李荣浩第6张个人专辑首支主打上线
「麻雀」虽小 内容俱全
这一次 把耳朵交给想像
你听到了什么 就是什么
《麻雀》是李荣浩第6张个人专辑同名单曲，第一时间被决定拿来上线曝光，也就第一时间承担了预告新专辑的功能。
当听到《麻雀》本曲、并看到歌词时，我会想到梁咏琪在《人间·小团圆》中饰演的平凡女子不知生活要怎么继续、于是在繁华街头踟躇的样子；想起任达华在杜琪峰电影中变身一个潇洒大盗，走着走着就在山路上跳起华尔滋的随性，尽管那是一部叫做《文雀》的电影，并非麻雀；想到了许巍歌词文字之间总会流露出的宏大篇章，飞越高山和海洋的壮阔胸怀，一如此次李荣浩写下“我飞翔在乌云之中”的高空视野，虽然这是出自一只小小麻雀的情感与心声；我还想到The Decemberists 乐队《Rox in the Box》单曲中在清亮的吉他与鼓的音色之下，却表达着“The King is Dead”的反向情绪。
对了，中国有一些省份还会管麻将叫做麻雀。一场麻雀打到结尾，有人因为赢而“糊”了，有人因为输真的糊了；动物种类里麻雀的结局，或就如《麻雀》所唱的“你成仙我留守人间”，两种极致的结局，像极了麻将的两种结果，可谁说这样不伟大呢？
从奥兰多飞往休斯顿的飞机上，我在乌云之中颠簸穿梭，听着《麻雀》，脑海里产生了如上想像。一首歌足以引发出每个人因世界观、人生观、价值观不同而产生各类看法，李荣浩自己认为，这些不同的看法并无优劣之分。再问到李荣浩，到底《麻雀》是一首怎样的歌；他说“就是一首歌没什么好介绍的你觉得是什么就是什么”——微信里李荣浩敲下的文字的确没有很规整用各种标点符号来表义，几个空白键就断句了他对这首歌的开放式定义。
之后，李荣浩想到了另一种视角的比喻，假如迎面过来一位纹身大哥，肯定有人觉得是坏人，也有人觉得是潮人，甚至会有人觉得很可爱，更会有人觉得凶神恶煞。一个具象的外形尚且能令人感受到各种不同，更何况一首抽象的歌？所以关于《麻雀》，你听到什么感受，就是那个没错了。
以上，你想像这是一篇写给《麻雀》的乐评也好，或是一条认真介绍《麻雀》的文案也罢，“你觉得是什么就是什么”。
至于《麻雀》的幕后团队有谁？别问！问就是李荣浩一人包揽了词、曲、编、制、唱、混、录、鼓、吉他、视觉、MV 脚本、导演、剪辑……等全盘工作，大概也就是一个叫做“李荣浩音乐军团”的神奇队伍吧。

Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”

「平日しかライブをしません」と宣言した年に送るハンバートハンバートのWORK(=ライブ)集。市販商品としては初となるライブ音源は、 “セルフカバーによるバラードベスト”とも言える選曲と内容。そして、スタジオ録音の新曲「小さな声」も収録。

Walt Disney Animation Studios’ feature film “Frozen 2” features a stunning soundtrack, including original songs from Oscar- and Grammy-winning songwriters Kristen Anderson-Lopez and Robert Lopez, original score by Grammy nominee Christophe Beck, and end-credit artists Panic! At The Disco, Kacey Musgraves and Weezer.

Seven all-new original songs were written for “Frozen 2.” “From the beginning of our collaboration with Jennifer Lee, Chris Buck and Peter Del Vecho, everything we’ve created has come from big questions—what is the story that we all as artists, individually and collectively, need to tell?” said Anderson-Lopez. “Bobby and I approach the story through the lens of which moments of our story lead to big emotions—feelings so strong our characters can no longer talk but need to sing.”

Added Lopez, “Our tradition of songwriting comes from the world of musical theater, where songs must always forward the story in a fresh and surprising way. Every song has to take a character on a journey.”

The End of The F***ing World 2 - Original Songs & Score will be available to stream and download on 8th November, with double vinyl available to pre-order.

Gigi梁咏琪今年5月签约环球唱片后，以说书人为概念，推出歌曲并伴随同一系列的概念，衍生不同的相关创作。除了首支主打〈再见灰姑娘〉得到乐迷的宠爱，同时以说书人为概念的广播剧、记者招待会的角色和故事，也吸引了乐迷和传媒的追看。
故事来到第二章，说书人梁咏琪带我们回到家𥚃，一个温暖窝心的家。每一天，都有人为生活而努力、为身边的人挂心、因为理想而气馁，一切的压力和不安，在回家的一刻，总希望得到释放。这一章节，说书人用温暖的声音，安慰和舒缓大家的疲累，为大家道出打气的故事和歌声：
「倦了，放松肩膊 请躺上睡床
倦了，放低感觉 别要讲
睡了，只得我 欣赏你极平静五官
不再 有不满」
『不一定圣诞前夕才是平安夜，
每个我们在一起的安稳时刻，都是一个平安夜。 』
大人世界的日常生活，必定会遇到不如意的事、不开心的遭遇；也会有气馁、失落、伤心的时刻，当然也一定有试过失眠的时候。 Gigi的新歌〈平安夜〉带大家再次漫游故事书里的恬静，与单纯的故事人物共处。这数分钟的歌声，就仿如一场恬静的睡眠，一个温柔的鼓励。待大家在睡醒以后，再重新迎接美好的新时刻，新一天。
「这个无旁人地方 只得我们疲累已经 笑忘
感情 填平白天的不安。 」

Various Brushfire artists (including Jack Johnson, Bahamas, and more) join to create their third Volume of This Warm December, A Brushfire Holiday Album.
Each year as the winter holidays draw closer, the questions start coming from fans… “When are you guys going to put out another ‘This Warm December’” and each year we reply “Hopefully next year”. Well the time has finally come and this is the year. Brushfire Records along with Jack are excited to announce our latest Brushfire release, 'This Warm December, A Brushfire Holiday, Vol. 3'. The album features both original and holiday-classic songs from Jack Johnson and friends, includingG. Love, Bahamas, Mason Jennings, Zach Rogue (of Rogue Wave),Zach Gill, Paula Fuga, Lebo(of ALO),ALO, Adam Topol, Mimi Naja(of Fruition) and John Craigie.

电影《隐秘的生活》原声。
詹姆斯·牛顿·霍华德（James Newton Howard）是美国作曲家，指挥和音乐制作人。他已经为100多部电影评分，并获得了格莱美奖，艾美奖和八项奥斯卡奖提名。由于他在电影配乐中显示出的才华——古典和现代的结合，让他六次获得了奥斯卡提名，是新一代的电影配乐大师。

2019年全新专辑《美丽、丑与我》将在11/29正式发行，这次新专辑除了是自乐团加入两位新成员-贝斯手Fumi及鼓手陈珩之后的首张专辑，更象征着狮子LION的全新起点，所收录的歌曲不但皆是成员们的共同创作，专辑的造型与视觉更舍弃华丽的服装及缤纷的设计；反而回归极简，以黑白色调衬托狮子LION的大器风范，就连专辑封面，也经由成员们的讨论后，毅然决然舍弃人脸封面，给予乐迷更多想像空间。

一些没有发表的歌儿啊，你们想听也听不到的歌儿呀.....
随时增加，随时减少，随时没有了，一定要及时认真对待啊

[Credits]
Produced by HYUKOH
Composed by Leung, Wai Man / LUO, DA YOU
Lyrics by Lin Xi
Played & Arranged by HYUKOH
Recorded by Sanghyun Cho, Hyeseok Oh at MOL STUDIOS
Mixed by Sanghyun Cho at MOL STUDIOS
Mastered by Norman Nitzsche at Calyx-mastering

电影《触不可及》(美版) 推广曲

词：祁辛
曲：崔克檐
编曲：边疆
制作人：祁辛
录音：徐威@V-Studio(上海)
混音：周天澈@Studio21A
出品人：何巍
出品公司：霍尔果斯巅峰影业有限公司
音乐企划发行：北京卓然声声文化传媒有限公司