Miley在访谈中透露，新专首单《Malibu》将会于5月11日释出。

LCD Soundsystem is an American rock band from Brooklyn, New York, formed in 2002 by James Murphy, co-founder of DFA Records. The band comprises Murphy (vocals, various instruments), Nancy Whang (synthesizer, keyboards, vocals), Pat Mahoney (drums), Rayna Russom (synthesizer), Tyler Pope (bass, guitar, synthesizer), Al Doyle (guitar, synthesizer, percussion), Matt Thornley (guitar, synthesizer, percussion), and Korey Richey (synthesizer, piano, percussion). They are currently signed to both DFA and Columbia Records.

Asthmatic Kitty Records is pleased to announce Carrie & Lowell Live, an audio and visual document of Sufjan’s November 9, 2015 performance at North Charleston Performing Arts Center in South Carolina. It is available on YouTube and Vimeo and as an audio download (and streaming) on most digital platforms starting April 28, 2017.
Released in March 2015, Carrie & Lowell is perhaps Sufjan’s bleakest album, tracing the songwriter’s struggle with grief and depression following the sudden death of his mother. To promote the album, Sufjan set out on an extensive worldwide tour, playing almost 100 concerts performing almost exclusively songs from the new record.
The show, which was designed by Marc Janowitz, incorporated an expansive lighting display and cathedral-like LED columns featuring home videos shot by Sufjan’s maternal grandfather, Nick Marabeas. Much of this vintage footage highlights family birthdays, graduations, and weddings of Carrie and her siblings from the late 1940s through the early 1970s, lending the performances the emotional arc of a memorial, celebrating Carrie’s life and meditating on her death with a sweeping transcendence that gave testament to Sufjan’s central thesis of mourning: that in spite of death, we must go on living in fullness and joy.
The live show featured many new interpretations, re-workings and expansions of the songs from Carrie & Lowell, itself a spare album. On stage, acoustic guitars, ukuleles, and piano were augmented by drums and percussion, electronics, and a motley of synthesizers to create an expansive sonic environment that moved from intimate to psychedelic without sacrificing the solemn nature of the material.
Carrie & Lowell Live captures Sufjan at his most vulnerable and persuasive, and it features a proficient, multiple-instrumentalist crew of musicians, including Dawn Landes (vocals, guitar, guitalin, piano, synthesizer, vocoder, percussion), Casey Foubert (vocals, guitar, lap steel, bass, piano, ukulele, synthesizer), Steve Moore (vocals, synthesizer, bass synth, trombone, Casiotone, piano) and James McAlister (drums, percussion, electronics, synthesizer, piano). The live show ends with an expansive 12-minute improvisational jam that looks (and feels) like nothing less than a born-again experience.
Carrie & Lowell Live was shot and produced by We Are Films, edited by Keith Bradshaw and Deborah Johnson, mixed by Casey Foubert, and mastered by TW Walsh.
credits
released April 28, 2017
Performed live at:
The North Charleston Performing Arts Center
Charleston, South Carolina
November 9, 2015
Performed by:
Casey Foubert
Dawn Landes
James McAlister
Steve Moore
Sufjan Stevens
Featuring
Gallant
Performing “Hotline Bling”
"Hotline Bling" by Aubrey Graham, Timmy Thomas, Paul Jeffries. Published by Sony/ATV Music Publishing LLC.
Filmed by
We Are Films
Aaron Craig & Alex Craig - Director of Photography
Camera operators - Keith Bradshaw etc.
Produced by Sufjan Stevens
Co-Produced by Lisa Moran, Aaron Craig, and Alex Craig
Set, Stage, and Lighting Designer - Marc Janowitz
Lighting & Video Designer - Jason Rothberg
Video Designer - Josh Higgason
Sound Engineer - Brenndan McGuire
Monitor Engineer - Stu Tenold
Instrument Technician - Mikey Loy
Video Technician - Dan Gentile
Merchandise Manager - Max Goldblatt
Booking Agent - Ali Hedrick / Billions Corporation
Business Manager - Mark Kaplan / Mejia & Kaplan, LLP
Tour Manager - Michael Schoenbeck
Artist Manager - Lisa Moran / The Art Counsel

By dropping the needle on classic rock cuts and forgotten ‘70s pop confections, The Guardians of the Galaxy flipped the conventional thinking of soundtracks on its head. The blockbuster continues this fine tradition on the sequel, pulling from a dusty crate of one-hit wonders and FM rock. Vol. 2 bounces along with ELO (“Mr. Blue Sky”), glam (“Fox on the Run”), power pop (“Surrender”), and more than one guilty pleasure (“Brandy (You’re a Fine Girl)”).

2014’s Too Bright showcased Mike Hadreas stepping out saucily onto a bigger stage, expressing, with the production help of Portishead’s Adrian Utley, emotions arranged all along the slippery continuum from rage to irony to love. Here in 13 new ferocious and sophisticated tracks, Mike Hadreas and his collaborators blow through church music, makeout music, an array of the gothier radio popular formats, rhythm and blues, art pop, krautrock, queer soul, the RCA Studio B sound, and then also collect some of the sounds that only exist inside Freddy Krueger. Tremolo on the electric keys. Nightclubbing. Daywalking. Kate Bushing, Peter Greenawaying, Springsteening, Syreetaing. No Shape was produced by Blake Mills, the man behind Alabama Shakes’ Grammy Award winning album. He added precision and expansion. Some things are pretty and some are blasted beyond recongition. Records like this, records that make you feel like you’re 15 and just seeing the truth for the first time, are excessively rare. They’re here to remind you that you’re divine.