Eponymous debut album from Minor Victories, a brand new musical collaboration formed by Stuart Braithwaite (Mogwai), Rachel Goswell (Slowdive), Justin Lockey of Editors, and his brother James. The freedom, the immediacy, the swapping of ideas and incredibly, the fact that all four members have barely spent any time together recording or writing only adds to the heart of the project.

That Total Age is the debut album of the British EBM group Nitzer Ebb. After its release, it spawned the hit single "Join in the Chant," which hit #9 on the US dance chart in 1987.

《克雷格大卫：命中注定》英国正日益走红的节奏布鲁斯歌手。这位出生于1981年的年轻人，自小受曾在担任过贝司手的父亲的熏陶，很早就在俱乐部中担任说唱歌手和DJ。他的才华在一次创作比赛中被发现，他创作的单曲“通知我”（Fill me in）和“7天”（7 Days）都夺得了排行榜的冠军，首张唱片《与生俱来》（Born to do it）更是令2000年的英国歌坛为这位新人的出现而惊喜。他略带牙买加口音的演唱与缠绵而时髦的新式节奏布鲁斯结合，同样打开了美国市场，在流行乐坛争得了一席之地。



01 Fill me in 4:17
02 Can't be messing'round 3:53
03 Rendezvous 4:37
04 7 Days 3:55
05 Walking away 3:24
06 Time to party 4:05
07 Booty man 3:48
08 Once in a life time 3:30
09 You know what 3:34
10 Fill me in（Ar'tful dodger remix）
11 Fill me in（sun ship remix）

2008 digitally remastered reissue of the Synthpop duo's debut album coinciding with their reunion tour. Originally released in July '82, the album from former Depeche Mode songwriter Vince Clarke and vocalist Alison Moyet explored the pair's unusual potential to stunning effect. From the raunchy Synth Funk of 'Goodbye 70s' to the chilling darkness of 'Winter Kills', it was one of the most complete debut albums to have emerged throughout the decade as a whole, with the cover image of dismembered showroom dummies echoing the music's sense of dislocation from the standard pop formula. Features the hit singles 'Only You' and 'Don't Go'. Mute.

说这张专辑划时代，是因为作为日后著名的独立厂牌４ＡＤ开山之作的ＢＵＲＮＩＮＧ　ＢＬＵＥ　ＳＯＵＬ开启了独立之声的大门．ＴＨＥ　ＴＨＥ名字怪，其实只是ＭＡＴＴ　ＪＯＨＮＳＯＮ一人乐队，ＭＡＴＴ是个怪才．发行这张专辑时他才１９岁．

Heartbeat

We are proud to announce the debut eponymous album by multi-instrumentalist, producer and songwriter Georgia Barnes, released on 7th August 2015.
Written, performed and produced by Barnes in its entirety and recorded in her own home-studio, ‘Georgia’ is the product of two years of obsessive work, but also a young lifetime of voracious music listening.
Elements of the glacial yet hyper-melodic tone of early 00's grime, sweltering, mid-summer west London dub and ragga, sophisticated pop, first wave post-punk agitation, the formative influence of Missy Elliott and the high-concept, illuminated sound-design work of contemporary artists such as The Knife and Hudson Mohawke run through ‘Georgia’, a record that reveals new layers of intrigue and ingenuity with every listen.

Petrels returns in May with thunderous new album, Flailing Tomb, to be released via Denovali Records. Taking the exhilaratingly huge sonic expanse that Petrels has become known for and pushing it further still, Flailing Tomb draws on a breathtaking sonic palette of influences and instrumentation to craft perhaps the strongest Petrels release to date.
Flailing Tomb's underlying theme is a many-layered obsession with – and joyous celebration of – the defiance in persisting with lost causes. Building on the mythological foundations of previous albums – Haeligewielle, Onkalo and Mima – Flailing Tomb takes an underlying current that ran beneath each of these and pushes it to the fore. Flailing Tomb draws inspiration from sources as wide-ranging as Ursula K. Le Guin's speculative fiction, Indian-Celtic connections, self-mummification, Jude The Apostle (patron saint of lost causes), and Jean-Luc Godard's seminal sci-fi masterpiece, Alphaville (much of the second-half of the album is adapted from music originally written as an alternate score to the film), weaving all this and more into six intricately-layered parts - at once forthright and ambiguous.
With a much broader range of instrumentation and contributors than previous Petrels albums – from the melodic cacophony of album opener We Are Falling Into the Heart Of The Sun, to the euphoric choral backdrop of Orpheus with a lead vocal from NEVER SOL and the epic motorik finale of L. Caution – Flailing Tomb is both an expansion on and refinement of the Petrels sound and an album that confirms the arrival of a singular artist.
Petrels is the solo project of London-based musician and illustrator, Oliver Barrett. Since releasing his debut Haeligewielle in 2011, Petrels has toured across Europe and shared a stage with the likes of Tim Hecker, FIRE!, Nate Young (Wolf Eyes), Trouble Books, Demdike Stare, Nadja, and Hans-Joachim Roedelius (Cluster). Having also collaborated with and provided remixes for artists as varied as Duane Pitre, Brassica, Talvihorros and Max Cooper, Petrels' output is proving to be thrillingly eclectic and unpredictable.