此书提供了永乐宫纯阳殿建筑壁画的全部线描图，而且区分出不同种类物象的颜色：建筑和榜题文字为黑色，云气为蓝色，人物为红色，山石树木为绿色。书中以《元代楼阁建筑壁画的绘制方法》一文为代序，分析了画格与斜线在古代建筑壁画中的使用，并籍此探讨了中国古代建筑物的绘制方法。

Chinese Buddhist monks of the Song dynasty (960–1279) called the irresistible urge to compose poetry “the poetry demon.” In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks. Although much has been written about verses in the gong’an (Jpn. kōan) tradition, very little is known about the large corpora—roughly 30,000 extant poems—composed by these monastics. Protass addresses the oversight by using strategies associated with religious studies, literary studies, and sociology. He weaves together poetry with a wide range of monastic sources and in doing so argues against positing a “literary Chan” movement that wrote poetry as a path to awakening; he instead presents an understanding of monks’ poetry grounded in the Song discourse of monks themselves.
The work begins by examining how monks fashioned new genres, created their own books, and fueled a monastic audience for monks’ poetry. It traces the evolution of gāthā from hymns found in Buddhist scripture to an independent genre for poems associated with Chan masters as living buddhas. While Song monastic culture produced a prodigious amount of verse, at the same time it promoted prohibitions against monks’ participation in poetry as a worldly or Confucian art: This constructive tension was an animating force. The Poetry Demon highlights this and other intersections of Buddhist doctrine with literary sociality and charts productive pathways through numerous materials, including collections of Chan “recorded sayings,” monastic rulebooks, “eminent monk” and “flame record” hagiographies, manuscripts of poetry, Buddhist encyclopedia, primers, and sūtra commentary.
Two chapter-length case studies illustrate how Song monks participated in two of the most prominent and conservative modes of poetry of the time, those of parting and mourning. Protass reveals how monks used Chan humor with reference to emptiness to transform acts of separation into Buddhist teachings. In another chapter, monks in mourning expressed their grief and dharma through poetry. The Poetry Demon impressively uncovers new and creative ways to study Chinese Buddhist monks’ poetry while contributing to the broader study of Chinese religion and literature.

In the midst of academic debates about the utility of the term “magic” and the cultural meaning of ancient words like mageia or khesheph, this Guide to the Study of Ancient Magic seeks to advance the discussion by separating out three topics essential to the very idea of magic. The three major sections of this volume address (1) indigenous terminologies for ambiguous or illicit ritual in antiquity; (2) the ancient texts, manuals, and artifacts commonly designated “magical” or used to represent ancient magic; and (3) a series of contexts, from the written word to materiality itself, to which the term “magic” might usefully pertain.
The individual essays in this volume cover most of Mediterranean and Near Eastern antiquity, with essays by both established and emergent scholars of ancient religions.
In a burgeoning field of “magic studies” trying both to preserve and to justify critically the category itself, this volume brings new clarity and provocative insights. This will be an indispensable resource to all interested in magic in the Bible and the Ancient Near East, ancient Greece and Rome, Early Christianity and Judaism, Egypt through the Christian period, and also comparative and critical theory.

本书介绍杭州石窟与摩崖造像中保存有大量的宋元时期佛教造像, 为我们研究中国10世纪以后佛教艺术的演变提供了宝贵资料。在历史文献领域, 杭州保存的丰富史志在全中国独树一帜, 其中就有大量关于这些佛教造像地点的记录。本书以作者于1992年、2005年亲临现场考察所得的资料为基础写成, 是一本全面调查与研究除飞来峰以外的杭州石窟摩崖造像的专著。

《山水》为跨学科、综合性的人文思想类学术辑刊，以“山水”为主题，立足于中国文明的思想脉络，探讨中国文化中超越性、整全性的精神概念，并以比较文明为视角，关注西方文明及其他诸文明形态中的自然与神性、人文与艺术及其现代演变，致力于在古今中西的探源比照中凸显中国文明的独特品格，与不同文明之精神内核形成对话，探求世界未来的可能。

The rise and widespread acceptance of psychosurgery constitutes one of the most troubling chapters in the history of modern medicine. By the late 1950s tens of thousands of Americans had been lobotomized as treatment for a host of psychiatric disorders. Though the procedure would later be decried as devastating and grossly unscientific, many patients, families, and physicians reported veritable improvement from the surgery; some patients were even considered cured. The Lobotomy Letters gives an account of why this controversial procedure was sanctioned by psychiatrists and doctors of modern medicine. Drawing from original correspondence penned by lobotomy patients and their families as well as from the professional papers of lobotomy pioneer and neurologist Walter Freeman, the volume reconstructs how physicians, patients, and their families viewed lobotomy and analyzes the reasons for its overwhelming use. Mical Raz, MD/PhD, is a physician and historian of medicine.

はじめに
論考篇
第一章　陳士元の夢の思想――「真人無夢」をめぐって
一　宋儒の理解
二　『夢占逸旨』の反論（「赤子の心」）
三　夢の理論（発生とその位置づけ）
第二章　『夢占逸旨』の占夢理論について――『周礼』の占夢法との関係から
一　『夢占逸旨』における天象観測の重要性
二　占夢の事例に対する分析――『夢占逸旨』外篇について
三　「五不占」と「五不験」
第三章　『夢占逸旨』版本の系譜と修訂意図について――内篇異同箇所の考察から版本間の異同について
第四章　夢書の受容に関する考察――『夢占逸旨』を例として
一　明清の図書目録における夢書
二　『夢占逸旨』の流伝について
三　陳毅による題記
四　『夢占逸旨』嘉靖本について
五　明代における夢書の展開
訳注篇 （『夢占逸旨』 内篇巻一、 巻二）
※訳注本文については、本書に収録するにあたり底本の変更（道光本から嘉靖本へ）を行った。それに伴い【校異】
【書き下し文】【現代語訳】【注釈】の全てについて見直しを行った。
凡　例／序　文
夢占逸旨目録／真宰篇第一／長柳篇第二／昼夜篇第三／衆占篇第四／宗空篇第五／聖人篇第六／六夢篇第七／古法篇第八／吉事篇第九／感変篇第十
解説――『夢占逸旨』と陳士元について
あとがき・初出一覧・引書一覧・索　引

弗·克 阿尔谢尼耶夫考察西伯利亚原始森林时，遇到了一位赫哲族猎人德尔苏·乌扎拉，请他做向导。流浪猎人乌扎拉譬觉灵敏 对山林无比熟悉能嗅到动物的气息。辨别人和动物的足迹等等。他凭借高超的生存本领，数度帮助阿尔谢尼耶夫和他的队伍渡过难关，多次救了阿尔谢尼耶夫等人性命。两个男人在森林探险中结下了深厚的友谊。5年以后，阿尔谢尼耶夫把德尔苏带到生活无虞的城市居住。可老猎人处处与现代化的社会发生冲突。最后，属于大自然的德尔苏·乌扎拉返回莽林中，不幸死于盗贼之手。

本书是对一个善良朴实平凡的人的终极关怀，是一曲普通人的生命的挽歌。

本书是苏联地理学家阿尔谢尼耶夫于二十世纪初在乌苏里地区考察后写出的地理考察报告，也是一部堪与《瓦尔登湖》相媲美的绿色文学经典，全书分为《乌苏里山区历险记》（原名《乌苏里地区之行》）和《德尔苏·乌扎拉》两部分。日本电影大师黑泽明根据该书改编的电影 《德尔苏·乌扎拉》引起国际影坛轰动，获得1975年奥斯卡最佳外语片奖。

基于爲期31个月的民族誌田野调查，作者介绍了在大吉岭因爲茶而翻天复地的变化里，凸显的农业生产与消费全球化后产生的问题。通过目睹、倾听、研究，作者描述了地理标誌、公平贸易或大吉岭地区的廓尔喀独立运动等很少被提及的细节。这些看似高举“正义”大纛的行动，迴避了大吉岭当地因爲全球产业链的茶叶生产消费所导致的“道义经济”（moral economy）崩解，这也导致公衆对今日大吉岭茶产业中的不正义“视而不见”——这正是书中最核心的批判。

《冀南乡村的道教仪式与经籍整理研究》是一部关于河北广宗一带乡村道教仪式及其经籍的搜集、整理与研究之作。冀南打醮历史悠久，地域特征鲜明，醮仪中所使用的太平道乐是国家级非物质文化遗产名录代表作。本书基于丰赡的田野资料对当地盛行的打醮仪式做了民族志“深描”，对至今仍在使用的科仪经书做了整理与点校，使长期“养在深闺”的冀南乡村道教得到第一次规范整理与科学研究，为学界贡献了一个华北地方道教生存现状的鲜活案例。

Fabian's study is a classic in the field that changed the way anthropologists relate to their subjects and is of immense value not only to anthropologists but to all those concerned with the study of man. A new foreward by Matti Bunzl brings the influence of Fabian's study up to the present. Time and the Other is a critique of the notions that anthropologists are "here and now," their objects of study are "there and then," and that the "other" exists in a time not contemporary with our own.

提要：
中国古代城市研究文集，包括城市历史研究和历史城市设计。
编辑推荐语：
本书以近300幅图片汇集展示了中国古代城市相关研究，包括城市历史研究和历史城市设计。城市历史研究部分，探讨了在政权更替、经济发展、文化繁荣、教育兴盛、军事防御等背景下一些有代表性的城市及相关机构的发展变迁，而对于历史城市在今天所广受关注的保护和有机更新问题，作者则利用新的工具和技术，在实践层面详述具体入微的措施，也传达出新的理念。
内容简介：
本书是关于古代城市研究的文集，全书以三百多幅照片和图解，结合生动的历史背景资料以及大量参考文献和著述，呈现出古代城市丰富的人文内涵————统治者围绕孔庙所进行的行礼活动、科考前后试子在城市中的公共活动、孔庙和城市发展之间的互动关系、明清两代徽商与城市尤其是文化教育机构发展的关系、政权的更替以及防御要求下城市的发展等等；探讨了历史城市在今天的保护和有机更新问题——如何保护历史城市的风貌并进行有机更新，历史城区的高度控制问题，历史遗迹的保护、展示和景观提升，等等。

本书分钱氏霸权的形成、吴越国的内政、吴越国的外交及其灭亡、吴越国的经济、吴越国的文化数章，每章选若干专题进行深入探讨，力图将吴越国放在唐末至宋整个东亚的政治格局变化中进行考察，揭示其在“唐宋变革”及“经济文化重心南移”两个史学命题中的意义。

The internal dynamics driving the relationship between the state and local society during the Southern Song and Yuan dynasties has both captivated and baffled scholars. In this book, Sukhee Lee posits an alternative understanding of the relationship between the state and social elites in the middle period of Chinese imperial history. Directly challenging the assumption of a zero-sum competition between the power of the state and that of local elites, Negotiated Power shows in vivid detail how state power and local elite interests were mutually constitutive and reinforcing. It was precisely the connectedness of social elites to the state, as well as the presence of the state in local life, that was essential to the rise of a self-conscious local elite society during this period. In probing the historical trajectory of Mingzhou prefecture (today’s Ningbo), Lee makes extensive use of local gazetteers from the Southern Song and the Yuan dynasties, and the abundant literary collections that still survive from this area, including some 280 epitaphs written for Mingzhou people of the time.

明清时期，杭州湾南岸沙盐地带是一个盐场、州县、卫所交错，灶户、民户、军户人群混杂的地区。数百年沧海桑田中，沿海沙涂不断淤涨。这些沙涂按成陆时间先后分成“母沙”（老沙涂）和“子沙”（新沙涂），从“母沙”淤涨出来的“子沙”归属“母沙”原先的主人所有，子母相传，永永相续，由此形成“子母传沙”的地权惯例。在此基础上，当地逐渐产生形态各异的“一田两主”格局。
本书以土地开发和地权演变为主线，通过考察当地盐场社会发展和田土赋役制度演变的复杂过程，深入探讨“一田两主”制的形成问题。

In this richly illustrated book, Oleg Grabar shares a veteran art historian's love for the sheer sensuality of ornamentation. Grabar analyzes early and medieval Islamic objects and uses this art to show how ornament in general enables a direct, immediate encounter between viewers and art objects from any culture and time period.

《麟台故事校证》由中华书局出版社出版，内容包括：麟台故事辑本、进麟台故事申省原状、沿革、省舍、储藏、修纂、职掌、选任、官联、恩荣、禄廪、麟台故事后序、麟台故事残本、进麟台故事申省原状、书籍、校雠、修纂、国史、钱谷题记、黄丕烈跋、张元济跋、麟台故事佚文等。