rain was released in 2012 via Riot Factory in Norway.

Pom Poko are Ragnhild (lead vocals), Ola (Drums), Jonas (Bass) and Martin (Guitar). The 4 met whilst all studying at the Trondheim Music Conservatory in Norway and quickly garnered interest from a wider audience as they began playing and writing together. The group cite a range of influences for their unique sound, including “(West)-African music like Oumou Sangaré and Ali Farka Touré; indie bands like Vulfpeck, Palm and KNOWER; noisy high-energy bands such as Hella and Death Grips; and music with interesting lyrics such as Jenny Hval and Nick Drake.” But you’d struggle to pin them down to one or two forebears, given their resistance to anything resembling a prescriptive approach.
Bass Guitar, Synthesizer – Jonas Krøvel
Design – Erlend Peder Kvam
Drums, Percussion, Synthesizer – Ola Djupvik
Guitar, Backing Vocals, Synthesizer, Percussion – Martin Miguel Almagro Tonne
Mastered By – George Tanderø
Mixed By – Marcus Forsgren
Vocals, Synthesizer, Percussion – Ragnhild Fangel Jamtveit

“Gode is a personal album. It's the album I have always wanted to make” says André Bratten.
The album was made between 2012 - 2015 in Oslo and Bratten sites artists like Giacinto Scelsi, Arvo Pärt, Gescom/AE, Brian Eno and Norwegian compatriot Biosphere as inspiration. “Gode" has a dual meaning in Norwegian. It’s a Middle English word that gave us the modernEnglish word “Goad” (meaning to provoke or annoy). On the one hand it literally means “cattle prod”, a farming tool used to round up cattle. But it also came to mean “a right or privilege” as the cattleprod came to symbolize the indentured labor of the Norwegian rural working class. The land owning aristocrats would exploit the people as if they were so much livestock. Like a stark black & white film, the record is a meditation on the darker days of Norway’s past, before the country discovered its oil wealth. From 1900 – 1939 it was one of Europe’s poorest countries, beset by illness and starvation even. Rural poor depended completely on their families and had more children to work the land. Only the privileged could afford to make art, and Bratten thinks of the void all the music and art from the poorest families that was lost. “Gode” is a hymn to those people.

The Senja Recordings is a collection of various outdoor recordings and studio improvisations recorded on the island of Senja, Arctic Norway, between 2015 and 2018.
Boomkat: "Geir Jenssen yields a most Biosphere of Biosphere recordings with this new album recorded on a Norwegian island within the arctic circle
Leading on from recent years’ ‘Departed Glories’ and ‘Petrified Forest’, the 66 minute long and 17-track wide suite of ‘The Senja Recordings’ arguably amounts to the most significant Biosphere outing of this decade. Taking its title from Norway’s 2nd largest island, where it was conceived, the album features outdoor sounds and improvisations made during Jenssen’s stays between 2015-2018 and finds the artist more porous than ever to distorted, granular textures along with his trademark palette of elemental electronics. It’s essentially the artist getting closer than ever to his surroundings and cutting down the space between there and your ears.
From the sounds of it, one can only imagine Jenssen had a quietly blissful time making this record. There’s the expected darkness for sure, but it always resolves with strong pangs of isolationist melody, cropping up Conet Project-like in ’Strandby’; glowing like a dawn aurora behind a granite cliff in ‘Berg’; or harmonising with the birds and air in ‘Fjølhøgget’ and the Aeolian harp-like tones of his ‘Bergsbotn’ trio, so named after the small village facing out to harsh North Atlantic. factor in the natural yet unearthly sounds picked up by his hydrophone in ’Skålbrekka’, and the gloaming solitude of his sublime closer ‘Hå’, and you have a top class Biosphere album, if you like this sort of thing."