Japanese-only SHM-CD (Super High Material CD) paper sleeve pressing of this classic album from the British Hard Rockers led by guitarist Ritchie Blackmore, originally released in 1975. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Universal. 2008.

YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, release their new studio album The Quest on InsideOutMusic/Sony Music on 1st October 2021.
Pre-orders will start from 23rd July.
“It is simply an honour for me to have the opportunity to bring together the band members in the development of a well-refined set of songs that capture the band’s true potential,” said Steve Howe, who produced the album. He added “Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.”
Additional percussion was provided by guest Jay Schellen who supplements YES’ live performances.
Label Manager Thomas Waber said “I am delighted to welcome YES to the label and am looking forward to seeing the reaction of the band’s fans to the new album. Being a long-time fan myself, I am really excited by the new material. Steve Howe managed to capture many of the important elements that we all love about YES!”
Containing 11 songs, 8 on the main CD with 3 extra tracks on a bonus CD, The Quest will be available on Vinyl and 5.1 Blu-ray and CD, all on the day of release.

这是“地下丝绒”的第一张专辑，也是摇滚乐历史上的一张划时代的经典之作。从专辑的名称上面可以清 楚地看到，这张专辑的诞生与西方现代艺术史上的伟大人物安迪·沃霍尔是密切相关的。这张“地下丝绒”的处女专辑就是由安迪·沃霍尔担任制作人的，而且专辑的名称也署上了他的大名。
在这张专辑里面，主唱卢·里德以他那干涩、沙哑的犹如破碎的玻璃一样的嗓音将1960年代美国青年对于现实的迷茫、反叛的态度表达得淋漓尽致，同时也对当时的社会现实作出了深刻的揭露。如在《我正在等待那个男人》这首歌里面，讲述的就是一个关于进行非法的海洛因交易的故事，把吸毒作为歌曲的主题，这在他们之前的乐队里面是非常罕见的，因此可以看出他们在音乐表达题材上面的大胆。而《星期天的早晨》这首歌则讲述了一个偏执狂在理想与现实之中挣扎的现实，他就像那个可怜的西西弗斯一样奔波在希望与绝望之间，这可以说是当时青年内心生活的真实写照。在《穿裘皮的维纳斯》这首歌里面，则表达了一个更为离经叛道的主题，那就是“性倒错”，他们以超越道德观的态度表达了自己对于“同性恋”这个当时还是一个禁忌的话题的看法。可见，他们在自己的音乐里面充分的体现了“自由”的精神，而这正是摇滚最为重要的精神财富。
在专辑之中担任了两首歌曲的主唱的女歌手尼柯，曾经主演过安迪·沃霍尔制作的几部电影，由于他的介绍，才成为了“地下丝绒”的一员。尼柯那种冷漠、飘忽，充满着厌世的没落气息的声音深刻地影响了后来无数的女歌手。

Doolittle is the second studio album from the American alternative rock band Pixies, released in April 1989 on 4AD. The album's offbeat and dark subject material, featuring references to surrealism, Biblical violence, torture and death, contrasts with the clean production sound achieved by the newly hired producer Gil Norton. Doolittle was the Pixies' first international release, with Elektra Records as the album's distributor in the United States and PolyGram in Canada.

The Lamb Lies Down on Broadway is the sixth studio album from the English rock band Genesis, released as a double album on 18 November 1974 on Charisma Records. It is their last album recorded with Peter Gabriel as lead vocalist before his departure from the group in May 1975. Its concept centres around a Puerto Rican youth in New York City named Rael and his spiritual journey of self-discovery and the characters he meets on the way. Recording was met with several incidents, including Gabriel's temporary absences and his insistence on writing its lyrics, which put strains on the group.
The Lamb Lies Down on Broadway was released to initial mixed critical reception, though it has since been met with critical acclaim. It peaked at No. 10 on the UK Album Chart and No. 41 on the US Billboard 200. Two singles were released, "Counting Out Time" and "The Carpet Crawlers". Genesis toured the album in North America and Europe, playing the album in its entirety across 102 dates. The album continued to sell, and reached Gold certification by the Recording Industry Association of America for sales over 500,000 copies in 1990.

Original CD pressing of the 1973 album from the British Prog icons. EMI.

Despite the ostensibly humanizing presence of Rick Rubin, rock’s patron saint of prestige, these quintessentially Vegas showmen still sound like they’re firing their emotions out of a T-shirt cannon.

Artist
Yes
Album
Tales from Topographic Oceans
Rating
Release Date
Jan 9, 1974
Recording Date
1973
Label
Atlantic
Time
81:14

GORILLAZ DEMON DAYS 收录苹果ipod全新广告曲Feel Good Inc
由Blur主唱Damon Albarn为主并隐身幕后代言沉寂三年
史上最强虚拟乐团街头顽童全新专辑

《等待黎明Demon Days》是一张带有英国风味的嘻哈唱片，Gorillaz保持了对旋律的忠诚和带着文艺气的傲慢。它把嘻哈与福音、朋克、后摇滚、地下电子以及另类流行串联起来，交织出Oasis的固执己见、Blur的直率癫狂、LinkinPark的气势汹汹，甚至还有BeeGees的得意洋洋。首推单曲《Feelgoodinc》以著名嘻哈歌手DeLaSoul的狂笑开场，充满了派对式的快乐；《Everyplanetwereachisdead》夹杂着布鲁斯的哀怨，爵士钢琴声散落其间，令人想起嬉皮士的茫然；《Allalone》中隆隆的Techno电子节拍，配上说唱更是张牙舞爪；HappyMondays主唱ShaunRyder在《Dare》中挎刀相助，69岁老影星DennisHopper的念诵则成为专辑中最让人意外的声音。

苍凉又温暖的城市诗人
在许巍的音乐里
温暖着所有苍凉又寂寞的灵魂

这是一张清澈的专辑，一张纯净的专辑，一张富有激情而又不失成熟的专辑，无论是在专辑概念上、词曲理念上以及歌者的演唱心态上，这都是一张直接和干脆的专辑。

这是一张具有平衡之美的专辑，十首歌曲在重与轻、急与缓、淡与浓之间达到了和谐与统一，那些音符的后面正是自在跳动着的许巍的一颗平常心――在一个物欲横流的时代，有谁知道，保有一颗平常心是多么的难得。

这是一张返璞归真的专辑，它明确地表明了无论时代怎样变化，无论环境怎样改变，有些东西是不会变的，对于许巍来说，那一向意味着这样的词语――简单、善良、纯粹、光明、希望、真诚――而在专辑中不过是化为了最直接的行为：用心歌唱。

Definitely Maybe于1994年由Sony公司发行，其中多首出现在他们发行前一年同The Real People乐队的Chris和Tony Griffiths一起录制的Live Demonstration demo中。正式发行版本的歌曲要比较长，他们与 Mark Coyle 一起录制3遍，直到Owen Morris 出现并混音制作到大家满意为止。整张专集总共花费8万5千英镑在制作上，在当时是相当大的投资。这张专辑的销售量也非常好，受到了很多听众的欣赏和好评。

Coldplay的首张专辑《Parachutes》是一张集直率、深刻、动人旋律的大作，以回归到音乐源头的作法，来表现其歌曲中内敛但原始的情绪，证明了并非靠着嘶声呐喊才能在乐坛上一鸣惊人。此辑全球销量直逼500万张、获得NME及Q杂志高度评价、2座2001全英音乐奖及2002葛莱美最佳另类专辑。一夜之间，Coldplay从小酒吧到苏格兰格拉斯哥公园、澳洲的Big Day Out活动，甚至屡登头条的美国巡回演唱。
2002年Coldplay推出第二张专辑《A Rush of Blood To The Head》，他们再次起用Parachutes专辑原班人马－混音及制作拍文件Ken Nelson、电脑工程师Mark Phythain。专辑从2001年10月开始筹备，虽然还是一贯Coldplay的酷劲，比起前一张却更加丰富，有更多的快节奏及电子元素蕴含其中，而专辑的走向，基本上还是以个人情绪出发。

那一年，一个看上去与这个世界颇有些格格不入的青年带着一盘全新的专辑出现在我们面前，将我们带入一个全新的时代，这就是麦田旗下新人朴树推出的红白蓝专辑之二《我去2000 年》。
他说出了我们想说但是一时又说不出来的东西。听完他的这张专辑之后，你肯定不会相信这些歌都是他一个人写的。凄美到极致的《那些花儿》、《召唤》，另类到骨子里的《NEW BOY》、《活着》，甚至还有一首俄罗斯风格的《白桦林》。《NEW BOY》是整张专集里面很突出主题的一首，词作显得尤其的优秀，那句“我们的生活甜的像糖”和《我去2000年》里面的一句“这个操蛋的年代”，构成了整张专集的主题。
这些看似自相矛盾的歌曲反映的其实就是这个性格孤僻的朴树，以及许多像他这样的新新人类的真实的内心世界，准确地把握了时代的脉搏，抓住了很多年轻人的心。

Self-professed skate punk Avril Lavigne sings that she'd "rather be anything but ordinary" on her debut. While the fact that she had a record deal by the age of 16 separates her from the pack, too often Let Go's lyrical shortcomings drag the teenager's musically impressive recording entrée into the realm of the typical. The catchy choruses of Go are substantial, though, thanks to Lavigne's riff-driven melodies and powerful vocals, which at times adopt the unorthodox intonation quirks of fellow Canadian Alanis Morrissette. The nuanced, dynamic "Losing Grip," "My World" (which perfectly captures the ennui of suburbia), and the buoyant power-pop blast "Sk8er Boi" are the collection's highlights. But Lavigne's honest yet awkward words weigh down the likes of "Mobile," "I'm with You," and "Naked." "Nobody's Fool," which displays her Pink-like take-me-as-I-am credo, hints that someday Lavigne's lyrics will match the strength of her music. --Annie Zaleski

唱片的录音棚就是排练室，更早以前它是董亚千家里的老宅，闷在年代久远的四层红砖楼房里，周围住的多数是老人。乐队在这一片早起早睡的潮水里干活，扯淡，吃喝拉撒，无论昼夜，不知大中华盛世将至。
那些80年代的红砖还能叫红色吗，大概只能算煤球渣子的近亲。正如唱歌的最终会沉默，昨日奔跑着的青年和鸵鸟，一转眼就是今天的腐肉，秃鹫。不过，音乐不是为如此这般的现实伴奏的，它一直在它该在的地方，需要一路撕扯着过去的，只是我们。
这么多年，这么一帮人，前前后后兜圈子，现在终于出首张唱片。到了这一步，快和慢是另一个世界的话题。让企业家和文人继续开辩论会吧。专辑在手，大梦初醒，专属于个人的节奏，早就战胜了环境施加的心理暗示。药方就是我们自己，像羽毛，突然的，一下一下的飘落而至。
必须承认首张唱片是土法炼钢，各种自学试验，呼哧呼哧的吹风点火，完全没有大跃进的豪爽速度，反倒前后拖了快两年。修改打磨，福祸焉知。硬伤是免不了的。有时候像拳头打进了棉花，那种落空和被瞬间软化的悲哀，简直让人恨不得放弃所有的努力。相信许多中国乐队也都经历过。不多说。Leonard Cohen 的名言最适合用来安慰：一半怪自己，一半怪环境。
设备东拼西凑，制作也七嘴八舌，反正各种借，骗，着急和糊涂，旧交新朋全部派上了用场。万能青年旅店，名字叫的清楚响亮，自己没开张的时候先轮番被大家招待，欠下的人情堆到天边。这就是生命里的各种麻烦吗。现在描述起来，却又像一幅理想世界的蓝图：众人拾柴浇油，吵吵嚷嚷间，一团火焰轰地着了。
90年代美式另类摇滚很深的影响过这个乐队，现在成员们的喜好包括老摇滚，民谣，爵士乐，迷幻噪音，酒后流行歌，草地唱诗等等，至于作品是什么，光自己说不算。
录音室的窗外，短暂出现过一大片空地。那是开发商圈出的牧场，即将到来的肥肉和鲜血，即将到来的千万人厕身其间刨食的日子。但它曾经是空旷的，好几个足球场那么大的空旷，尤其到了晚上，像真理似的空虚，神秘，给目光以憧憬的机会，让风进来，吹得更猛烈。
唱片完成之时，空地已经被耸立的高楼填满。我们渴望这张塞了很多东西的唱片还能留下空地的丝缕感觉，这样的话，所有听到的人，就有可能并肩站在一起。
谢谢大家。

◎入列「摇滚名人殿堂」和英国「音乐名人堂」伟大前卫摇滚乐团Pink Floyd灵魂传奇最新大碟
◎继《Amused to Death》之后睽违近25年推出回归摇滚的概念大碟，探讨下一代的孩童安危问题，也触及现今社会乱象、充斥暴力恐惧的氛围
◎耗时七年之久的筹备录音，再度力邀曾与Paul McCartney、U2、Radiohead合作的天王製作人Nigel Godrich掌舵，同时招揽Atoms For Peace的Joey Waronker等独立乐团好手助阵
Roger Waters, the creative power and songwriting force behind Pink Floyd, presents Is This The Life We Really Want ?, his first rock al bum in 25 years. The album is produced and mixed by Nigel Godrich (Radiohead, Paul McCartney, Beck, U2, "From the Basement"), and includes 12 new Roger Waters musical compositions and studio performances.
Roger Waters' last studio album, 1992's Amused To Death, was a prescient study of popular culture, exploring the power of television in the era of the First Gulf War. This long-awaited follow-up, Is This The Life We Really Want ?, is an unflinching commentary on the modern world and uncertain times, and a natural successor to such classic Pink Floyd albums as Animals and The Wall.
Tracks on Is This The Life We Really Want ? include: "When We Were Young," "Déjà vu," "The Last Refugee," "Picture That," "Broken Bones," "The Life We Really Want," "A Bird In A Gale," "The Most Beautiful Girl in the World," "Smell the Roses," "Wait For Her," "Oceans Apart," and "Part of Me Died." The lyrics for Wait for Her were written by Roger Waters and inspired by an English translation by an unknown author of "Lesson from the Kama Sutra (Wait for Her)," by Mahmoud Darwish.
The musicians on Is This The Life We Really Want? are: Roger Waters (vocals, acoustic, bass), Nigel Godrich (arrangement, sound collages, keyboards, guitar), Gus Seyffert (bass, guitar, keyboards), Jonathan Wilson (guitar, keyboards), Joey Waronker (drums), Roger Mannning (keyboards), Lee Pardini (keyboards) and Lucius (vocals) with Jessica Wolfe and Holly Proctor.

这家伙是不是一天到晚都想着他是被鸡抚养大的或者带个肯德基的桶是否能祭奠死去的鸡的灵魂？这我们不得而知。但是他在Shred圈内的名声绝对不是因为形象上的怪异而得来的。他是著名吉他手--Paul Gilbert的高徒，他做的音乐有令人费解的电子乐加吉他噪音他的速弹, 和Paul Gilbert有异曲同工之妙--高速的手指运动中仍能听出律动，而并非是一味混沌型的傻快。快--在他的音乐中只是为音乐整体做服务，并没有抢眼的成分。许多听过他音乐的吉他手都对他写的Riff感慨不已-- 一种全新的感受，原来Riff也可以写成这样。你要是非常感兴趣却又苦于没有见过他的高速演奏的话，建议你去看一下Primus乐队的现场VCD，在这场演唱会的后半段，Buckethead客串了一段独奏，风一般的速度，怪异的现场表现无不让所有看过这盘VCD的人留下深刻的印象。
但是如果你认为他只能速弹的话，那么Buckethead将回给你一桶，他的专辑《colma》中充满了感性的旋律和细腻的情感。在前卫音乐圈内（他曾所在的乐队Praxis在前卫因乐圈中绝对是重磅炸弹）能有如此心静如水的人的确少见。最难能可贵的就是他在加入了著名重金属乐队“枪炮玫瑰”后他仍能保持低调的风格，继续他的个人音乐创作。
永远用音乐来表现自己的想法，隐藏在面具和桶下的Buckethead将在你对吉他音乐黔驴技穷的时候给你上重要的一课，让你重新认识吉他音乐的另一面