爵士
Pleasure 豆瓣
向井滋春 / Shigeharu Mukai 类型: 爵士
发布日期 1980年4月8日 出版发行: Columbia Music Entertainment / Inc.
Credits
Bass – Neil Jason
Conductor – Warren Bernhardt
Drums – Steve Gadd
Engineer, Mixed By – Jim McCurdy
Guitar – Jeff Mironov, Ryo Kawasaki
Keyboards – Jorge Dalto, Naoya Matsuoka, Warren Bernhardt
Liner Notes – 松下佳男*
Percussion – Nana Vasconcellos*, Raphael Cruz
Synthesizer [Oberheim, Moog] – Ed Walsh
Trombone, Producer, Arranged By – Shigeharu Mukai
Notes
Recorded March 31 - April 8, 1980. ℗ 1980
Comes in mini LP replica with OBI & Japanese insert.
A Love Supreme 豆瓣
9.5 (89 个评分) John Coltrane 类型: 爵士
发布日期 2003年1月1日 出版发行: Impulse Records
Recorded:December 9, 1964
Studio:Van Gelder Studio, Englewood Cliffs
The John Coltrane Quartet[edit]
John Coltrane – bandleader, liner notes, vocals, tenor saxophone, soprano saxophone[40]
Jimmy Garrison – double bass
Elvin Jones – drums, gong, timpani
McCoy Tyner – piano
Additional personnel[edit]
Archie Shepp – tenor saxophone on alternate takes of "Acknowledgement"
Art Davis – double bass on alternate takes of "Acknowledgement"
Rudy Van Gelder – engineering and mastering
Bob Thiele – production and cover photo[41]
George Gray/Viceroy – cover design
Victor Kalin – illustration
Joe Lebow – liner design
追寻柯川 (2016) 豆瓣
Chasing Trane: The John Coltrane Documentary
6.3 (7 个评分) 导演: 约翰·席恩菲尔德 演员: 丹泽尔·华盛顿 / 科曼
其它标题: Chasing Trane: The John Coltrane Documentary / 寻找约翰科川(台)
这部纪录片包含访谈、见解和档案影像,为我们揭示历史事件是如何塑造了约翰·克特兰的音乐。
萬花鏡 豆瓣
8.9 (30 个评分) 佐井好子 类型: 流行
发布日期 1975年8月25日 出版发行: テイチク株式会社
「萬花鏡」は全曲佐井好子の作詞作曲になるものだが、テイチクのディレクター・春名勇はエンジニアに伊豫部富治、プロデュースとアレンジャーに大野雄二を指名する。(余談だが伊豫部と大野は1973年に梶芽衣子のシングル盤の録音で出会った後、この「萬花鏡」で再会し、その後長くコンビを組んで名作を多数リリースしている。)音楽的な知識には乏しかった佐井好子が、大野に曲の構想を伝える中で作品を完成させてゆく手法は、伊豫部のミキシングによって、ブルージーなサウンドにダークなイメージと豊穣な感性を融合させたアルバムを彩ることになる。
佐井好子の魅力の核である歌詞は、このファースト作でその奥の深さをまざまざと見せつける。「青ざめた夜の精」「逢魔ヶ時」「したたりおちる空の赤み」「揺れる血の海」「サーカス団」「魔性の女」「死の淵」「血まみれの緑いろ」...。この一見残酷な言葉を巧みに歌詞に用いながら、その言葉通りの意味に拘束されることなく、まるで夢幻の世界を想像させる歌唱スタイルは、当時も今も比類なき存在だろう。
佐井好子自身によれば、当時は日本人であること、女性であることから感じる自分の居場所の根元的な不安感、不信感が、こういった歌詞を書かせたのだろうと語るが、そういった内省的な思索を一種の幻想詩として完成させ、鮮烈な音楽曲へと高めた彼女の才能にはひたすら感服せざるをえない。唯一「紅い花」は、つげ義春の同名漫画作品から影響を受けて書かれた作品で、「二十才になれば」のシングルカット時にはB面に収録された。
サウンド面では当時森田童子のバッキングも務めた石川鷹彦がギターを担当。加えて琵琶、鼓、尺八といった邦楽器が曲の陰影を深めている。表ジャケットは奈良公園の奥地で、裏ジャケットは琵琶湖の桟橋で撮影された。
(CD版解説より抜粋/JOJO広重筆)
全作詞作曲●佐井好子
全編曲●大野雄二
keyboard:大野雄二
A.Guitar:石川鷹彦
A.Guitar,E.Guitar:松元恒秀
E.Bass:岡沢章
Percussion:ラリー寿永
Drums:田中清司
Strings:新音楽協会
琵琶:平山万佐子
鼓:堅田喜作
尺八:村岡実
Producer:大野雄二
Director:春名勇
Engineer:伊豫部富治
Recorded At Mouri St.,Akasaka Music St.,Onkio Haus & Teichiku Suginami St. from May to June 1975.
Art Director:S.Saito
Cover design:H.Kawabata
Photography:Studio ELLE
Greatful Thanks to H.yamamoto,T.Nakamura & M.Masuda.
We would like to thanks all the creative people who helped in the making of this album.
The Heart of Saturday Night 豆瓣 Discogs
9.0 (18 个评分) Tom Waits 类型: 布鲁斯
发布日期 1974年1月1日 出版发行: Elektra/WEA
The Eagles might have covered his song "Ol' 55," but Tom Waits was cut from a different cloth than California's other singer-songwriters--he suggested a scruffy beat poet who'd walked out of a forgotten scene of Jack Kerouac's On the Road. Waits's beatnik schtick could get old, and he developed into a much more musically adventurous songwriter in later years, but his second album contains some of his best early work, including the sweet romantic blues of "New Coat of Paint" ("You wear a dress baby, I'll wear a tie"), and his best hipster recitation, "Diamonds on My Windshield." Two songs are enduring classics: the doleful, dirge-like "San Diego Serenade" ("Never saw the morning till I stayed up all night") and the touchingly sweet "(Looking for) The Heart of Saturday Night" ("Stoppin' on the red, goin' on the green, `cause tonight'll be like nothin' that you've ever seen"). --John Milward
Doin' Allright 豆瓣
Dexter Gordon 类型: 爵士
发布日期 1961年1月1日 出版发行: Blue Note Records
Dexter Gordon的蓝调别具一格。本专辑携手Freddie Hubbard 和Horace Parlan推出这一精品。特别推荐“Society Red”和“It´s You Or No One”。
Cole Porter Classics 豆瓣
Teddy Wilson 类型: 爵士
发布日期 1992年10月1日 出版发行: Black Lion/Da Music/Ka
Theodore Shaw Wilson was an American jazz pianist. Described by critic Scott Yanow as "the definitive swing pianist", Wilson had a sophisticated, elegant style.
海上钢琴师 豆瓣
9.4 (236 个评分) Ennio Morricone 类型: 原声
发布日期 1999年10月12日 出版发行: Sony
《海上钢琴师》叙述了一位诞生于海上的音乐奇才,精彩不凡且极富争议的一生。为《海上钢琴师》操刀配乐的是世界电影界着名和资深的意大利最具风格的作曲家埃尼奥.莫里康内(Ennio Morricone),从处女作《法西斯分子》到去年的《西西里的美丽传说》,这位大师参与制作的各国电影配乐已不下400部了,故被音乐界冠以最多产的作曲家美誉。现时已经是70多岁高龄的他,仍拥有丰富的创作灵感和素材,在《海上钢琴师》里,大师以钢琴为主配合适当的管弦乐和室内乐创作出音色醉人、旋律优美和风格隽永的迷人乐章。 在《海上钢琴师》里,大师以钢琴为主配合适当的管弦乐和室内乐创作出音色醉人、旋律优美和风格隽永的迷人乐章。其中随性的爵士音符随处可见,出彩的配乐表现出这张大碟决不流俗的态度。同时这张原声大碟还请来Amedeo Tommasi、Gilda Butta等钢琴独奏家,演绎Jelly Roll Morton及Scott Joplin等散拍乐名家的代表作品。原声大碟中,1900在滑动的钢琴的上弹奏、与爵士乐大师斗法机巧跳脱,精妙无比,尤其是他透过舷窗看到暗恋情人即兴创作的那一曲“playing love”,更是温婉细腻如喁喁私语,被公推为全片最动人乐章。全专辑最具吸引力的当属颜尼欧�莫瑞克奈与前Pink Floyd乐队大将Rogers Waters以及重摇滚乐队Van Helen的当家吉他手Edward Van Helen,三巨头首度合作的电影主题曲《Lost Boy Calling》(失去的呼唤),悠远飘渺,增添几许传奇深度。世纪末回首世纪初叶最动人的海洋传奇巨作已经诞生。
Solo Piano 豆瓣
Phineas Newborn Jr 类型: 轻音乐
发布日期 2002年9月24日 出版发行: Collectables
A collection of eleven solo recordings, originally released by Atlantic in the mid-1970s. Recorded on a standard studio piano rather than a concert grand, "Solo Piano" is an unbelievably intimate experience with this wonderfully talented pianist.
John Cage Meets Sun Ra 豆瓣
8.0 (5 个评分) John Cage / Sun Ra 类型: 爵士
发布日期 1987年1月1日 出版发行: Meltdown Records
John Cage: excerpts from Empty Words (part IV) (1974-75), read as interludes
Sun Ra improvising on the Yamaha DX7 synthesizer. Empty Words IV performed by John Cage, voice.
Recorded live in concert: June 8, 1986 at Coney Island, N.Y.
LP released in 1987
The New Albion Discography has some more background information on this recording
These are unedited segments of the historic concert that was part of the "Sideshows by the Seashore" held on June 8, 1986 in Coney Island, NY. Improvisations and songs by Sun Ra and Cage's indeterminate performance vocals based on strict composition methods are contrasted and find a common meeting ground as, toward the end of the session, they play together. Fascinating and in genuine communal spirit.
The History of Jazz 豆瓣
作者: Ted Gioia Oxford University Press 2011 - 5
Ted Gioia's History of Jazz has been universally hailed as a classic--acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present. Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the current day. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. He also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born.
A Musical Romance 豆瓣
Billie Holiday & Lester Young 类型: 爵士
发布日期 2002年7月30日 出版发行: Sony
Romeo and Juliet...Eloise and Abelard...Tracy and Hepburn. These are among history's great romantic relationships, but perhaps the deepest of all romances - in all of American music, at any rate - was the one that was carried on in the recording studio between Billie Holiday (1915-1959) and Lester Young (1910-1959). "Lady Day" and "The President" (they gave one another their nicknames) made a series of "sides," as they were called in those days, that to this day absolutely define love in tune. She was - and is - the greatest of all jazz vocalists. His tenor saxophone style delivered the real Birth of the Cool. Together, they sang and played with an unparalleled sense of intimacy, warmth, and sensuous, behind-the-beat swing, whether the melody was pure gold (like "The Man I Love," "Time On My Hands") or closer to brass ("When You're Smiling," "Back In Your Own Backyard"). Originally produced by the redoubtable John Hammond, and intended first and foremost for jukeboxes, these sixteen seminal performances have been culled from the Grammy-winning 10-CD boxed set Lady Day: The Complete Billie Holiday on Columbia, 1933-1944. They also feature vital contributions from, among others, pianist-arranger Teddy Wilson, who served as leader on many of Holiday's record dates, Swing era superstar clarinetist Benny Goodman, ace trumpeter Buck Clayton (Young's cohort from Count Basie's definitive swing band), the sublime Ellingtonian alto saxophonist Johnny Hodges, and Roy Eldridge, little giant of the trumpet. But Lady Day and Pres, forever dancing in the dark, make this a musical romance that will never die.