The first full-scale biography of John Hay since 1934: From secretary to Abraham Lincoln to secretary of state for Theodore Roosevelt, Hay was an essential American figure for more than half a century.
John Taliaferro’s brilliant biography captures the extraordinary life of Hay, one of the most amazing figures in American history, and restores him to his rightful place. Private secretary to Lincoln and secretary of state to Theodore Roosevelt, Hay was both witness and author of many of the most significant chapters in American history—from the birth of the Republican Party, the Civil War, the Spanish-American War, to the prelude to World War I. As an ambassador and statesman, he guided many of the country’s major diplomatic initiatives at the turn of the twentieth century: the Open Door with China, the creation of the Panama Canal, and the establishment of America as a world leader.
Hay’s friends are a who’s who of the era: Mark Twain, Horace Greeley, Henry Adams, Henry James, and virtually every president, sovereign, author, artist, power broker, and robber baron of the Gilded Age. His peers esteemed him as “a perfectly cut stone” and “the greatest prime minister this republic has ever known.” But for all his poise and polish, he had his secrets. His marriage to one of the wealthiest women in the country did not prevent him from pursuing the Madame X of Washington society, whose other secret suitor was Hay’s best friend, Henry Adams.
All the Great Prizes, the first authoritative biography of Hay in eighty years, renders a rich and fascinating portrait of this brilliant American and his many worlds.

Did the Greek gods play tennis? What is the ambassador from the land of Alchemy telling us? What secrets are being told on the shores of the Island of Venus? What is a monk doing on the Ship of Fools? What Great Paintings Say has the answers to these and many other burning questions asked about the most important and famous paintings of all time. In two volumes, a selection of history`s greatest masterpieces is presented chronologically, including works by Botticelli, Breughel, Chagall, Courbet, Degas, Delacroix, Dürer, Goya, Monet, Raphael, Rembrandt, Renoir, Rubens, Tiepolo, Titian, and many others. Each chapter focuses on one painting, with enlarged details and in-depth texts describing their significance. Taking apart each painting and then reassembling it again like a huge jigsaw puzzle, the authors reveal the history of art as a lively panorama of forgotten worlds.

本书直面重商主义研究中最根本，但也是争议最大的课题，即国家与市场的关系课题。作者在充分吸收前人研究成果的基础上，通过对史实的具体分析指出，在重商主义时代，英国国家和市场经济的关系并非一成不变，事实上，它经历了一个递次演进的过程。作者将该过程划分为三个阶段，并通过比较分析揭示出：国家的职能随着市场经济的发展不断调整，由对市场经济的全面控制逐步过渡到取消管制，最终实现了国家与市场经济的共生共荣。全书观点鲜明，言之成理，富有创新性。

Ever since the Romans, 'Empire' has been a word of power to rulers and theorists of statecraft. It implied much more than 'rule' or 'kingdom': those states which could pretend to the title of Empire thereby compared themselves with Rome, and implied that they were its successors. Professor Koebner's widely ranging book examines the use of the concept in European history from classical times until the early nineteenth century. He begins with the Romans, and analyses the original meanings of the word imperium. He then turns to later uses, in the Holy Roman Empire founded by Charlemagne, and its successors. The main part of the book considers the British Empire, from its uncertain foundation under Henry VIII to the secession of the American colonies - an event which caused a re-examination of the whole nature of the Empire. A final chapter considers the Napoleonic period.

Americans have long been taught that events such as the notorious My Lai massacre were isolated incidents in the Vietnam War, carried out by just a few "bad apples." But as award-winning journalist and historian Nick Turse demonstrates in this groundbreaking investigation, violence against Vietnamese noncombatants was not at all exceptional during the conflict. Rather, it was pervasive and systematic, the predictable consequence of official orders to "kill anything that moves."
Drawing on more than a decade of research into secret Pentagon archives and extensive interviews with American veterans and Vietnamese survivors, Turse reveals for the first time the workings of a military machine that resulted in millions of innocent civilians killed and wounded-what one soldier called "a My Lai a month." Devastating and definitive,
finally brings us face-to-face with the truth of a war that haunts America to this day.