Japanese reissue of 1994 album includes four bonus tracks, 'Hostility', 'World Of Denial', 'Go Home' (Video) & 'Eye To Eye' (Video). JVC. 2004.

Lita Rossana Ford is an English-born American guitarist, vocalist and songwriter. She was the lead guitarist for the all female rock band the Runaways in the late 1970s before embarking on a successful glam metal solo career, that hit its peak in the late 1980s.

Lita Rossana Ford is an English-born American guitarist, vocalist and songwriter. She was the lead guitarist for the all female rock band the Runaways in the late 1970s before embarking on a successful glam metal solo career, that hit its peak in the late 1980s.

Lita Rossana Ford is an English-born American guitarist, vocalist and songwriter. She was the lead guitarist for the all female rock band the Runaways in the late 1970s before embarking on a successful glam metal solo career, that hit its peak in the late 1980s.

UK reissue of the all-girl foursome's 1979 album. Nine tracks including covers of The Beatles' 'Eight Days A Week' & Slade's 'Mama Weer All Crazee Now', both with Joan Jett on vocals. Anagram.

Japanese reissue of the female rock quintet's 1980 live album. 12 tracks, including 'Cherry Bomb', 'Rock And Roll', 'Wild Thing', 'Gettin' Hot' and 'American Nights'. The original was released on Polygram. The band features Joan Jett, Lita Ford & Cherie Curie. Phonogram.

60TH未成年少女乐团....错，是70年代啊好呢月子

Ch-Ch-Ch-Ch-Ch-Cherry Bomb!
Cashin' in on the March 19, 2010, release of the Floria Sigismondi directed The Runaways film, the comprehensive The Mercury Albums Anthology captures the self-proclaimed "Queens of Noise" high-times '70s recordings via the twin-disc retrospective of teenage-girls-gone-wild rockin' action. The limited edition compilation from Hip-O-Select includes a twenty-four page booklet and Runaways tattoos. Playin' with fire in the low-life world of male dominated hard rock, under the heavy hand of sleazy, all-about-excess puppet-master Kim Fowley, The Runaways were born to be bad neon angels on the road to ruin.
As for The Runaways movie, there is no mention of Kari Krome in the film that commences in glamified 1975, bassist Jackie Fox is completely overlooked, Lita Ford comes off as total bitch, and the timeline is warped. Michael Shannon nails the role of the cold-hearted, Frankenstein-looking, self-centered Svegali Kim Fowley perfectly.
"These bitches suck! That's all there is to it... The whole hype reeks of that age-ole rock 'n' roll maxim - girls are just sissies after all."
- Rick Johnson / Creem magazine (April 1977)
"Sine you seem to know that girls are sissies, come see us sometime and we'll kick your fuckin' ass in."
- Joan Jett / Creem magazine letter to the editor (May 1977)
"Go sit on a sno-cone."
-Rick Johnson's reply to Joan Jett's letter (May 1977)
BANG!
Theirs was a story truly born on the streets of Hollywood and left for all to review in the annals of recorded music. The history of the Runaways, now coming to life again on the big screen (with Kristen Stewart in the role of Joan Jett), is one of discovery, strong determination, bravado, teen lust and what would later become, to some, "a can of worms."
But what we have to reflect back on are four albums: The Runaways, Queens of Noise, Live in Japan, and Waitin' For the Night. All 42 songs that were included on those original albums made for Mercury are contained on two CDs and available now from Hip-O Select.
In 1976, after making several personnel changes since their seminal formation just a year prior, the newly assembled, five-member, all-female, L.A.-based band--all underage minors at the time--and their Svengali-like producer, Kim Fowley, caught the attention of Mercury Records and, soon enough, the dotted lines were signed. In a span of under three years, with different band members and collaborators, they generated three studio albums and one live recording, taped at performances in front of enthusiastic crowds with their biggest fans present in Japan. The phenomenon of this early grrl band may have been lopsided with their spotty, regional appeal, but they broke the mold and set the trend for future female rockers to come.
Comprised of teenagers using various "stage names," the original members often referred to as "jailbait rockers" within the industry--Joan Jett, Cherie Currie, Lita Ford, Sandy West and Jackie Fox--had stars in their eyes and a fire in their bellies. And they learned their instruments on the fly while developing their songwriting skills under the supervision of Fowley, who maintained his role of producer as tensions mounted over a few short years and the band, since all was not rosy below the surface, inevitably began to disintegrate and change course. That's happened to a lot of groups for various reasons if you check the record books. With the Runaways, it, too, was probably a matter of time--but their time is certainly now.

Limited edition Japanese pressing has been remastered and comes packaged in a miniature LP sleeve. Mercury. 2006.

When the Runaways debuted in 1976 with this self-titled LP, aggressive female rockers were the exception instead of the rule. With this album, the Runaways made it crystal clear that women (or specifically, adolescent girls) were more than capable of playing intense, forceful hard rock that went directly for the jugular. Produced by Kim Fowley. 10 tracks & a fold-out sleeve with extensive liner notes, photos & other memorabilia. Cherry Red Records. 2003.

The Rolling Stones recently capped their "50 and Counting" tour with a pair performances at Londons Hyde Park, marking the first time they had played the venue in 44 years. In case you missed the momentous occasion, the band have now let loose a live recording for an iTunes release fittingly dubbed Hyde Park Live.
The 19-song set was released today (July 22), and it features tracks pulled from both their July 6 and July 13 performances. The decades-scouring outing kicks off with Tattoo You classic "Start Me Up," but also jumps from 60s-period hits like "Ruby Tuesday" and "(I Cant Get No) Satisfaction" up to their 2012 single "Doom and Gloom."

THE PRETTY RECKLESS formed in 2009 and released their debut album LIGHT ME UP in 2010 and a follow-up EP HIT ME LIKE A MAN in 2012. After two years on the road supporting LIGHT ME UP, the band has risen through rock n rolls ranks to become a polarizing presence. Over the course of their debut and EP, the quartet has sold over 1 million combined albums and digital singles and have supported Evanescence, Guns N Roses and Marilyn Manson on tour in addition to headline runs in both the U.S. and abroad. Now, MOMSEN and her bandmates are delivering nothing short of killer performances on their current Going To Hell Tour with a set list including new material off GOING TO HELL and the groups debut LP LIGHT.

How do you top a breakthrough record like Going To Hell, with its three Number 1 Rock singles, including the Rock Single of the year? You add some soul and bluesy undertones to those already rock melodies and dark, sexy vocals … and that is Who You Selling For, the third album from The Pretty Reckless!
Produced by longtime collaborator Kato Khandwala, the album is a unique collection of scorching rock tunes with soulful, bluesy undertones. Who You Selling For reveals the band's continuing evolution in songwriting, as frontwoman Taylor Momsen maintains her signature dark lyrics and raw, sexy vocals while delving deeper into elements of blues and southern rock guitar than on the band's previous albums.