Salad Days is the second full-length studio album by Canadian musician Mac DeMarco released on April 1, 2014 through Captured Tracks. Following the debut releases of Rock and Roll Night Club and 2 in 2012 and the extensive touring for both releases in 2013, DeMarco worked on material for his next album at his Bedford-Stuyvesant apartment in Brooklyn. Salad Days garnered acclaim from critics, and debuted at number 30 on the Billboard 200. The album spawned two singles: "Passing Out Pieces" and "Brother". To promote the album, DeMarco went on a tour that spanned across North America, South America and Europe.

On Metronomy's new Love Letters, songwriter Joseph Mount arrives with another rearview glance at pop and rock history, aging backwards into a gray space between late psych and early glam.

Legowelt is a Dutch electronic musician who describes his musical style as "a hybrid form of slam jack combined with deep Chicago house, romantic ghetto technofunk and EuroHorror Soundtrack."

黑特油&辣五油 达不溜诶姆嗯

Hydras Dream is a special collaboration between the Swedish musicians ANNA VON HAUSSWOLFF and MATTI BYE (winner of the Guldbaggen 2014 price for scoring the film drama "Faro" and composer of the film score for "The 100-Year-Old Man Who Climbed Out the Window and Disappeared"). The concept behind this project is to interpret stories, movies and myths into musical landscapes. For their debut album "The Little Match Girl", von Hausswolff and Bye construed the beautiful and melancholic story by H.C. Andersen of the same title. Asked about the reason for this particular choice, the two musicians state: "It was her tragic faith in the winter's cold that inspired us. She is freezing to death with no money and no comfort, she is all alone, dreaming of a warmer place. When death strikes her she is filled with magical illusions and dreams. Oddly enough, hypothermia and death are the only two comfort zones we experience in this story. Sad but beautiful."
The music of Hydras Dream is mostly made through improvisation and by using repetitious patterns and melodies. Indeed, the two musicians state "We want to use intuition and spontaneity as two key elements in the compositions, and therefore we don't pre-record anything. We just play whatever feels good and fits the theme and press rec." Thus it is no surprise that "The Little Match Girl" was written and recorded during only three days in Matti Bye's studio. Exploring the entire spectrum of their instruments, von Hausswolff and Bye ingeniously combined their virtuosity in order to craft an eclectic and delicate album, located somewhere inbetween neo-classical experimentalism and avantgarde dream-pop. One can virtually image how the notes of this debut faintly resound behind the candle-lit windows which separate the little match girl from the life-saving warmth, how their echoes join her in her inevitable fate ...