Edmund Burke is both the greatest and the most underrated political thinker of the past three hundred years. A brilliant 18th-century Irish philosopher and statesman, Burke was a fierce champion of human rights and the Anglo-American constitutional tradition, and a lifelong campaigner against arbitrary power. Revered by great Americans including Presidents Theodore Roosevelt and Woodrow Wilson, Burke has been almost forgotten in recent years. But as politician and political philosopher Jesse Norman argues in this penetrating biography, we cannot understand modern politics without him. As Norman reveals, Burke was often ahead of his time, anticipating the abolition of slavery and arguing for free markets, equality for Catholics in Ireland, and responsible government in India, among many other things. He was not always popular in his own lifetime, but his ideas about power, community, and civic virtue have endured long past his death. Indeed, Burke engaged with many of the same issues politicians face today, including the rise of ideological extremism, the loss of social cohesion, the dangers of the corporate state, and the effects of revolution on societies.
He offers us now a compelling critique of liberal individualism, and a vision of society based not on a self-interested agreement among individuals, but rather on an enduring covenant between generations. Burke won admirers in the American colonies for recognizing their fierce spirit of liberty and for speaking out against British oppression, but his greatest triumph was seeing through the utopian aura of the French Revolution. In repudiating that revolution, Burke laid the basis for much of the robust conservative ideology that remains with us to this day: one that is adaptable and forward-thinking, but also mindful of the debt we owe to past generations and our duty to preserve and uphold the institutions we have inherited. He is the first conservative. A rich, accessible, and provocative biography, Edmund Burke describes Burke's life and achievements alongside his momentous legacy, showing how Burke's analytical mind and deep capacity for empathy made him such a vital thinker--both for his own age, and for ours.

Veteran political commentator, scholar and former editor of The New Statesman Paul Johnson has collected all the nasty, cruel and disgusting episodes in the lives of the mighty dead in order to question their "moral and judgmental credentials to give advice to humanity on how to conduct its affairs."
Intellectuals, according to Johnson, often possess a defining set of characteristic traits; they are lying, cheating, hypocritical, megalomaniacs who combine an abstract love of humanity with an exploitative, selfish and cruel treatment of those who were closest to them. Rousseau, Shelley, Marx, Ibsen, Tolstoy, Hemingway, Bertrand Russell, Brecht, Sartre, Lillian Hellman, Norman Mailer and Kenneth Tynan are put under the spotlight and damned as moral exemplars and truth-tellers while Edmund Wilson, Evelyn Waugh and Orwell provide the necessary foil of intellectual integrity.
This is a voyeuristic, gossip-mongering, ruthless and completely compelling book that leaves a bad taste in the mouth if you consume it at one sitting. Fortunately--since it's a collection of short biographical essays or exposès one can dip in where one likes. Intellectuals is well researched and has the polished concision one might expect from a veteran journalist and scholar. It also has the advantage of dealing with subject matter that is fascinating in itself--the extravagant personalities and spectacular immoralities of some of our most revered figures. Intellectuals doesn't always work as dispassionate intellectual history--for instance the overview of intellectual trends since the 1960s in the final chapter "The Flight of Reason" seems forced--but as a set of exposès it is splendid. --Larry Brown

A chance encounter with a Turkish colonel with a penchant for British crime novels leads mystery writer Charles Latimer into a world of sinister political and criminal maneuvers throughout the Balkans in the years between the world wars. Hoping that the career of the notorious Dimitrios, whose body has been identified in an Istanbul morgue, will inspire a plot for his next novel, Latimer soon finds himself caught up in a shadowy web of assassination, espionage, drugs, and treachery.

伍尔摩是一位旅居古巴哈瓦那的英国商人，经营一家吸尘器代理店，并独力扶着十七岁的女儿梅莉。女儿日渐成熟美丽，伍尔摩开始担心她的教育问题，却苦于力不足，无法替她安排好的出路。就在此时，一位神秘的英国情报人员出现了，他选中伍尔摩做为他的下线情报员，以搜集当地的情报。伍尔摩在金钱的诱惑下，开始用身边的事物“制造”情报。英国情报本部深信不疑：将吸尘器草图视为核子武器，衣舞娘当做卧底间谍；敌方的情报部门也跳进来反制，虚构的人物竟一一浮现，而伍摩也陷入危机……令人啼笑皆非的情节，衬托出情报世界的荒谬。

A morally complex and mature work from a modern master IN THIS later novel by Graham Greenea featuring a new introductionathe author continues to explore moral and theological dilemmas through psychologically astute character studies and exciting drama on an international stage. In "The Human Factor" A high- level operative of the British Secret Service acts as a double agent to benefit his family.

Giles Lytton Strachey (1880-1932) was a British writer and critic. He is best known for establishing a new form of biography in which psychological insight and sympathy are combined with irreverence and wit. From time to time throughout his life Strachey studied Italian, German, and French. Landmarks in French Literature was published in 1912. By 1916 Strachey's theory of biography was fully developed and mature. He was being greatly influenced by Dostoevsky. His first great success, and his most famous achievement, was Eminent Victorians (1918), a collection of four short biographies of Victorian heroes. This work was followed in the same style by Queen Victoria (1921). Amongst his other works are Books and Characters: French and English (1922), Elizabeth and Essex: A Tragic History (1928), Portraits in Miniature (1931) and Characters and Commentaries (1933).

"Eminent Victorians" marked an epoch in the art of biography; it also helped to crack the old myths of high Victorianism and to usher in a new spirit by which chauvinism, hypocrisy and the stiff upper lip were debunked. In it, Strachey cleverly exposes the self-seeking ambitions of Cardinal Manning and the manipulative, neurotic Florence Nightingale; and in his essays on Dr Arnold and General Gordon, his quarries are not only his subjects but also the public-school system and the whole structure of nineteenth-century liberal values.

在线阅读本书
Rickie Elliot, a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent, sets out from Cambridge full of hopes to become a writer. But when his stories are not successful, he decides instead to marry the beautiful but shallow Agnes, agreeing to abandon his writing and become a schoolmaster at a second-rate public school. Giving up his hopes and values for those of the conventional world, he sinks into a world of petty conformity and bitter disappointments.

There's a hidden science that affects every part of your life. You are fluent in its terminology of email, WiFi, social networking, and encryption. You use its results when you make a telephone call, access the Internet, use any factory-produced product, or travel in any modern car. The discipline is so new that some prefer to call it a branch of engineering or mathematics. But it is so powerful and world-changing that you would be hard-pressed to find a single human being on the planet unaffected by its achievements. The science of computers enables the supply and creation of power, food, water, medicine, transport, money, communication, entertainment, and most goods in shops. It has transformed societies with the Internet, the digitization of information, mobile phone networks and GPS technologies. Here, Peter J. Bentley explores how this young discipline grew from its theoretical conception by pioneers such as Turing, through its growth spurts in the Internet, its difficult adolescent stage where the promises of AI were never achieved and dot-com bubble burst, to its current stage as a (semi)mature field, now capable of remarkable achievements. Charting the successes and failures of computer science through the years, Bentley discusses what innovations may change our world in the future.

First published in the 1930s, The Berlin Stories contains two astonishing related novels, The Last of Mr. Norris and Goodbye to Berlin, which are recognized today as classics of modern fiction. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafés; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires--this is the period when Hitler was beginning his move to power. The Berlin Stories is inhabited by a wealth of characters: the unforgettable Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and screen by Julie Harris in I Am A Camera and Liza Minnelli in Cabaret; Mr. Norris, the improbable old debauchee mysteriously caught between the Nazis and the Communists; plump Fräulein Schroeder, who thinks an operation to reduce the scale of her Büste might relieve her heart palpitations; and the distinguished and doomed Jewish family, the Landauers.

小说说美国一位富翁追求长生不老的灵丹，出钱支助科学界研究长寿秘诀，结果竟在英国发现十八世纪一位贵族的日记，说是生吃鲤鱼（carp）的内脏可以长寿，这位贵族从十八世纪活到二十世纪的三十年代还不死。可是，想活几百年的人必须付出代价：变成人猿。富翁觉得人猿性生活非常愉快，变成人猿也不错："They seem to be having a pretty good time"。小说的书名於是套了田尼森的诗句「夏去夏来天鹅死」（"after many a summer dies the swan"）。

A meticulously-observed drama of class warfare, E.M. Forster's "Howards End" explores the conflict inherent within English society, unveiling the character of a nation as never before. This "Penguin Classics" edition includes an introduction and notes by David Lodge. 'Only connect...' A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin. When Mrs Wilcox dies, her family discovers that she wants to leave her country home, Howards End, to Margaret. Thus as Forster sets in motion a chain of events that will entangle three different families, he brilliantly portrays their aspirations to personal and social harmony. David Lodge's introduction provides an absorbing and eloquent overture to the 1910 novel that established Forster's reputation as an important writer, and that he himself later referred to as 'my best novel'. This edition also contains a note on the text, suggestions for further reading, and explanatory notes. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, "Where Angels Fear To Tread" appeared in 1905. "The Longest Journey" appeared in 1907, followed by "A Room With A View" (1908), based partly on the material from extended holidays in Italy with his mother. "Howards End" (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. "Maurice" was revised several times during his life, and finally published posthumously in 1971. If you enjoyed "Howard's End", you might like Forster's "A Room with a View", also available in "Penguin Classics".

A wonderful story of questioning, disillusionment, and conversion, Where Angels Fear to Tread tells the story of a prim English family’s encounter with the foreign land of Italy. When attractive, impulsive English widow Lilia marries Gino, a dashing and highly unsuitable Italian twelve years her junior, her snobbish former in-laws make no attempts to hide their disapproval. But their expedition to face the uncouth foreigner takes an unexpected turn when they return to Italy under tragic circumstances intending to rescue Lilia and Gino’s baby.