小协
小提琴协奏曲《梁山伯与祝英台》 豆瓣
何岿 / 陈燮阳
发布日期 1993年11月18日 出版发行: 太平洋影音公司
《伊黎河畔》
乐曲以新疆民歌为素材,用单主题的变奏原则写成,第一、三段带有回旋曲的性质,描写一个热烈欢腾的歌舞埸面。第二段——即中段,抒情优美,描述青年男女傍晚在伊黎河畔漫步、幽会的情景。
《龍華塔》
龍華千古仰高風,壯十身亡志夫窮,
牆外桃花牆内血,一般鮮艷一般紅。
這是人們在龍華監獄中發現的一首感人的題壁詩,描寫了一位追求光明,在黑暗中奮斗的志上的情懷。樂曲刻劃了志士在龍華塔前對往事的回憶和對戰友的懷念。全曲用奏鳴曲式寫成。
呈示部——第一主題,即龍華塔主題,描寫志土仰望龍華塔心潮澎湃和對戰友的深切懷念.挺拔的第一主題變形仿佛是志上堅貞刁二移的高大形像。第二主題用二胡親切溫柔地奏出了描寫志士對年青時代的友真誠友誼的回憶。
開展部份三個層次,即對黑暗勢力搏降斗的情景,失去戰友的悲痛心情和繼續進行斗爭的决心.
樂曲在高潮中進入再現部,挺拔的龍簞塔主題再現象徵光明終將戰勝黑暗,今日龍苹塔更壯觀秀麗.樂曲在雄偉壯麗的激情中結束。
致听众:
我想,很少有聽眾知道,《梁祝小提琴協奏曲》中的的小提琴獨奏部分真正的首演者是我.那是在一九五九年五月四口下午,地點是上海音樂學院禮堂;由我演奏小提琴,陳鋼用鋼琴給我伴奏,聽眾是本院师生。我對作品有深刻理解,又有滿腔的演奏激情,照理說應該演奏得很好.確實,當時我演奏的主題“惜別”、“樓臺會”’等慢板部分既有情、又有味,很使人感動。但一到快板,我的手指怎么也不聽話。不是音不準就是錯音不斷。我并非出身於音樂世家,從小在農村,學琴太晚,直至十六歲才開始接觸到提琴.這次失敗的首演,使我深深懂得,提琴這件樂器,沒有“童子功”是不行的。當時,只好請我的同班同學俞麗娜担任小提琴獨奏。現在人們都知道,她是一位《梁祝小捉琴協奏曲》成功的首演者,卻不知道我是一位失敗的首演者。
作為一位作曲家,不能演奏自己的作品,不能不說是一大遗憾。數年后,這種遺憾很自然地化為對兒子的期望。對何岿,兩歲不到我就讓他玩琴,四歲半正式學琴,為的是讓他有扎實的“童子功”,
二十一年過去了,當年的遗憾終於山我的兒子補償了。他在本片擔任小捉琴獨奏,他的演奏得到了指揮家陳燮陽和上海交響樂團的演奏家們的贊賞。作為父親,我的高興是不言而喻的.我相信,親愛的聽众們也同樣會喜歡他的演奏。
當由何歸擔任小提琴獨奏的《梁祝》问世時,他已在美國留學深造。而當你們讀至我這段鲜为人知的经歷时,請將它作為你們在欣賞本片時獲得的一段趣聞。

何占豪
1992.8.12
奥伊斯特拉赫 欣德米特 康德拉辛 霍伦斯坦:莫扎特交响协奏曲 降B大调二重奏;布鲁赫 苏格兰幻想曲;欣德米特 小提琴协奏曲 豆瓣
Mozart / Bruch 类型: 古典
发布日期 2001年12月24日 出版发行: Decca Import
辛德米特:《小提琴协奏曲》,布鲁赫:《苏格兰幻想曲》,莫扎特:《降E大调交响协奏曲》,为小提琴和中提琴而作的《降B大调二重奏》/大卫·奥伊斯特拉赫演奏,欣德米特指挥伦敦交响乐团。“企鹅”评价三星,“大师传奇系列” !

01 Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364-Allegro Ma
02 Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364 - Andante
03 Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364 -Presto
04 Duo For Violin And Viola In G, K.423 - Allegro
05 Duo For Violin And Viola In G, K.423 - Adagio
06 Duo For Violin And Viola In G, K.423 - Rondeau (Allegro)
07 Scottish Fantasy, Op.46 - Adagio Cantabile
08 Scottish Fantasy, Op.46 - Scherzo - Allegro; Adagio
09 Scottish Fantasy, Op.46 - Andante Sostenuto
10 Scottish Fantasy, Op.46 - Finale (Allegro Guerriero)
11 Violin Concerto - M?Ssig Bewegte Halbe
12 Violin Concerto - LangsamH
13 Violin Concerto - Lebhaft
郑京和/肯佩/迪图瓦:布鲁赫第一小提琴协奏曲/苏格兰幻想曲/门德尔松小提琴协奏曲 豆瓣
9.3 (6 个评分) Kyung-Wha Chung / Rudolf Kempe 类型: 古典
发布日期 1999年8月10日 出版发行: Decca
韩裔小提琴家郑京和可说是女性小提琴家中最出类拔萃的佼佼人物,她弓法精准利落,快板明亮爽朗,慢板柔韧致密,
演奏宜古宜今,如此全方位的表现即使男性小提琴家中也罕有其匹。辑中收录之两首小提琴协奏曲均是郑京和的拿手好
戏,分别录制于70年代与80年代,担任协奏的肯培与迪图瓦亦是一时之选,表现较郑京和毫不逊色。录音虽有模拟与数
字之分,而有不同的质感,但就聆赏上效果同样出色,郑京和于演奏中所散发的个人魅力,亦丝毫不见减损。

留声机杂志—
这是神奇、光灿的出色演奏,充满门德尔颂式的优雅,久已未见如此大师级的演奏了。郑京和是位可畏的演奏家,
她的弓法锐利钢劲且精准…布鲁赫作品中的抒情乐段明亮丰润,自始至终均有最出色的表现。

企鹅唱片评鉴—
似火花一般且欢愉,可爱的慢板乐章更是鲜活如歌。
小提琴协奏曲 梁祝.王昭君 豆瓣
俞丽拿
本碟为1CD!

小提琴协奏曲梁山伯与祝英台

俞丽拿俄罗斯爱乐乐团国际合作

莫斯科录音俞丽拿唯一全数码CD

小提琴协奏曲王昭君
著名作曲家陈钢续《梁祝》后又一力作
俞丽拿学生第一届柴科夫斯基国际青少年
小提琴比赛独奖者十四岁潘依琼首次录音!

在中国,俞丽拿已是一个家喻户晓的名字,她的演奏以音乐清丽、风格浓郁、感情充沛见长。本专辑精选了女子弦乐四重奏组历年来最精彩的曲目,有《梁祝》、《那不勒斯舞曲》、《小夜曲》等,旋律优美、婉转,小提琴的悠扬、中提琴的忧郁、大提琴的浑厚,在弦乐四重奏的极度和谐中给予你清新曼妙的弦乐体验。
Shostakovich: Violin Concertos No. 1, Op. 77 & No. 2, Op. 129 豆瓣
Lydia Mordkovitch / Scottish National Orchestra
发布日期 1989年1月1日 出版发行: Chandos
01 Violin Concerto No. 1 in A minor, Op. 77: I. Nocturne: Moderato Neeme Jarvi 12:29
02 Violin Concerto No. 1 in A minor, Op. 77: II. Scherzo: Allegro Lydia Mordkovitch 6:29
03 Violin Concerto No. 1 in A minor, Op. 77: III. Passacaglia: Andante Neeme Jarvi 14:44
04 Violin Concerto No. 1 in A minor, Op. 77: IV. Burlesque: Allegro con brio Lydia Mordkovitch 4:47
05 Violin Concerto No. 2 in C sharp minor, Op. 129: I. Moderato Neeme Jarvi 13:03
06 Violin Concerto No. 2 in C sharp minor, Op. 129: II. Adagio Lydia Mordkovitch 9:36
07 Violin Concerto No. 2 in C sharp minor, Op. 129: III. Adagio - Allegro Neeme Jarvi 8:13
罗新民:小提琴协奏曲“刘三姐”,郝维亚:钢琴协奏曲“长江” 豆瓣
孔祥东 / 吕思清 类型: 世界音乐
发布日期 2004年11月18日 出版发行: 普罗艺术
《吕思清:小提琴协奏曲刘三姐 孔祥东:钢琴协奏曲长江》小提琴协奏曲《刘三姐》是根据同名广西歌舞剧进行创作的。该曲的创作历时半年,三易其稿,音乐充满戏剧性的发展,将刘三姐与邪恶势力斗争的风采表现得淋漓至尽。作品中还有一些优美的广西民间音乐,是老百姓都比较熟悉的旋律,这有助于大家对这部音乐作品的欣赏与理解。

钢琴协奏曲《长江》中采用了《我住长江头》、《川江号子》、《嘉陵江上》、《我的祖国》等著名歌曲的音乐元素创作而成,很容易能引起老百姓发自心灵的共鸣,是新时代唱颂的“长江之歌”。

孔祥东:钢琴协奏曲长江
创意:郁钧剑 郝维亚
作曲:郝维亚
钢琴:孔祥东
中国乐乐乐团

吕思清:小提琴协奏曲刘三姐
创意:郁钧剑 罗新民
作曲:罗新民
小提琴:吕思清
中国爱乐乐团

01 钢琴协奏曲长江
02 小提琴协奏曲刘三姐
沙汉姆/水蓝:梁祝/柴可夫斯基小提琴协奏曲 豆瓣
水蓝 / Singapore Symphony Orchestra 类型: 古典
发布日期 2007年10月30日 出版发行: Canary Classics
2010年6月14日 听过
2011年5月19日 评论 ZZ:SSO’s Butterfly Lovers with Gil Shaham - SSO’s Butterfly Lovers with Gil Shaham So the semester has come to an end, that means all my young classmates have returned to their respective hometowns, to return in about 2 months time. As a parting gift to my violinist bunkmate, I decided to get him something “Made-in-Singapore”: the Singapore Symphony Orchestra’s 2004 recording of the Butterfly Lovers featuring Gil Shaham (Copies are widely available in record stores in Taipei because the star just came to do a recital recently). But after spending all that money I obviously had to borrow it back to make an MP3 copy. Now I know that its been forever since I’ve written a review (plus ST and Christopher are doing such a great job anyway) but I was so impressed by this CD that I just have to share it with Mad Scene readers. The novelty of this recording is obviously that an ang moh, a world-famous one at that, would choose to record this Chinese piece at all (the producers are probably hoping that fans in the Western world will be encouraged to give this piece a listen), but I’m hardly the type to care about such trivialities. IMHO, one can only get so excited about the Butterfly Lovers after sitting through his nth performance, both live and recorded. But having sat in the hall during the live performance that inspired this recording, I was surprised upon re-listening at what a broad, lush and romantic interpretation this performance was. In the opening phrases that introduced the love theme, Shaham’s sliding notes, meant to imitate the qualities of erhu playing, also sounded in effect like the solo voice of a young girl, such was the lyrical quality of his phrasing, aided by the sweet tone of his Stradavarius. Later on, the fast passages of the middle sections are no challenge for this world class soloist, so that even the most frantic parts are suffused with character and folk-song charm. In all parts of the performance, the music flowed like the verses of an aria, with phrasing that could have came from a young singing actress. As for the orchestra, Maestro Shui and the SSO players are not afraid to milk every bit of sentimentality for all its worth. This is after-all a piece celebrated for its portrayal of the most famous lovers in Chinese culture. I remember a period where the Butterfly Lovers was on the SSO’s season every year, so their experience with this piece is never in doubt (that every string player could slide their notes in sync is just an example of their mastery of this piece), summoning up incredible breadth in the slow passages and appropriately angsty in the declamatory parts. This is one of those performances that stirs the heart and takes your breath away with its effortless virtuosity at the same time. And then there’s the outstanding recording quality: so clear that you could hear the variety of solo instruments in perfectly clean sound (including the opening oboe theme, harp, cello and of course, Shaham’s violin), not to mention the finely layered voices within different sections of the orchestra. One downside is that you can also hear Shaham’s loud breathing rather clearly as well, but that may not be an issue if you are one of those who would like some ‘personal touches’ from the star soloist. That this CD was made by my home orchestra in my home concert hall does give me a certain amount of pride, but this is definitely a recording worth checking out, home-made or not. If you are already a fan of this piece, I encourage you to pick up a copy on your next trip to an SSO performance. This entry was posted on Friday, February 5th, 2010 at 1:19 am and is filed under CDs/DVDs, Ramblings. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed. 2 Responses to “SSO’s Butterfly Lovers with Gil Shaham” Chang Tou Liang Says: February 11th, 2010 at 9:04 am Great to see reviews of non-vocal stuff here! Gil Shaham first learnt about Liang Zhu (he calls it Young Jew!) from his mother-in-law (Adele Anthony’s mother) who is Singapore Chinese but now settled in Adelaide, South Australia. So there’s a Singapore connection here, as his in-laws The Anthonys were originally from here. Alphonso Anthony (his father-in-law) also happened to be SSO Co-Leader Lynnette Seah’s most important local violin teacher. Steven Says: February 13th, 2010 at 12:43 pm Ah yes, I read about that in the papers back when the recording took place! Thanks for that reminder, now I’ve got something else to make my Taiwanese classmates jealous :p
Canary Shaham SingaporeSO Tchaikovsky concerto
梁祝 豆瓣
9.7 (23 个评分) 吕思清 / 上海交响乐团 类型: 古典
发布日期 1997年1月1日 出版发行: 马可波罗
梁祝小提琴协奏曲是最受欢迎的中国现代作品之一,呂思清则被誉为:唯一能轻松面对“梁祝”高难度音准又能提供浓郁中国江南情怀的小提琴家。帕格尼尼大奖得主呂思清历经近百次的梁祝现场演出,以及三次录音之后,终于录下了千锤百炼,众所期待的“梁祝”。呂思清用更大的气魄和更宽宏的视野,将这段凄美绝伦的爱情故事做了极为深刻的诠释,连梁祝的原作曲家陈刚、何占豪都不禁要热泪盈眶,陈刚更表示——呂思清的梁祝是目前最杰出的!你还有什么理由拒绝这张精粹大碟呢?
梁祝 豆瓣
西崎崇子 Takako Nishizaki / 林克昌 Kek-Tjiang Lim
发布日期 1984年1月1日 出版发行: RCA Records
《梁山伯与祝英台》是中国作曲家陈钢与何占豪于1959年在上海音乐院当学生时,为了响应当时国内倡议的“交响音乐民族化”方针,取材自越剧黄梅调中的同名故事及旋律,加以改编创作而成。全曲以三个段落的形式将故事中“楼台相会”、“草桥结拜”、“十八相送”、“英台抗婚”和“坟前化蝶”等重要情节套进了西洋奏鸣曲式的呈示部、发展部及再现部,叙述出这个家喻户晓的感人故事。是中国近代管弦乐作品中最负盛名、也是最早走向世界的民族曲目之一。
1978年,小提琴家西崎崇子与指挥家林克昌率领的日本名古屋爱乐乐团合作录制《梁祝》,多年来一直被誉为这首作品的优秀唱片录音版本之一。而对港、澳、台同胞等大陆以外地区的听众来说,这张《梁祝》小提琴协奏曲唱片更是具里程碑意义的版本,因为在八○年代初期,这些地区大部份爱乐者都是透过此录音认识《梁祝》的,这张唱片不但赢得了当时的香港金唱片奖,更以惊人的翻版数量风行两岸三地,直至1986年,唱片销量已超过100000张。此片最初是由当时的“香港唱片(H.K.Record)”首版发行,而后又分别于1986、1994、2001年以CD或SACD的方式由RCA唱片公司(现已隶属 BMG公司)再版,本辑为1994年BMG香港公司发行的金碟(24KT Gold CD)珍藏版。