With their Billboard radio chart debut, Family Of The Year saw "Hero" reach #1 on the Triple A Top 30 Radio Chart, sitting Top 5 for a record-breaking four months. “Hero” also landed Top 10 at Alternative Radio. With the release of Loma Vista, Family Of The Year performed “Hero” on The Tonight Show With Jay Leno, Jimmy Kimmel Live!, CONAN and Last Call With Carson Daly. Also, MTV2 added Family Of The Year to “Artist To Watch” and USA Today featured the band in their “On The Verge” column. All this follows other emerging artist features with Entertainment Weekly, Billboard, Amazon, Interview Magazine, Paste, SonicBids and more. "Hero" was featured in the Oscar-nominated, Golden Globe winning film Boyhood, the film trailer and official soundtrack and has gained over 90 million YouTube & Spotify streams. This Summer, the band will release their highly-anticipated follow-up album, featuring lead single "Make You Mine." Formed in 2009, Family Of The Year is Joe Keefe (lead vocals, guitars), Sebastian Keefe (drums, vocals), James Buckey (guitars, vocals) and Christina Schroeter (keyboards, vocals).

Camp Lo is an American hip hop duo, formed in 1995, which hails from The Bronx, New York

Bob Dylan John Wesley Harding

Ranking near the top of anyone's list of Dylan's masterpieces, this post-motorcycle-accident career-turning-point finds Dylan veering from the razor-edged desperation of "All Along the Watchtower" to the gentle, back-porch sway of "I'll Be Your Baby Tonight" -- and all points in between. Back at last, in its ultra-rare original mono mix, this landmark LP -- cut with the cream of Nashville's studio cats and generally credited as a blueprint for the era's country-rock movement -- sizzles on Sundazed high-definition vinyl.

With the release of "Tapestry," Michael Hoppe has once again bestowed upon the world a recording of stunning beauty and incredible emotional depth. Hoppe has been one of my very favorite artists since I first discovered his music in 1998, and he seems to just keep getting better with each new release. Hoppe has created a trademark of sorts by including photos taken by his grandfather, E.O. Hoppe, to illustrate the music. This time, in addition to the photos in the twenty-page booklet, there are poems written for each piece by Therese Tappouni AND a video short film, Nous Deux Encore, which Hoppe scored. The British-born and Grammy-nominated Hoppe has released at least seventeen other albums over the past twenty or so years and is one of the most well-respected artists recording today. Several of his earlier albums were recorded with other artists including Tim Wheater (flute), Martin Tillman (cello), and Joe Powers (harmonica), and he has also collaborated on spoken-word albums with artists such as Michael York and Tim Wheater. Over the past several years, Hoppe has realized a life-long dream by recording several of his compositions with The Prague Symphony. While Hoppe's music is very calming and soothing, it is much too nuanced and evocative to relegate to background music. Although I have listened to "Tapestry" at least ten times, I keep pausing while writing about it to drink in the beauty of the music.
"Tapestry" begins with the sweeping "Prairie Moon," a piece we were given a sneak-preview to on last year's Nostalgie. This time it is fully realized by The Prague Symphony, painting landscapes of gently blowing grasses, endless skies, and nostalgia for a simpler life. Violinist Alyssa Park appears on three tracks, the first of which is "Sanctuary." With Hoppe's ethereal keyboard washes behind the soulful violin, peaceful warmth envelops the listener. "Maxie's Theme from Nous Deux Encore" features Mitsuki Dazai on koto. Oboe and guitar create an unusual but spellbinding trio. Strings are added, but the koto carries the enchanting melody from start to finish. "Moonflower," for piano and keyboard, is simply gorgeous in its elegant simplicity. "In Paradisum" is the only vocal piece, and features contralto AnDee Sanchez, whose graceful voice reaches right into your soul. "Impromptu" is the first of three piano solos, all of which are perfect in their simplest form. I love all twelve tracks on this album, but I think "Tears and Roses" is my favorite. It also appeared on Nostaglie, but this time it's a soulful duet for violin (Alyssa Park) and guitar. Joe Powers makes another appearance on "Embers," again demonstrating that the harmonica can be so much more than a campfire instrument. "Pastoral" is a shimmering symphonic masterpiece presented (this time!) on keyboards. Reflective and oh so peaceful, it makes me wonder why Michael Hoppe isn't a household name. "Tapestry" closes with the solo piano "Grace" - tender, honest, and gently embracing.

这部影片赢得的除了无数的奖项，还有还引来了世界对华人电影导演李安的关注。当影片得到世界承认的时候，观众也把回忆留在美丽的电影音乐当中。开篇曲Opening就把我们带到了广袤的中西部，清脆的吉他让你心驰神往。He's a friend of Mine预示着两人不同寻常的关系。影片最为人熟悉的是那曲“I don't wanna say goodbye",这首歌曲在影片将要结束的时候响起，悠扬的小提琴加上歌手深情忧郁的演唱，唱得是对伟大爱情的无限唏嘘