Everybody Else Is Doing It, So Why Can't We? is the debut studio album by Irish rock band The Cranberries. Released on 1 March 1993, it was their first full-length album after having released four EPs, and is also their first major label release. The album was written entirely by the band's lead singer Dolores O'Riordan and guitarist Noel Hogan. It reached number one on both the UK and Irish albums charts. At the end of 1995, it ranked as the 50th best selling album in Australia. It reached number 18 on the US Billboard 200 albums chart and sold over five million copies there.

The Cranberries were an Irish rock band formed in Limerick, Ireland, in 1989 by lead singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan, and drummer Fergal Lawler. Quinn was replaced as lead singer by Dolores O'Riordan in 1990.

披头士的第一部电影《A Hard Day´s Night》诞生于1964年。随即推出的这张同名专辑收录了电影中出现的歌曲以及与电影无关的几首作品。制作这部电影的最初目的是进一步宣传披头士，而数十年后，这部黑白色调的小制作却成为公认的经典。
在音乐上，这张专辑获得巨大成功，留下数首名作，如《A Hard Day´s Night》，《And I Love Her》，《Can´t Buy Me Love》等。

Japanese exclusive reissue of 1964 album. This Toshiba/EMI pressing features an OBI strip (different from the last Japanese pressings issued in 1990) & an insert with Japanese text & lyrics in Japanese & English. Manufactured & pressed in Japan. Gatefold sleeve. 2003.

Digitally remastered digipak edition of this classic 1965 album from The Beatles featuring 'Ticket To Ride', 'Help!', 'You've Got To Hide Your Love Away', 'I've Just Seen A Face', 'Yesterday' and many more. The album has been remastered at Abbey Road Studios in London utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. Within the CD's new packaging, the booklet includes detailed historical notes along with informative recording notes. A newly produced mini-documentary on the making of the album is included as a QuickTime file on each album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere. Capitol.

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." EMI. 2005.

First CD reissue of the album.


Revolver is the seventh studio album by the English rock band the Beatles. It was first released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" and "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.


Credits:
Made By – PDO, Germany – 2896 974
Published By – Northern Songs Ltd.
Printed By – EMI Services Benelux B.V.
Phonographic Copyright ℗ – EMI Records Ltd.
Copyright © – EMI Records Ltd.

Design [Cover Designed By], Cover – Klaus Voormann
Engineer – Geoff Emerick
Lead Vocals [Lead Singer] – George Harrison (tracks: 1, 4, 12), John Lennon (tracks: 3, 7, 9. 11, 14), Paul McCartney (tracks: 2, ,5, 8, 10, 13), Ringo Starr (tracks: 6)
Photography By – Robert Whitaker
Producer – George Martin
Written-By – Harrison* (tracks: 1, 4, 12), Lennon/McCartney* (tracks: 2, 3, 5 to 11, 13, 14)

Made in W. Germany
℗ 1966 Original Sound Recordings made by EMI Records Ltd.
© 1966 EMI Records Ltd.
Printed in Holland by EMI Services Benelux B.V. Uden

First CD reissue of the album.

Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

«Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman»

Credits:

Phonographic Copyright ℗ – EMI Records Ltd.
Copyright © – EMI Records Ltd.
Artwork [Cover Staged By] – Jann Haworth, Peter Blake (4)
Artwork [Cover] – M C Productions, The Apple
Artwork [Wax Figures] – Madame Tussauds
Design – Paul Wilkinson (3)
Design Concept [Cd Packaging Design Idea] – Kathryn Varley
Engineer [Recording] – Geoff Emerick
Engineer [Second] – Richard Lush (tracks: 1 to 8, 10 to 13)
Liner Notes – Peter Blake (4)
Liner Notes [Quote] – George Martin
Liner Notes [Words] – Mark Lewisohn
Photography By [Cover] – Michael Cooper (8)
Producer – George Martin
Written-By – Lennon/McCartney* (tracks: 1 to 7, 9 to 13)
℗ 1967 Original Sound Recordings made by EMI Records Ltd.
© 1967 EMI Records Ltd.
© 1987 EMI Records Ltd.

Made in the U.K. (on back cover). Made in Italy (on CD).

Comes in a jewel case enclosed in a cardboard box with a 28 page booklet including Sgt. Pepper's cut-outs.

Track 1 recording started in studio 2 at Abbey Road on February 1, 1967. Album version mixed from take 10.
Track 2 recording started in studio 2 at Abbey Road on March 29, 1967. Album version mixed from take 11.
Track 3 recording started in studio 2 at Abbey Road on March 1, 1967. Album version mixed from take 8.
Track 4 recording started in studio 2 at abbey Road on March 9, 1967. Album version mixed from take 15.
Track 5 recording started at Regent Sound Studio, Tottemham Court Road, London on February 21, 1967 and later completed at Abbey Road. Album version mixed from take 3.
Track 6 recording started in studio 2 at Abbey Road on March 17, 1967. Album version mixed from take 9.
Track 7 recording started in studio 2 at Abbey Road on February 17, 1967. Album version mixed from take 9.
Track 8 recording started in studio 2 at Abbey Road on March 22, 1967. Album version mixed from take 2.
Track 9 recording started in studio 2 at Abbey Road on December 6, 1966. Album version mixed from take 4.
Track 10 recording started in studio 2 at Abbey road on February 23, 1967. Album version mixed from take 11.
Track 11 recording started in studio 2 at Abbey Road on February 8, 1967. Album version mixed from take 11.
Track 12 recording started in studio 1 at Abbey Road on April 1, 1967. Album version mixed from take 9.
Track 13 recording started in studio 2 at Abbey Road on January 19, 1967. Album version mixed from takes 6 & 7.

Black and white photograph courtesy of the Michael Cooper Collection.

The rear of the booklet states all tracks except 8 are by Lennon/McCartney, but the liner notes are more specific.

Yellow Submarine is the tenth studio album by English rock band the Beatles, released on 13 January 1969 in the United States and on 17 January in the United Kingdom. It was issued as the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" and "All You Need Is Love". The remainder of the album is a re-recording of the film's orchestral soundtrack by the band's producer, George Martin.

在完成Let It Be之后，甲壳虫四人组合着手制作他们作为一个乐队、一个组合的最后一张专辑。这之后，乐队成员将各奔东西。由于这张专辑是在伦敦的阿比大街(Abbey Road)录制的，所以Beatles将其命名为Abbey Road。
录制于甲壳虫乐队最后日子的《阿比大街》是其成就的顶点，充分展示了乐队成员成熟的技艺。如同对他们多年共同合作的一个总结，该专辑包括了每一个成员的作品，各种不同的风格熔于一炉。其中摇滚乐有：The End，I Want You，Oh!Darling，Come Together，民谣类有Because，Something，而Sun King中的吉它片段，Carry That Weight、Golden Slumbers中的配乐，I Want You、Sun King、Maxwell's Silver Hammer中Sgt. Pepper式的倒带、各种奇奇怪怪的新乐器以及录音室噱头，都给人留下深刻印象。
所有乐队成员都有创作汇入该专辑，而每一个作品都是对他们各自独特秉赋的绝好印证。特别突出的是George的Something和Here Comes The Sun，这也许是有史以来最棒的两首歌了。Ringo的配乐技巧同样令人难以忘怀，Octopus's Garden显然有着该专辑中最诱人的旋律之一。
Beatles的解散代表着一个他们统治并参与创建的时代的结束，也许可以说以前或以后都不会有象他们这样的乐队了。对于无数的Beatles迷来说，这解散的时刻自然令他们黯然神伤。而若干年后列农的遇刺，更使他们中的许多人痛心疾首、甚至号啕大哭。时至今日，当刺杀列农的凶手可能获释的消息传来，他们中还有人扬言：这小子如果今天出狱，他将见不到明天的太阳！
这张专辑在滚石杂志选出的500张历代最强专辑中排名第14位。

Generally regarded as the Beatles' last album, Let It Be was actually recorded in 1969, before the recording and release of Abbey Road. Let It Be was greeted with mixed reviews when it came out in 1970, and is still a controversial disc in the band's catalogue--many fans reject it, while others defend it fiercely. Notable for its difference from anything else the Beatles recorded, Let It Be has a raw, ragged, muscular sound that recalls the band's very earliest rock roots. The songs were mostly recorded live (save Phil Spector's overdubs on "The Long and Winding Road," "Across the Universe," and "I Me Mine"), and the result is a world away from the meticulous, high-sheen sophistication of the group's George Martin-produced releases. No one is likely to argue that Let It Be is the band's best album, but it is a strong release nonetheless. From the easy-rolling folk feel of "Two of Us" to the interlocking vocals and screaming guitar of "I've Got a Feeling" to the epoch-making title cut (one of Paul McCartney's finest moments), the album bristles with good songwriting and gutsy energy. There are moments of filler--the rock & roll rehash "One After 909," for example--but at its best, as on John Lennon's meditative "Across the Universe" and the driving "Get Back" (which features Billy Preston on keys and is the record's high point), it shows the Beatles for what they always were: a top-notch, hard-working rock band. EMI. 2005.

摇滚创作才女艾薇儿睽违两年的新作《Goodbye Lullaby》正式确定将于明年2011年3月8日全球发行。首支单曲〈What the Hell〉将于美国纽约的跨年时段全球首播。
自艾薇儿2002年出道至今，已经在西洋乐坛拥有相当不错的成绩，专辑更已在全球销量超过3000万张，并获葛莱美奖提名和7座加拿大朱诺奖的多重肯定，尤其像是首张专辑《展翅高飞Leт Go》发行的单曲〈Sk8r Boi〉、〈Complicated〉等，都获得乐界相当正面的评价；2004年发行的《酷到骨子里Under My Skin》和2006年的第三张专辑《美丽坏东西The Best Damn Thing》一举空降拿下美国告示排专辑榜的冠军，锐不可挡的超级单曲〈Girlfriend〉更在Y0uTube上获得1亿3千万次的观看次数，并拿下告示排单曲榜冠军位置。而在2010年为提姆波顿的电影《魔境梦游》所演唱的主题曲〈Alice〉，为她明年发行新专辑的暖身曲。
艾薇儿这次出辑，找来长久合作的伙伴Deryck Whibley, Evan Taubenfeld、Butch Walker，以及金牌词曲创作人Max Martin等人齐力打造这张歌迷期待已久的创作大碟。艾薇儿透过这张专辑的创作，延续过去一贯将她的生活体验融入其中的制作理念，但《Goodbye Lullaby》在她睽违近四年的时间中，呈现的将是更直接、更贴近她个人生命的全新作品。
首支节奏轻快的单曲〈What the Hell〉表现了她大胆且豪爽的个性，〈Stop Standing There〉则重现50年代女声团体的复古曲调，整张专辑淋漓地表现了艾薇儿丰富的私人情感，而像是〈Smile〉则是对影响她的摇滚音乐前辈，表达的感佩之情，〈Push〉则揭露她个人的感情观，〈Wish You Were Here〉则流露出她少女情怀多愁善感的脆弱心情，压轴曲〈Goodbye〉，则是她挥别过往，朝未来大步迈进的励志之作。

2013 album from the Canadian Pop diva. After selling over 40 million singles and 35 million albums worldwide, envelope-pushing Pop princess Avril Lavigne has returned with her signature sound. Over four studio albums she has had countless platinum singles, #1 albums around the world, and numerous Grammy nominations. Features the singles 'Here's To Never Growing Up' and 'Rock 'n' Roll'.

在艾薇儿的第六张完整专辑和BMG首演的过程中，她毫无保留。她以胜利者的姿态详述了每一次的磨难，并且比以往任何时候都更加强大。你将会听到这位女歌手的声音。"这是我和我的斗争，"她肯定地说，"这张专辑讲述了我自己的故事。"
这个故事乍一看令人难以置信。在某一个她为生命而战的艰辛夜晚，一个创作的灵感在她脑海中涌现，这其中的词汇就包括"Head Above Water"。
"我处于战斗之中，"她叹了口气，"有一天晚上，我以为我快要死了，甚至接受了将死的事实。我妈妈那时正躺在床上抱着我。我觉得自己好像在溺水。在我的呼吸之间，我向上帝乞求'让我的头浮出水面'。在那一刻，我开始了这张专辑的写作。这就像我挖掘出了一些东西。这是一种非常精神性的体验。从那时起，歌词就涌上我心头。"
一年前，艾薇儿的斗争刚刚开始。在为支持她获得金牌认证排行榜前五的第五张专辑而巡演的过程中，艾薇儿的健康状况迅速恶化。她还可以回忆起2014年自己勉强支撑着辗转各国去看无数医生时的艰辛。在她2014年12月被确诊罹患莱姆病之前，没有人能够弄清楚到底出了什么问题。 2015年初，她登上《PEOPLE》杂志的封面，讲述了自己的故事。在她的战斗中，她坐在钢琴后面，歌唱着战胜病痛，并且为她的新专辑设计早期框架。 2017年则代表了一个转折点，因为她慢慢地、顽强地恢复了力量，并开始着手录制新专辑，就从第一首单曲"Head Above Water"开始。
"我接受药物治疗莱姆病已经有两年了。我努力着去生活，但是大部分时间还是在病床上度过的，情况时好时坏，我渐渐失去了肌肉力量。"艾薇儿讲道，"而且你整个身体都会变弱。我努力着坚持着去忍耐。"Head Above Water"是我唱出的第一首歌。我有两年几乎没有唱过歌，所以我觉得我的嗓音肯定变弱了，但是没想到我的嗓音比任何时候都更有力量了。这段时间的休息反而让我的嗓子得到了很好的休养。"
在被这样的情绪围绕下，她走进了录音师与众多优秀的音乐人展开了合作，这其中包括Stephan Moccio, Chris Baseford, Johan Carlsson, Lauren Christy of The Matrix, Ryan Cabrera, Travis Clark, Bonnie McKee, JR Rotem, Mitch Allan 等等。
我努力尝试去挖掘自己的内心，从文字上直白地讲就是从我试着从过往的经历中提炼出来一个更好的我。因为经历过沉寂的岁月，所以我有能力去真正地了解自己。专辑里的歌名都源于我的真实经历，每首歌都是我头脑中和心中最深处的想法。我坐在钢琴前慢慢谱写出了我的生活。"
在将近二十年中，她的五张专辑在4千万专辑和5千万单曲中脱颖而出，登顶Billboard Top 200并且两张销量第一名。除此以外，她共获得了8次格莱美提名并且获得8次朱诺奖。作为一个杰出的音乐巨星，她被誉为"史上第三位最佳加拿大女歌手"及"在美国唱片界销量顶级之一的歌手"。Billboard将她放在了"Best of the 2000s"榜单中的前十位。艾薇儿还曾创造了吉尼斯世界纪录-获得"英国榜单中顶级最年轻女性歌手"。她的单曲Girlfriend也曾创下辉煌战绩-成为了"首个在YouTube达到1亿播放量的音乐视频"。
艾薇儿及她的粉丝不间断的向各大慈善机构捐款，以自己的力量让这个世界变得更好。接受采访时，艾薇儿表示："我们真的影响了受莱姆病困扰的患者与家庭。"
"我经历了很多，才走到今天。好的一面是，我从未停止过属于自己的生活。当我在治疗与恢复期间，是音乐带我走出黑暗。我有工作的目标与方向，希望这张新专辑能真正打动人心。我们每个人在生活中都会遇到挫折与挑战，有些人所面临的难题也许比其他人更艰巨。经过莱姆病这场战役，我现在前所未有的坚强，并期待能够通过这次的新专辑与粉丝们分享我全新的声音与生活的力量。"

★東京事變於7月發表2名團員退出後，隨即加入了新團員分別是：吉他手-「浮雲」&鍵盤手-「伊澤一葉」，全新組合「東京事變」帶來衝擊性的嶄新火花。
★收錄發行後持續熱賣話題單曲「修羅場」，為富士電視台大戲「大奧～華之亂～」主題曲。椎名林檎針對這部日劇親自譜寫描述女人之間的愛憎劇情而命名的。明快清朗的曲調加上椎名林檎獨特的文筆譜出另一番情熱風味。
2005年7月，因新舊團員的退出與加入，讓東京事變激起更加燦爛的音樂火花。和首張專輯『教育』相比之下，本張專輯更加直接表現出椎名林檎對於音樂所抱持的理念，讓人成功地捕捉到銳變後的椎名林檎與東京事變。專輯裡呈現出接近融合16拍的放克與爵士樂、藍調..等黑人音樂成份與法國流行樂般地成熟感十足的品味，而 樂團本身與時代感同時的進化程度更是最大的象徵。
特別是負責節奏的團員們在樂曲裡表現出令人目不睱給變化多端的複雜節奏，將專輯裡最精彩的音色呈現得一覽無遺。當然，並非只有卓越的節奏樂手獨占鋒頭，在每段節奏的空隙裡，由吉他與鍵盤所交織出的優美旋律亦充份流暢於其中。而這種製作環境的變化，甚至影響到她的作詞心態，從樂曲裡所散發出的色彩感及簡潔的故事性便讓聽眾深深陷入了她的世界。至於歌詞的內容則全權交由聽眾自行解釋更是為此作品的重心，希望大家能盡情享受這張專輯所帶來的激盪與愉悅的衝擊。

历时一年精心制作, 弥藏乐队2013年最新大碟《和时光赛跑》即将再度引来摇滚迷们的强烈关注。这是一张写给青春已去、年华不再却依然坚持的人们的专辑。

不论是曾经的美好，抑或曾有的残酷，都终将会成为脑中的记忆，心里的印记。而所有经历过的人和事，就那么走了，远了……剩下的唯一希望，只能是和时光赛跑。当我们青春散尽，只留下半点哀愁；当我们坚持理想，却发现难以拼凑；当我们身处这个世界，而只能迷茫徘徊时，我们的生命就像迷途的驯鹿。我们只能继续，打包好一切情绪，毅然踏上征途，去冲破命运的每一道关。
弥藏的音乐充满力量，直截了当，像迎面挥来的拳头，直击你的心灵让你无法躲闪。他们一直在寻根，并且乐此不疲，Blues、Rock & Roll、Rock是他们的音乐标签，他们用那些几十年前的经典音乐风格，诉说着今天的故事。
专辑同名曲《和时光赛跑》，一首标准的Rock & Roll风格作品，提到Rock & Roll，不得不提到以下这些大人物：Chuck Berry, Elvis Presley, Little Richard。就是这些响当当，如雷贯耳的名字，在50年代，用这种音乐风格，让种族歧视这个到如今还没有彻底解决的问题暂时的靠边站，黑色和白色的人们，在一起，Rock & Roll起来！当你听弥藏的这首《和时光赛跑》， 你会被吉他、贝斯和键盘用简单的八分音符勾勒的框架所包围，你能感受到音乐的能量，能听到无奈与抗争⋯⋯那么好吧，请离开你的座位，开大音量，加速心率，让你的心和弥藏一起赛跑。
《香槟布鲁斯》，只看名字就知道，这是一首向Blues致敬的作品。朗朗上口的旋律和摇摆的节奏，让你不由自主地晃动着身体，回到那个令布鲁士们神往的50年代，呼吸着从城市酒吧中飘出的酒精和香烟的混合味道，聆听着弥藏带给你的那份怀旧。感谢Blues音乐吧，它是现代音乐的根，在近百年的摇滚历史中，不断的发酵，带给我们无数美妙的时刻，就像一瓶陈年的佳酿，你需要的只是慢慢的品味。
《蝴蝶梦丽》，一首Slow Blues作品。从专业的角度来说，Slow Blues是很难驾驭的一种音乐形式，对技术、音乐感悟和演奏者对音乐的认知要求都很高。更难的是，当用中文演绎的时候，如何“装词”，可以说是业内的一个课题，在表达本意的同时还要流畅的和音乐契合在一起，难度可想而知。弥藏漂亮地完成了这次“任务”，鼓和贝斯在歌曲的起承转合当中，把音乐的根基扎稳，“呼吸”的感觉更是张弛有度，主奏的吉他手、键盘手，仿佛用手里的乐器演绎着美女梦丽的翩翩舞姿，在一张一弛的演奏当中，用水银泻地般的大段solo，带着你进入到梦丽的内心世界。主唱更是在这首很“大”的作品当中，控制着整个乐队的情绪走向，用自己的声音和乐手之间不断对话。当你PLAY《蝴蝶梦丽》的时候，你已经坐上了一辆过山车，准备好了吗？走着！
这些歌送给你们，他们还有弥藏乐队自己，送给所有过去的和即将到来的⋯⋯ 它浓缩了一切弥藏想要表达的。

1992年乐队加盟滚石后，推出的第八张粤语专辑，是乐队全盛时期的代表作，这十二首歌，都是不朽名篇。其中《长城》这首豪气冲天并能引发起全体中国人爱国精神的劲歌,将永远回荡在我们心中！其它的歌写的也相当有深度，让人不紧陷入沉思中，勾起我们对过去往事的无限回忆和对未来的美好憧憬......