本书共分八部分，主要内容包括：“学妖”与“四姨太效应”；科学态度：从老中医绝食说起；一个辉煌的物理时代的终结等。

Loeb Classical Library 142
This volume contains the poetic fragments of the two illustrious singers of early sixth-century Lesbos: Sappho, the most famous woman poet of antiquity, whose main theme was love; and Alcaeus, poet of wine, war, and politics, and composer of short hymns to the gods. Also included are the principal testimonia, the ancients’ reports on the lives and work of the two poets.
The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss.

Johnny Wise came to London from Malaya in 1940, met a girl and, when she was unfaithful to him, committed suicide. Retribution came in 1947, catching up with the principals in Johnny Wise’s death in the course of an Exhibition’s pageant.
Which of the eleven visored knights killed the maiden in the tower—and how? Inspector Cockrill is baffled. And his task is not made any easier because all the suspects were anonymous in their suits of armour at the time of the murder…

In this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín.
For Tóibín, the secret of Bishop’s emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere.
Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.

由英国学者鲁唯一（Michael Loewe）与美国汉学家夏含夷（Edward L.Shaughnessy）等人所编著的《剑桥中国上古史：从文明的起源到公元前221年》（The Cambridge History of Ancient China：From the Origins of Civilization to 221 B.C.）已经于1999年由英国剑桥大学出版社出版发行。尽管迄今为止该书中译本仍未面世而不免使人有遗珠之憾，但该书不仅反映了西方数代汉学家所秉持的迥异的研究方法与理论素养而具有相当的学术性与可读性。而且该书的分析视角和学术思路也值得在中国先秦史研究中加以镜鉴，从而开拓并深入中国的先秦史研究的内容与视界。
该书内容翔实而不仅仅是对史料的简单汇编，全书恰好地将传世文献资料和考古文物资料互为补充，基本上对中国先秦时代的主要领域和研究动态做了必要交代。
《剑桥中国上古史：从文明的起源到公元前221年》一书从整体上呈现了对史料的批判与怀疑性考量的特点。鲁唯一与夏含夷在该书的导论部分中即以处理而非简单罗列的态度对传世文献进行梳理与总结。他们写到：“两百年前，当胡安·冈萨雷斯·德·门多萨使用西方语言完成了首部完整的中国史著作《中华大帝国史》时，他所依靠的事实是由朱熹所创作的一部改述与二手作品《通鉴纲目》的简单复述。”表现了对史料形成过程的极大关注，即重视史料形成的文化背景。此外，该节中还运用了较大篇幅介绍并积极评价了以顾颉刚为代表的古史辨派的主张与成就，反映了实证是研究的基础，对史料的辨析是保证实证是否有效的基本前提。
张光直所撰写的第一章《历史时代前夕的中国》中，作者专门安排了《对夏代的质疑》的一节，从古史传说、研究回眸、考古证据等诸多维度对夏代是否存世发起挑战，尽管该论断迄今仍然充满争议而未获得学界普遍公认，但张光直在此将史料出现与其产生环境进行综合分析的方法仍对当前的中国上古史研究工作的开展与进步大有裨益。
在第二章之语言文字中，该章执笔者威廉·博尔茨在将中国上古时期的语音做了分类汇总后又运用娴熟的语言学理论对早期的印欧语系和澳亚语系之不同传播方向对古代汉语辞汇中所产生的影响进行了分析而在该章之文字部分的表述中得出了汉字自成体系而非古代北非、西亚地区传入形成之观点。
罗伯特·贝格利在第三章的商代考古部分中不仅对中国河南安阳、偃师、郑州等地的商代考古资料加以恰当地比较分析而且也对迥异于中原地区的四川广汉三星堆、江西新干大洋洲等地的考古资料进行了考量评述并提出了商代文化多元之理论，使重新审视传世文献工作变得重要且必要。从而把史实叙述与专题研讨两者相互结合，视角广阔、叙事手法多样，政治、文化、宗教信息在以时间为纲、专题为目的编纂体系中均有不同程度的体现与表述而反映了各学人的笔力与功底。不仅是对20世纪末的海外中国先秦史研究成果进行了基本梳理与重要总结，而且也是各学人彼此分工合作，精研学术的有力体现。
吉德炜在所执笔的第四章《商代：中国第一历史朝代》中综合利用青铜铭文、天文资料、古典记载、历法讯息等手段，以专门以一节的篇幅论述了绝对年代、时间与历法等涉及历史分期的重要概念与内容，形成有别于中国内地所通行的商代年表体系，为学界进一步探讨相关年代分期提供了新的空间以及讨论的价值。
杰西卡·罗森在所撰写的《西周考古》一章通过结合考古资料指出，早期周人相去商人甚远而在青铜器铸造上广受其影响而有所进步发展，商周鼎革完成后周人之青铜艺术伴随统治与交往扩大而渐趋多元变化而反映了周力量之变化轨迹，为一窥周之文明外幅状况提供重要参考。此外，杰西卡·罗森还在该章中适时提出了“礼制革命”（Ritual Revolution）这一概念，试图以文明的发展及其变化作为解释历史发展的基本线索而反映了该时期人类所获得成果情况并对这一过程进行体现。表现了西周的兴衰变化并结合考古资料凸显西周青铜器之变化历程，以礼器数量的上升情况强调了西周中期以后伴随承平日久而使周人逐渐由重武力向好礼乐变化而由盛转衰之基本事实。从而恰好地将各彼此看似孤立的历史现象加以联系，正确的评价并认识了该时期周文明成果与代价之间的关系。
许倬云在所撰写的《春秋时代》一章中把西周征兵国人与古希腊城邦公民兵制进行比较，从中倡导相对中立的价值尺度，无疑有助于全球普适历史话语系统与人类整体历史的建立与书写。
鲁唯一在所执笔的该书末章《留给帝国的遗产》中对公元前256年至公元前221年中国政局、宗教礼制、文艺等状况进行了必要地回顾与总结而作为该书的终篇，反映人类历史发展的纵向变化发展历程，从而恰好与剑桥大学出版社1986年所出版发行的《剑桥中国秦汉史：公元前221年-公元220年》相互衔接。

读她的书是纯快乐、真美好
倾听天籁之声、仰望澄阔天宇、爱美爱乐爱人
古典乐评家、管风琴家 马慧元 才华横溢、犀美之作！
她弹得一手好钢琴，尤其天赐之乐感非勤奋所能企得。她从浩如烟海的音乐史料中沙里淘金，撷取真正的宝珠。周小静先生赞她同时拥有专业与感性：读她与音乐大师的对谈，“真是一大享受”。赵晓生先生更是赞她为音乐评论的奇人：“看出别人读了千遍百年也没读出来的新意思”。古典乐评家、管风琴家马慧元的第六本书，由巴赫而路易十四时代的大库泊兰，深掘细研整个法兰西精细秀美不广为人知的管风琴文献……匪夷所思的切入与振聋发聩的言词让你心灵重受颤撼，文字之犀美、思想之锋利，较之前著又有长足大进。

Reassembling the Social is a fundamental challenge from one of the world's leading social theorists to how we understand society and the 'social'. Bruno Latour's contention is that the word 'social' as used by Social Scientists has become laden with assumptions to the point where it has become a misnomer. When the adjective is applied to a phenomenon, it is used to indicate a stabilized state of affairs, a bundle of ties that in due course may be used to account for another phenomenon. Latour also finds the word used as if it described a type of material, in a comparable way to an adjective such as 'wooden' or 'steely'. Rather than simply indicating what is already assembled together, it is now used in a way that makes assumptions about the nature of what is assembled. It has become a word that designates two distinct things: a process of assembling: and a type of material, distinct from others. Latour shows why 'the social' cannot be thought of as a kind of material or domain, and disputes attempts to provide a 'social explanation' of other states of affairs. While these attempts have been productive (and probably necessary) in the past, the very success of the social sciences mean that they are largely no longer so. At the present stage it is no longer possible to inspect the precise constituents entering the social domain. Latour returns to the original meaning of 'the social' to redefine the notion and allow it to trace connections again. It will then be possible to resume the traditional goal of the social sciences, but using more refined tools. Drawing on his extensive work examining the 'assemblages' of nature, Latour finds it necessary to scrutinize thoroughly the exact content of what is assembled under the umbrella of Society. This approach, a 'sociology of associations' has become known as Actor-Network-Theory, and this book is an essential introduction both for those seeking to understand Actor-Network-Theory, or the ideas of one of its most influential proponents.

本书是作者第四本随笔集，以书评为主。题材涉及到文化、音乐、科技等。马慧元的随笔常有独特的见解，令人惊喜，这使她的文章峰峦突起而非一览无余。同时这些见解全都溶入了行云流水般的轻丽的文字中，点像莫扎特的音乐，不逆眼逆耳，不拒人于千里之外。总以一种喜滋滋的闲谈的方式示人。
本书是中华书局“书人书事”书话集的一种。书话的题材，过去多以谈文史、谈旧书为主，谈音乐、科技一类的书，则肯定是个异数。但也正因为这种有深度又极具个性的“异数”，自会令书话读者耳目一新。

从1989年开始，吕楠用15年的时间完成了他恢宏如史诗般的“三部曲”——《被人遗忘的人——中国精神病人生存状况》、《在路上——中国天主教》和《四季——西藏农民的日常生活》等三个系列作品。这三部作品“仿佛象征了人类今天的精神状况，象征了吕楠期望的人类伟大精神的复归”（栗宪庭语）。
1996年至2004年，吕楠独自在西藏拍摄了他迄今为止最重要的作品《四季——西藏农民的日常生活》。七年时间，他几乎每年都有至少一半的时间生活在西藏，最多的一次，他曾经连续在西藏工作达9个月之久。完整的秋收，他就拍了4次，春播他拍了2次；在他拍摄的40多个村子中，每个村子的海拔都在4000米以上，几乎每天他都要艰难地往返于拍摄点和驻地。而“休息”的时间，他也都用来学习柏拉图、歌德的著作，听巴赫的音乐，而正是这些已经被“当代”遗忘的“伟大作品”成为了吕楠在西藏的精神动力，他说，是歌德是巴赫支撑着他在西藏的生活和工作，并给他以巨大的营养，使他一直保持着一种宗教般的虔诚。
从3500多个胶卷、12万6千多张底片中精心挑选出来的109幅纯净的黑白照片，组成了《四季——西藏农民的日常生活》，作品以季节为顺序，从春播到到秋收，从温暖的夏天到寒冷的冬季，几乎包含了西藏农民日常生活的方方面面，结构完整，画面完美，洋溢着劳动与亲情的诗意和美感，像一副副伟大的“影像版”的古典主义绘画。
有人曾经问吕楠，为什么选择拍摄西藏的农民。他说：“西藏的农民是在一个相对广大的地域里面，世界上最后一个不受任何诱惑的从容不迫地生活的人群。很多人认为藏族是一个很特殊的民族，我一开始拍就没把他们当作一个特殊的民族，为什么呢？任何一个民族在这样一个环境下，也会是这样。因为他们没有任何可能性，我们也曾经经历过，当没有任何可能性的时候，我们都纯粹！因此，其实这7年，我并不是在拍‘西藏的农民’，我是在拍‘人的生活’——我们当初曾经也经历过，但在大多数地方已经消失的人类健康的质朴的生活。”

The most important primary texts on homosexuality in ancient Greece and Rome are translated into modern, explicit English and collected together for the first time in this comprehensive sourcebook. Covering an extensive period--from the earliest Greek texts in the late seventh century b.c.e. to Greco-Roman texts of the third and fourth centuries c.e.--the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but highly relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence. These fluently translated texts, together with Thomas K. Hubbard's valuable introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today.
The material is organized by period and by genre, allowing readers to consider chronological developments in both Greece and Rome. Individual texts each are presented with a short introduction contextualizing them by date and, where necessary, discussing their place within a larger work. Chapter introductions discuss questions of genre and the ideological significance of the texts, while Hubbard's general introduction to the volume addresses issues such as sexual orientation in antiquity, moral judgments, class and ideology, and lesbianism. With its broad, unexpurgated, and thoroughly informed presentation, this unique anthology gives an essential perspective on homosexuality in classical antiquity.

In this gripping memoir of the AIDS years (1981-1996), Sarah Schulman recalls how much of the rebellious queer culture, cheap rents, and a vibrant downtown arts movement vanished almost overnight to be replaced by gay conservative spokespeople and mainstream consumerism. Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation's imagination and the consequences of that loss.

本书是适合所有层次学生的理想教材，包含语言教学的诸多领域，诸如语言学、英语、教育、外国语言、心理学、人类学、社会学以及英语作为第二语言的教学。第八版继承作者始终如一的写作与出版理念，努力做到最前沿、最完整、内容最丰富，除保留面向学生的亲和风格之外，新增了近年来神经语言学的新发展和语言自主性的相关研究，更新了心理语言学的最新发现和计算语言学的有关议题等，反映了语言学领域内最新的研究成果。

Fashion model, surrealist artist, muse, photographer, war correspondent—Lee Miller defies categorization. She was a woman who refused to be penned in, a free spirit constantly on the move from New York to London to Paris, from husbands to lovers and back, from photojournalistic objectivism to surrealism.

Midcareer, she made the unprecedented transition from one side of the lens to the other, from a Condé Nast model in Jazz Age New York to fashion photographer, creating stunning images that imbued fashion with her signature wit and whimsy. Miller became a celebrated Surrealist under the tutelage of her lover, Man Ray, and then joined the war effort during World War II, documenting everything from the liberation of concentration camps to the daily life of Nazi-occupied Paris. Miller was recognized as “one of the most distinguished living photographers” during her hey-day as a fashion photographer, but an astonishing number of these images have remained unpublished. Lee Miller in Fashion is the first book to examine how her career as a model and fashion photographer illuminates her life story and connects to international fashion history from the late 1920s until the early 1950s.

The world of fashion emerges as the backbone of Miller’s creative development, as well as an integral lens through which to understand the effects of war on the lives of women in the 1940s and 1950s. Miller witnessed incredible acts of resistance born out through fashion—and her photographic record of women’s indomitable spirit even in times of war has remained an invaluable resource in fashion and global history. Lee Miller in Fashion presents these striking archival fashion photographs as well as contact sheets, memos, and Miller’s published illustrations, vividly setting the wit, irrepressible creativity, and daring of Miller within the larger story of women’s experience of fashion, art, and war in the twentieth century.

“In all her different worlds, she moved with freedom. In all her roles, she was her own bold self.”
—Antony Penrose

Originally published in 1982 as the first of Edmund Whiteas trilogy of autobiographical novels, "A Boyas Own Story" became an instant classic for its pioneering portrayal of homosexuality. The bookas unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solaceaand to uncover new relationships in the struggle to embrace his own sexuality. Lyrical and poignant, with powerful evocations of shame and yearning, this is an American literary treasure.

From the Pulitzer Prize-winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short-story collections of our time. Annie Proulx's masterful language and fierce love of Wyoming are evident in these breathtaking tales of loneliness, quick violence, and the wrong kinds of love. Each of the stunning portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent -- by an author writing at the peak of her craft.