UK

Geometric Lullaby: Collections is a series of cassette box sets created through the joint efforts of Geometric Lullaby and prolific artists.
Each box set is limited to an /?? unknown number, and contains 4 cassettes.
The entirety of each box set should be listened to in one sitting to experience the true intended soundscape and world created by each artist. Though possible to enjoy with others, the intention is for each self-contained journey to be listened to alone. Begin each box set when the sun begins to set, and prepare for an experience like no other.
Collection is a relaxing slushwave box set by the artist endlesswaters無限の海.

Shutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.

虽疫不止造安境 朝简虚拟制泰音…
出品人：杨子江
制作：窦唯
录音混音：陈林 罗皓 李杰
录音时间：2010 2019 2020 2021年
录音棚：陈林音乐工作室 董冬冬音乐工作室 李乐府工作室
鸣谢：陈林 子江玉友团队及所有为录制提供帮助的爱乐者们！

2010 release from the Danish musician, producer, remixer, DJ and live performer. Anders Trentemoller has risen to the heights of international success usually only connected with artists in more mainstream Pop realms. His outstanding skills and talent for heart-wrenching melodic moments, fused with his trademark sound, have helped him gain fans across the globe, and blur the boundaries between cutting-edge, underground quality and mass appreciation. This album offers as much depth and soul as its predecessor, The Last Resort, yet sounds ultimately fresh and different. Above all, the 10 tracks have a glorious Indie Rock sound, with a lot of dynamics, distorted driving twang-guitars and haunting synths alongside four beautiful melodic vocal tracks.

虽疫不止造安境 朝简虚拟制泰音…
出品人：杨子江
制作：窦唯
录音混音：陈林 罗皓 李杰
录音时间：2010 2019 2020 2021年
录音棚：陈林音乐工作室 董冬冬音乐工作室 李乐府工作室
鸣谢：陈林 子江玉友团队及所有为录制提供帮助的爱乐者们！

Antidawn reduces Burial’s music to just the vapours.
The record explores an interzone between dislocated, patchwork songwriting and eerie, open-world, game space ambience.
In the resulting no man's land, lyrics take precedence over song, lonely phrases colour the haze, a stark and fragmented structure makes time slow down.
Antidawn seems to tell a story of a wintertime city, and something beckoning you to follow it into the night. The result is both comforting and disturbing, producing a quiet and uncanny glow against the cold. Sometimes, as it enters 'a bad place', it takes your breath away. And time just stops.
credits
released January 6, 2022
Sleeve Painting: Maya Hewitt
Sleeve Design: Optigram

Companies, etc.
Distributed By – PIAS France – 137.0125.20
Phonographic Copyright ℗ – F Communications
Copyright © – F Communications
Licensed To – PIAS Benelux – 137.0125.20
Licensed To – PIAS UK – 137.0125.20
Glass Mastered at – Sony DADC – A0100320513-0101
Credits
Design, Photography – Paf! Le Chien
Mastered By – Top Master France*
Notes
"The first volumes of the albums Megasoft office 97 et 98 were thought out and imagined for you office. Today, in this permanently moving universe, the static side of the "office" is gradually being outdated due to the technological advancements in permanent (r)evolution. The office seems to have dematerialized faster than the music... Music accompanies the peregrinations (the wanderings) of the 21st century "workeller" into the airports, trains, taxis, hotels and gardens. Computers, walkmen, telephones, cameras... numerise and transit sounds and music; the pleasure and emotion has become the added value in techology. Electronic sounds and emotions are mixed in these thirteen "downtempo" tracks of this new selection... listen or download... Bon voyage."
Fcom Team
F 125 CD 137.0125.20 295PS LS 01347
CMV 5 0125 20 127 ACY Made in Austria
Track 1 - duration is listed as 4:51
Track 3 - duration is wrong listed as 3:44
Track 6 - duration is wrong listed as 3:55
Track 9 - duration is listed as 5:16
Track 11 - duration is wrong listed as 4:32
Track 12 - duration is wrong listed as 3:34 (two minutes of silence after 3:27)
Track 13 - duration is listed as 7:52
Barcode and Other Identifiers
Barcode: 5 413356 754629
ASIN: B00004WII2
Rights Society: SABAM/BIEM
Label Code: LC 01347
Matrix / Runout: A0100320513-0101 13 A0
Mastering SID Code: IFPI L553
Mould SID Code: IFPI 94Y7

Label: Domino – RUG1152D1
Format: 2 x File, WAV, Single
Country: UK
Released: May 7, 2020
Genre: Electronic
Style: Ambient, Drone

Japanese remastered pressing packaged in a miniature LP sleeve.

「陽が沈んでから夜が来るまでの淡く美しい、その時間へ捧げる」
薄青い夕方。窓辺からの風。その旋律。
haruka nakamura2年振り、待望の2nd Album。海辺のスタジオで録音された、ピアノが
紡ぐ静謐なセッションに、ARAKI shin、akira uchida、Janis Crunch、April Lee等の 演奏家たちが出会っては、過ぎ去って行く。
1日の終わりに。彼方に祈りを。夕べの祈りを。
Scholeレーベルからの1stアルバム『grace』が大絶賛された、東京在住の音楽
家haruka nakamura(ハルカ・ナカムラ)が、2年振りに新作をリリース。リリース元
のkitchen.レーベルはシンガポールを拠点とし、これまでにaspidistraflyやfjordne
等の美しいエレクトロニカ～アンビエント・サウンドをリリースしてきた良質レーベ
ル。アートワークにもこだわり、写真集付きの特殊パッケージという、サウンドとビ
ジュアルを独特の審美眼でトータル・プレゼンテーションしている。もちろんこ
のharuka nakamuraの新作も、アーティスト本人が撮り降ろしたポラロイド写真のアー
トブックと共にパッケージされている。
『陽が沈んでから夜が来るまでの淡く美しい、その時間へ捧げる』、という冒頭
のharuka nakamuraの言葉のように、本作は、太陽が水平線へとゆっくり沈む夕暮れ時
の光景に捧げられた作品。ARAKI Shinやakira uchidaによるドリーミーなサックス、
isao saito(kadan)のやわらかく繊細なパーカッション、そして透き通る歌声のApril
Lee (aspidistrafly)、優しくアーシーな歌声のJanis Crunch (kadan)という個性的な
女性ボーカルが、haruka nakamuraの静かで柔らかなタッチのピアノやギターと出会っ
ては、過ぎ去っていく。徐々に消えゆく太陽の光やそれに伴う空の色の移り変わりな
ど、夕暮れ時が醸し出す儚くメランコリックな空気感を、繊細な音とテクスチャーの
ヴァリエーションによって、とても丁寧に、とてもおだやかに表現した音の風景。
For fans of : Keith Jarret “ The Melody at Night, With You”、坂本龍一、高木正 勝、
akira kosemura、Olafur Arnaulds、Peter Broderick

The Shadows is the new album from Leeds-based six-piece Tomorrow We Sail. Building on their debut release For Those Who Caught the Sun in Flight (Gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise Tomorrow We Sail’s sound. Yet, there is a new sense of urgency here. Very much an album of its time, The Shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling that’s even more defiant and deeply personal.
Like its predecessor, the record features seven songs but from the chiming guitars of opening track Side By Side it is clear that the stately pace of For Those Who Caught the Sun in Flight has made way for a far more dynamic and driving energy; perhaps best captured in the righteous anger of The Ghost of John Maynard Keynes. Tomorrow We Sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of Winifred and To Sleep. Urgent, yet assured, The Shadows demands your attention.

HYBR:ID VOL. 1 IS THE FIRST INSTALLMENT OF A NEW SERIES OF ALVA NOTO’S WORKS BRINGING TOGETHER HETEROGENEOUS COMPOSITION METHODS.
HYBR:ID VOL. 1 CAPTURES THE MUSIC COMMISSIONED FOR THE SCORE OF ‘OVAL’, THE CHOREOGRAPHIC PIECE DIRECTED BY RICHARD SIEGAL AND PERFORMED BY THE STAATSBALLETT BERLIN AT THE BERLIN STATE OPERA IN 2019.
THE PROCESS OF CREATING HYBR:ID VOL. 1 WAS DEFINED BY THE SEARCH FOR A FORM TO BIND ASTROPHYSICS PHENOMENA, FICTION, AND PERFORMANCE MOVEMENTS.
ITS NARRATIVE IS INSPIRED BY CINEMATIC VISUAL TECHNIQUES AND STATIC IMAGES PORTRAYING SCIENTIFIC EVENTS WHICH ALSO INSPIRED THE TITLES OF THE NINE COMPOSITIONS.
THE MUSIC POSSESSES A DILATED RHYTHMIC BASE CONTRIBUTING TO THE IMAGES OF GRAVITY AND SPATIALITY. AT POINTS STATIC IS USED WITH AN ORNATE, DELICATE INTRICACY. THE ALBUM’S SONIC SPECTRUM BUILDS WITH DEEP SUB-BASS, GLOOMY SONICS, SPACIOUS SOUND DESIGN, AND INORGANIC AMBIANCE THAT IS GENTLY COERCED WITH ARTISTIC FINESSE.
THE NINE COMPOSITIONS ARE ACCOMPANIED BY GRAPHIC NOTATIONS INFORMED BY THE ALBUM’S SONIC AND ACOUSTIC CODES.
HYBR:ID VOL. 1 WILL BE RELEASED DIGITALLY AS WELL AS A LIMITED EDITION VINYL AND CD.
ALBUM ART DESIGNED BY CARSTEN NICOLAI / NIBO

Collecting 12 years of solo piano recordings, the Berlin composer explores some of his quietest, most intimate material yet, in which the creaking of the pedal is often as audible as the notes.