记得那个三月，我踩着上海的街灯走着那条不认识的路，借住在朋友的空房里独自做着音乐，喝着不知从哪儿抓来的莓茶包，默默看着窗外，脑海里充满着无尽的旋律；那个三月，我从窗外的稠雨望过去，仿佛看见那个著名的酒店中爷爷和奶奶的婚礼；也是那个三月，不知道吃了什么鬼东西食物中毒，一个人跪在床上疼到天亮；还是那个三月，我永远的离开了一个人……2014年的三月，我执笔用歌记录了下来。
我们一个人在一个陌生的城市，可以寻到一种从未有过的感觉。去任何地方没有人认识你，没有一个朋友，没有一条熟悉的街道，没有熟悉的饭店，不知道应该去哪里做什么。这是一种不存在感，与我们在熟悉的环境中享受着我们惯有的存在感有着极大的反差。而这种反差带来的是一种主动的压抑和不安全感，但这却是平日从未经历过的，是自发的，就像是身体的免疫细胞会在一个时刻发挥功能一样。因此陌生的、未经历过的通常会激发潜在的意识和力量，它带给我们的便是思想的爆炸和生活的感悟。不是孤独和寂寞，相反，是存在感，强烈的存在感。

2017 戴荃首张个人全创作专辑
首波主打曲-“浪漫主义国风”力作《君是山》
你若不归 明月相照
独坐烟波 与山对饮
梦和与现实可以幻化成故事 《君是山》便是这其中之一
这是一种美的情境 也像是一幅画
我是看画的人 又似画中之人
渐渐的我懂了 离去便是另一种相守
悲也罢喜也罢 我都将泰然面对自己的人生

堤幸彦監督による同名映画のサントラを、熱心なファンを多く抱える男女デュオであるハンバートハンバートが担当。オリジナル作よりもっとデモ的ニュアンスが強くてより日常的な情景をうまく切り取ってある印象。映画を観てなくても楽しめる。

細野といえばつねに日本のミュージック・シーンをリードしてきた音の求道者。

甜美温柔而残暴――你有充实而愉快的生活，你在夜里偶而感觉寂寞。你听过了许多歌曲，你知道爱情的苦涩甜蜜。你会在KTV里跟其他人粗着脖子唱劲歌金曲，你偶尔会在夜里因为歌词而感到心痛。直到有天你开始听了陈绮贞，你才知道真正的伤人的歌曲是什么。他是魔鬼――他会用甜美的微笑安慰你，你以为他用他的温柔细腻安慰着你白天所有的伤口，但是当你发现伤口完全没有愈合的同时你才发现其实他根本是悄悄地拿了把刀子用力地捅着你的所有伤口，不管是正在淌着血的结了痂的或是可能即将要悄悄裂开的一下一个伤口。你不只因此痛哭流涕，你还感谢他每一刀总是捅的又深又用力。你开始因此而对陈绮贞上瘾，你甚至还因为一阵子没听到他的声音而感到若有似无的失去。你希望看到他的词到底又写了些什么简单但是其实歇斯底里的心痛，你希望听到他的声音到底又唱了些什么甜腻但是其实静静怒吼的旋律。你等待着他每一张未知的发片期，你复习着每一首他的一字一句。你在下午没有阳光的办公室中偷听着“让我想一想”，但是思绪已经飞到了某个草原树下的微风之中。你在夜里分手的那盏街灯偷偷想着“会不会”，只是为了那天他的背影移动的速度流泄着这着歌曲。你在拥挤的公车上听着“小步舞曲”，那个蓝色的电影和高中时所有对爱情青涩的回忆。你在他的身边和他一起听着“太聪明”，因为你知道你也和双子座一样对爱情有某种过于自误。你在开车的时候大声听着“躺你的衣柜”，即使这是个心碎变态血腥的故事而你可能从来也没发现。你在给那个他的Mail里寄了“还是会寂寞”，因为你知道除了他以外所有的安慰一点意义也没没有，即使你没有那种所谓的高尚情操。你在日记里的某页抄下了“吉他手”，因为你也和陈绮贞一样用尽所有美好梦想去爱那个如吉他手般的男孩即使他也许不是真的会弹吉他或甚至他只是个Bass手。你在深夜的床前听着“寂寞”，因为你知道好朋友终究只是好朋友，他的喜怒哀乐从来不会因为你而飞扬左右。你在大雨的咖啡厅里听着“告诉我”，即使分开后的他从来没有任何回应，即使他对你的惩罚太过残酷而时间也太长。你所有不为人知的痛处就跟随着他的一字一句微微地颤抖着，而那黯黯幽幽的伤痛却无法随着音乐的结束而就此告一段落。所以别跟我说他是个天使――虽然他说话的语气以及他甜甜淡淡的音乐。他其实是个魔鬼。一个温柔甜美而残暴的魔鬼。而我们只能够任凭着他的恣意声线而留下止不住的伤悲。――五月天 玛莎

引进版曲目增加6首。
曲目：
1 When Do We Fail Abigail
2 Broken By The Rise
3 Chandeliers
4 Reduced To Clear
5 Petit Mal At A Grand Occasion
6 Even In The Crowds
7 Annalee Argyle
8 Segue In GM
9 If You Bring Me Aubergines
10 A Dark Horse Will Either Run First Or Last
11 reduced to clear
12 41 union drive
13 even through.
14 beauty cream
15 stitch in time
16 instrumental

Tamas Wells既是团名也是其中主唱的名字。这支来自澳洲墨尔本的indie-pop乐团从澳大利亚开始了自己的音乐事业，给整个澳洲乐坛带来了不小的情感冲击，通过他的第一张专辑《a mark on the pane》让他们在美国,英国,乃至日本也都有了属于他们的听众，可以说他们的音乐有种打动人心的魅力。第二张专辑《A Plea en Vendredi 》也是相当精彩动听！美丽的山水音乐,带着感情的简单舒缓的旋律和轻柔醉人的嗓音，让人体会这一份充满春天气息的温馨，如沐春风。
第三张专辑《Two Years in April》时隔两年终于出版。简单舒缓的旋律和轻柔动人的嗓音，依然令人迷醉。

《澳洲乐团Tamas Well:Thirty People Away》红遍国内的Tamas Wells带着全新专辑，展开了令人期待的亚洲之行。也许是在亚洲特别受到关注的原因，Tamas Wells这次选择中国，日本等国家拉开了巡回表演的序曲。新专辑很早已经在中国进行发售，之前的两张自己都有买，相信这张同样不会错过，标志性的男人，标志性的嗓音，仿佛身边的一切都会尽情融化于那清新曼妙的嗓音和旋律中。

01 The Crime at Edmond Lake
02 Fire Balloons
03 England Had a Queen
04 The Chemicals Took Their Toll Believe
05 An Organisation for Occasions of Joy and Sorrow
06 An Extraordinary Adventure
07 Her Eyes Were Only Scars
08 Before Elizabeth Arrived at the Club
09 Thirty People Away
10 True Believers
11 Your Hands Into Mine

发行日期：2010年11月10日

Tamas Wells (/ˈteɪməs/ TAY-məs) is an Australian singer-songwriter and academic based in Melbourne, Australia. Wells first came to attention in his home country in 2002 with airplay of a three-track demo, Cigarettes, a Tie and a Free Magazine, recorded with three friends.

About Tamas Wells
This story has two parts.
It begins 4 years ago in a vibrant music scene in Melbourne Australia. Renowned Australian producer Tim Whitten (The Panics, Art of Fighting) heard a copy of Tamas Wells’ home recorded songs and invited he and his friends to Megaphon studios in Sydney to record a debut album. This collection of songs made up the album A Mark on the Pane which was released on Australia’s Popboomerang Records and peaked at 16 on the Australian AIR charts. The band went on to do five Australian national tours through 2004.
“one of the year’s (2004) most beautiful records” (Inpress, Melbourne)
“beautiful melodies, dreamy arrangements and vocals that are virtually out of this world” (Baby Sue, US 5+/5 stars)
"absolutely marvellous" (4.5/5 stars, Time OfF, Brisbane)
"A Mark on the Pane is a beautiful album destined to become a cult record for many" (Savio Records, Italy)
"I wouldn't presume to try and convince anyone that the joy that comes with discovering an album like this is a once in a lifetime experience, but it is one of those timeless gems that will be on many personal top 10 lists for many years to come" (Music Works zine, UK)
"A gentle masterpiece" (dB Magazine, Adelaide)
"Nick Drake's folk meeting up with Iceland's stately Sigur Ros a beautiful, sublime record" (8/10 stars Australian Financial Review)
The second part begins after recording songs for a second album when Tamas Wells left Australia to live in the city of Yangon in Burma in South East Asia. Despite this move the 2006 album A Plea en Vendredi with its Beat Magazine Single of the Week Valder Fields received glowing reviews and airplay in Australia. As well as an Australian release, Tamas Wells also signed a deal with renowned Tokyo based label Inpartmaint Records in Japan and also with Beijing based label Pocket Records (Dirty Three, Maximilian Hecker). The album gained significant airplay and went on to sell several thousand copies remarkably reaching number 16 in Japan's HMV Shibuya international chart. The release culminated in a sell out tour of four Japanese cities in August 2007.
"A delight from start to finish!" (Express magazine, Perth)
"Wells is already revered for his gentle voice and mysteriously moving lyrics and this 11 track gem will only enhance his reputation for beautifully broken art’’ (Daily Telegraph, Sydney)
"Nothing else needs to be said except that we HIGHLY RECOMMEND this album WITHOUT RESERVATION. A Plea en Vendredi is, quite simply, a beautiful and intricate masterpiece" (Baby Sue, US)
The new Tamas Wells album Two Years in April is now available in stores and online. See Shop Page to purchase album. See Tour Page for tour dates in your area.
He still resides in Yangon, Burma

When Melbourne singer songwriter Tamas Wells released his debut album ‘A Mark on the Pane’ Inpress Magazine described it as ‘one of the year’s most beautiful records’ and it reached number 16 in Australia’s AIR charts. It also received much praise internationally - with Savio Records in Italy declaring that it was ‘destined to become a cult record for many’.
Yet not long after the 2004 release, Wells left Australia - moving to the isolated country of Myanmar (Burma) to take up a long term position with an aid organization.
That could have been the end of the story.
But instead, he continued to write and record - and after three subsequent albums Wells has sold tens of thousands of records, signed label deals in Europe, Japan, China and Korea, headlined shows in Paris, Tokyo, Sydney and Shanghai and enjoyed a period in the international charts in Japan (HMV Shibuya) - all while remaining relatively unknown in his home city.
His songs have also been used in a number of films including Australian producer Marc Furmie’s award winning ‘Dark Horse’ and ‘The Houses there Wear Verandahs Out of Shyness’ from Italian film producer Fabrizio Polpettini. Polpettini also collaborated in making the stunning film clip for Wells' 2011 song ‘Thirty People Away’ - which was filmed in Paris and stars French actor Denis Lavant.
On the Volatility of the Mind
In 2012, Wells returned from Myanmar and in various homes around Melbourne began work on a new studio album. While previous recordings have drawn on Wells’ ‘beautifully broken’ use of acoustic guitar and piano (Daily Telegraph), the new album takes a different path. As Wells says, ‘I am a believer in using the instruments you have around you, and while I was writing these songs I found an old Casio synthesizer at my parent’s house and a friend had left his electric guitar at my house. So the songs started to focus on melodies, jangly guitar parts and dreamy synthesizer instrumentals’.
In the project, Wells also collaborated for the first time with Melbourne producer Nick Huggins (Kid Sam, Two Bright Lakes) and drew on the songwriting smarts of Mark Lang (Skipping Girl Vinegar). The result is ‘On the Volatility of the Mind’ - which will be released internationally in March 2014 (and in Australia through Popboomerang Records). Wells will tour internationally in May and June 2014.

In 2003 Missy released a self-titled EP that spent an incredible nine months at the top of Australia's independent charts. Her next release, 'The Scar EP', was even more successful. Not only did it debut at #1 on the singles charts, it notched up ten weeks at #1 on the airplay charts, earning official recognition as the most played song on Australian radio of 2004. Her success at the ARIA Awards (Australia's Grammy/Brit Award equivalent) confirmed her stardom as she won Best Pop Release for 'Scar' and was nominated in a further three categories. She has also won Breakthrough Artist at the MTV Australia Music Video Awards as well as four awards in the Rolling Stone (Australia) readers' poll.

Having already conquered her homeland with a string of hit records and awards, Australian singer-songwriter Missy Higgins releases 'Scar', the song that kick-started her amazing success, as a UK single. Taken from her debut album The Sound Of White, 'Scar' not only topped the Australian charts but also spent an incredible ten weeks at the top of the airplay charts and put Missy Higgins on the road to becoming her nation's fastest rising star. With evocative vocals, emotionally honest lyrics and one of the most immediate choruses around, 'Scar' personifies exactly why Missy Higgins has already achieved so much. The title track is backed with 'Greed For Your Love'. Reprise. 2005.

Missy higgins kept a very low public profile in 2006 but that doesn't mean she hasn't been keeping busy. In fact with her typical lack of fuss and fanfare the former triple j unearthed winner spent the second half of last year in los angeles recording here brand new album 'on a clear night'. The highly anticipated release is currently scheduled for the end of april in Australia. The album was recorded with acclaimed producer mitchell froom who helmed the recent finn brothers cd and the first 3 crowded house albums plus discs for such acclaimed singer-songwriters as ron sexsmith, elvis costello and suzanne vega. The first song to be lifted from the album is 'steer' - a positive and life affirming song which missy previewed live during the us and uk touring she did in mid-2006. EMI. 2007.

The Australian success story of 2004, 21-year-old singer-songwriter Missy Higgins had her critically acclaimed album The Sound of White certified quintuple platinum in her homeland and won an ARIA (Australia's Grammy) for Best Pop Release. Now The Sound of White, produced by John Porter (Ryan Adams, Los Lonely Boys, The Smiths), and the sincere, earthy, passionate sound of Missy Higgins arrive to conquer America.

MISSY ANNOUNCES NEW ALBUM & BOOK
It’s Australian stories for the ears, the eyes, the head and the heart.
Missy Higgins’ OZ is something different … an eclectic album of Aussie cover versions and a quirky book of related essays. The music and the prose are best experienced together in a beautiful clothbound CD/Book edition but they can also be enjoyed separately in physical or digital forms, and all are released on September 19.
The OZ album features Missy re-imagining 15 Australian songs that were originally recorded by a diverse set of artists including The Angels, Slim Dusty, Something For Kate, Warumpi Band, Paul Kelly and The Drones. In the accompanying OZ book, Missy uses each of those recordings as the starting point for a sprawling series of essays; reflecting on life, love and how not to wear high heels.
“I wanted to try something different this time around”, explains Missy. “I couldn’t decide between making a covers album or writing a book so I decided to do both at once. Musically it’s intended to be a real mixed bag of lollies.
“Obviously part of the reason I called the whole project OZ is that it’s all about Australian songs. Plus, for the first time, I recorded the whole thing in Australia. However the title has a second meaning. I like the idea of songwriters being like the Wizard in “The Wizard of Oz”. Some people think we’re special people who have special powers but really we’re just scared little people hiding in a backroom somewhere, working like crazy to make sure we don’t get found out.”
There are four main threads that bind this disparate collection of tunes. The first is obviously the lyrical and vocal combinations that allow Missy to truly inhabit each of these works as if she had written it herself. The second is the strikingly live production by Missy and American orchestrator Jherek Bischoff (Amanda Palmer, David Byrne, Kronos Quartet).
The third thread that runs through the OZ recordings is the presence of contributions from various friends of Missy’s. Not only does she cover Dan Sultan’s timeless “Old Fitzroy” but the Deadly Award winner (and “Bran Nue Dae” co-star) also adds his unmistakable voice to an ol’ timey rendition of “The Biggest Disappointment”. Kate Miller Heidke and Amanda Palmer are among others to feature prominently.
Finally, the entire collection was mixed by multiple Grammy recipient Jay Newland who also mixed Missy’s breakthrough album The Sound of White.
In other major news, Missy revealed over the weekend that she is due to give birth to her first child in January.
Over the last decade Missy has become one of our most beloved singer/songwriters. Her three previous albums, The Sound of White, On a Clear Night and The Ol’ Razzle Dazzle, have sold more than a million copies. They’ve each gone to #1 on the Australian charts and each has also been recognised with ARIA Awards.