You are thousands of years old. You have amazing powers. You have watched civilizations rise and fall. So why does no one remember any of this? Bestselling Author Neil Gaiman (Marvel: 1602, Anansi Boys, Sandman) is joined by superstar artist John Romita Jr. (Amazing Spider-Man, Wolverine) to present a tale that will change the Eternals and the Marvel Universe forever! Collects Eternals #1-7.

From the Harvey and Lulu award–winning creator of Artbabe comes this riveting story of a young woman’s misadventures in Mexico City. Carla, an American estranged from her Mexican father, heads to Mexico City to “find herself.” She crashes with a former fling, Harry, who has been drinking his way through the capital in the great tradition of his heroes, William S. Burroughs and Jack Kerouac. Harry is good—humored about Carla’s reappearance on his doorstep—until he realizes that Carla, who spends her days soaking in the city, exploring Frida Kahlo’s house, and learning Spanish, has no intention of leaving.
When Harry and Carla’s relationship of mutual tolerance reaches its inevitable end, she rejects his world of Anglo expats for her own set of friends: pretty-boy Oscar, who sells pot and dreams of being a DJ, and charismatic Memo, a left-wing, pseudo–intellectual ladies’ man. Determined to experience the real Mexico, Carla turns a blind eye to her new friends’ inconsistencies. But then she catches the eye of a drug don, el Gordo, and from that moment on her life gets a lot more complicated, and she is forced to confront the irreparable consequences of her willful innocence.
Jessica Abel’s evocative black–and–white drawings and creative mix of English and Spanish bring Mexico City’s past and present to life, unfurling Carla’s dark history against the legacies of Burroughs and Kahlo. A story about the youthful desire to live an authentic life and the consequences of trusting easy answers, La Perdida–at once grounded in the particulars of life in Mexico and resonantly universal–is a story about finding oneself by getting lost.

Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite

This here be the first ever “graphical novel book” by Craig Thompson. It was winnning a Harvey Award, no less. It documentates the once upon a time in our fishing village town and a short turtle lad name of Chunky, last name Rice.
Mister Chunky Rice be living in the same rooming house likewise myself, only that boy be restless. Looking for something. And he puts hisself on my brother Chuck’s ship and boats out to sea to find it. Only he be departin’ from his bestest of all friends, his deer mouse, I mean, mouse deer chum Dandel.
Now why in a whirl would someone leave beyond a buddy? Just what be that turtle lad searchings for? I said you best read the book to find out. Merle said, “Doot doot.”

An intimate, poetic and accessible graphic memoir very much in the tradition of works by Marjane Satrapi, Craig Thompson and Alison Bechdel. One summer night at a teenage house party, Fred met Cati. Though they barely spoke, he vividly remembers her gracefulness juxtaposed with a wonderful, wild abandon. They meet again at a New Year's Party in 1999, and this time their connection is instantaneous. A few weeks later, when it looks like things might get serious, a very nervous Cati tells him that she and her three-year-old son are both HIV positive. With great beauty and economy, Peeters' traces the development of their emotional and sexual intimacy. The silver lining in their lives is the wonderful, down-to-earth doctor whose affection and frankness allow them to confront their fears about sex and fully realize their passionate connection. But when Cati's son gets sick and they have to administer a gruelling treatment (including the blue pills of the title), Fred comes face to face with death. His questions about life, love and illness are played out in a Socratic dialogue with a (very wise) mammoth who ultimately helps him to recognize that living with illness is also a gift; it has freed him to savour his life with Cati. Blue Pills explores a daunting and difficult subject in a way that is refreshingly honest, moving and revelatory. Peeters, while writing specifically about HIV, has also given us a nuanced and deeply personal story that will resonate with anyone who is intimately acquainted with any kind of illness - and all of us who have chosen to love in the face of challenges.

Magic Boy wanders drunkenly through a hallucinogenic nightmare world of Cancer Robots, softball
showdowns, dance parties, barbecues, time machines, testicular injury, and cake-baking kung-fu cuties!
A bit of a longform shaggy dog story, Fantastic Butterflies finds James Kochalka allowing
his art to swim down the stream of his consciousness, creating not so much a narrative as a
snapshot of the creator’s world. Not a story, but a 160-page portrait in pen and ink, as seen
through the delightful, distorted mirror of reality that James creates through observation and
extrapolation of his friends and loved ones.
Written and illustrated by James Kochalka

Written by Steve Weiner ("The Will Eisner Companion") and Jason Hall ("Beware the Creeper", "Trigger", "Detective Comics") and densely illustrated with classic images from the comics as well as a handful of new drawings from Mignola, this volume offers thorough documentation of the "Hellboy" universe, compiling the many complex pieces that make up the life of the World's Greatest Paranormal Investigator into an easily understandable format. From Abe Sapien to the secret origin of the world, this complete compendium is every hardcore "Hellboy" fan's key to the mind of Mike Mignola, and the ultimate introduction for anyone looking to begin their journey in the weird and wondrous world he has created.

The struggle to tell a comics story visually requires more than a cool-looking image; it takes years of experience and a thorough understanding of the art form's visual vocabulary. Assembled in Panel Discussions is the combined knowledge of more than a dozen of the industry's top storytellers, covering all aspects of the design of comics, from pacing, story flow, and word balloon placement, to using color to convey emotion, spotting blacks, and how gutters between panels affect the story! Learn from the best, as Will Eisner, Scott Hampton, Mike Wieringo, Walter Simonson, Mike Mignola, Mark Schultz, David Mazzucchelli, Dick Giordano, Brian Stelfreeze, Mike Carlin, Chris Moeller, Mark Chiarello, and others share hard-learned lessons about the design of comics, complete with hundreds of illustrated examples. When should you tilt or overlap a panel? How can sound effects enhance the story, and when do they distract from it? What are the best ways to divide up the page to convey motion, time, action, or quiet?

... packs 1,000 covers into 576 pages... pop in the accompanying DVD for a tour of Tokyo's largest manga store. -- Wired Magazine, June 2004

Set in modern-day Tel Aviv, a young man,Koby Franco, receives an urgent phone call from a female soldier. Learning that his estranged father may have been a victim of a suicide bombing in Hadera, Koby reluctantly joins the soldier in searching for clues. His death would certainly explain his empty apartment and disconnected phone line. As Koby tries to unravel the mystery of his father’s death, he finds himself piecing together not only the last few months of his father’s life but his entire identity. With thin, precise lines and luscious watercolors, Rutu Modan creates a portrait of modern Israel, a place where sudden death mingles with the slow dissolution of family ties.

Exit Wounds is the North American graphic-novel debut from one of Israel’s best-known cartoonists. Modan has received several awards in Israel and abroad, including the Best Illustrated Children’s Book Award from the Israel Museum in Jerusalem four times and Young Artist of the Year by the Israel Ministry of Culture. She is a chosen artist of the Israel Cultural Excellence Foundation.

生活在這極其不透明的當下，我們的青春狂想曲──
社會人第2年，種田與芽衣子
快樂卻苦惱的小小戀愛物語──
超越性別與世代，喚起真確共鳴與感動的超話題作品！

阿里和阿春是死党，阿春和阿花是恋人，阿里和阿花是……？
面对感情的矛盾人总是给自己找了很多理由和借口去逃避，直到最后自己都搞不清楚找借口的理由或者找理由的借口……是不是有的时候根本就不用想那么多呢？当阿里打算孤注一掷的时候，他发现爱情原来也能挺玩命！

常常有人说比较喜欢轻松愉快的题材，而欧美漫画过于坚硬。仿佛，欧美漫画尽是些关于英雄、战争、科幻、恐怖……等等，一副“天将降大任于斯人也”的架势。而今，有一只小老鼠将以手（爪）中的长剑，逼迫你收回无知的成见。它可不是耄耋高龄的米奇；它是在今年出生还不满周岁的新生代；它就是Mouse Guard 精灵鼠小兵！勇斗巨兽、刀剑决斗、捍卫城邦，小鼠雄兵们以其使人忍俊不禁的POSE演绎了一部部可歌可泣的中世纪游侠传奇！看看这些小老鼠吧！还有谁能说欧美漫画不够可爱呢？

Penned by Whedon and Brett Matthews, who wrote several episodes of Firefly as well as Dark Horse's final Angel comics series and the animated Chronicles of Riddick feature "Dark Fury," Serenity follows a ship full of mercenaries, fugitives and one law-abiding prostitute in their pursuit for fast cash and a little peace along the fringes of space. The ragtag crew of Serenity take on a scavanger mission with the hopes of earning enough dough to disappear for a while. Only too late do they realize the whole gig is orchestrated by an old enemy eager remake their aquanitance with the help of some covert-operatives known only as the Blue Gloves. Artist Will Conrad (Marvel's Elektra and Witches) and colorist Laura Martin (Astonishing X-Men and The Ultimates) paint a rough and wild world of adventure across a strange and dangerous universe, in this not-to-be-missed tale straight from the brain of pop-culture mastermind Joss Whedon!

In Pride & Joy, six young friends discover their parents are all secretly super-powered villains! Finding strength in one another, the shocked teens run away from home and straight into the adventure of their lives - vowing to turn the tables on their evil legacy. In Teenage Wasteland, the Runaways find a kindred spirit in a daring young stranger and welcome him into their fold. But will this dashing young man help the teenagers defeat their villainous parents... or tear them apart? Plus: who do you send to catch a group of missing, runaway teenage super-heroes? Marvel's original teen runaway crimefighters, Cloak and Dagger, make their first major appearance in years! In The Good Die Young, the world as we know it is about to end, and the Runaways are the only hope to prevent it! Our fledgling teenage heroes have learned how their parents' criminal organization began, and now they must decide how it should end. As the Runaways' epic battle against their evil parents reaches its shocking conclusion, the team's mole stands revealed, and blood must be shed. Which kids will still be standing when the smoke finally clears?

《可不可以不要上班》是一本涂鸦书，在经济不景气、政治动荡的台湾，民众心情闷极了，不想上班、不要看老板脸色，是许多上班族的心声。而1970年代出生的年轻人进入职场，这个被称为“草莓族”的世代，成长在台湾经济起飞之后的繁荣岁月，普遍吃苦少、受呵护多，抗压性较弱，进入现实职场出现适应危机，逃跑因此成为心情上最阿Q的发泄出口。

In 1993, Scott McCloud tore down the wall between high and low culture with the acclaimed international hit Understanding Comics , a massive comic book that explored the inner workings of the worlds most misunderstood art form. Now, McCloud takes comics to te next leavle, charting twelve different revolutions in how comics are created, read, and preceived today, and how they're poised to conquer the new millennium. Part One of this fascinating and in-depth book includes: The life of comics as an art form and as literture The battle for creators' rights Reinventing the business of comics The volatile and shifting public percptions of comics Sexual and ethnic representation on comics Then in Part Two, McCloud paints a brethtaling picture of comics' digital revolutions, including: The intricacies of digital production The exploding world of online delivery The ultimate challenges of the infinite digital canvas

From The New Yorker
Eisner’s career encompassed much of the history of comic art, from the birth of comic books, in the nineteen-thirties, through the contemporary efflorescence of the graphic novel (a term that Eisner popularized with the 1978 publication of "A Contract with God"). Creating the detective feature "The Spirit" in the nineteen-forties, he developed a flexibility of page layout that married visual complexity to storytelling sophistication. Late in life, inspired by the autobiographical focus of R. Crumb, Eisner began publishing stories based on his own life. The five pieces collected here include evocative accounts of suffering at the hands of anti-Semitic bullies in the Depression-era Bronx, and of early adventures in the comic-book industry. Whatever the subject, Eisner manages a light touch: every page is sure-handed, carried out with subtlety, grace, and wit.
Copyright © 2007 Click here to subscribe to The New Yorker
NY Book Review
Eisner’s career encompassed much of the history of comic art, from the birth of comic books, in the nineteen-thirties, through the contemporary efflorescence of the graphic novel (a term that Eisner popularized with the 1978 publication of "A Contract with God"). Creating the detective feature "The Spirit" in the nineteen-forties, he developed a flexibility of page layout that married visual complexity to storytelling sophistication. Late in life, inspired by the autobiographical focus of R. Crumb, Eisner began publishing stories based on his own life. The five pieces collected here include evocative accounts of suffering at the hands of anti-Semitic bullies in the Depression-era Bronx, and of early adventures in the comic-book industry. Whatever the subject, Eisner manages a light touch: every page is sure-handed, carried out with subtlety, grace, and wit.
Copyright © 2007 Click here to subscribe to The New Yorker
Book Description
An intimate self-portrait of the American icon Will Eisner, and a chronicle of the career that launched a new art form.
In what will be the closest thing Eisner fans will see to an autobiography, the great master and pioneer of American graphic arts presents the most intimate and personal perspective yet on his life as a writer, a professional, and an artist. "The Dreamer" and "To the Heart of the Storm" describe Eisner's gritty early life and career, while "The Name of the Game" chronicles a personal history of his wife's family. Finally, two shorter pieces illuminate the bookends of a legendary career: "The Day I Became a Professional"—which will appeal to any hopeful young artist—describes Eisner's first rejection from a potential publisher, and "A Sunset in Sunshine City" provides a poignant portrait of Eisner in old age. The book features famous characters from the world of comics (under pseudonyms, of course) and other historical figures and family members, all drawn with Eisner's characteristic mastery and technique.
About the Author
Brooklyn-born Will Eisner, creator of Sheena, Queen of the Jungle and The Spirit, pioneered the graphic novel with A Contract With God. He is one of the greatest legends of twentieth-century comic art.

《大师名作坊·漫画派系列》包括《欧美漫画名家》《欧美漫画技法：入门篇》《欧美漫画技法：进阶篇》，均使用同一ISBN。