Downtempo, Synth-pop, Ambient
Compilation of all Schiller with Kim Sanders songs. "I Will Find You" isn't released before.
This CD was only available at
and at Sehnsucht tour.

57.8

Official Live Recording at Roxy by Etage Noir
Sold only at Parov Stelar's Tour in 2008.

The first full-length from Manitoba (aka Dan Snaith) on Domino Records. Start Breaking My Heart is spliced with arcs of rainbow melody, hopscotch percussion patterns, and playground children laughing. Humanity and nature are strong threads through this album. Features the entire Give'r EP (2001) as bonus tracks 'Dundas, Ontario' (remix), 'Tits And Ass-The Great Canadian Weekend' & 'Webers'. 2002.

Easy listening space blues from Italian duo, Stefano Ghittoni & Cesare Malfatti known for their Eclectic DJ sets. 1999.

The British star producers Xenomania (Pet Shop Boys, Sugababes) recently asked Naomi for a sample (they got it); Naomi's three year old fan favourite "Needle On The Record" is a constant seller in the US iTunes Store; their Myspace and Facebook pages are brimming with love letters from Russia, Mexico, Texas or Taiwan. In their native Germany they are still something of a best-kept secret, regardless of consistently euphoric press reviews, but this might well change with The Big Shapes, their new, fifth Album on Mole Listening Pearls. The abundance of ideas, the songwriting, the attitude – everything has grown bigger, louder and sharper in the Naomi universe. Bernd Lechler and Nico Tobias still show the odd fit of incurable melancholy, but this time any world weariness comes clad in choruses that make you want to shout "Holy Kylie!". The overall sound of the album reminds one of... well, nothing else, really. Massive backbeats carry scratchy guitar riffs, buzzing synths cut through gentle electric piano lines as the Berlin duo digs deep into the pop vocabulary of the past four decades. "Fujiyama“ is an electro blues with elegiac Melodica and a downright symphonic final, “Candy Floss“ is a lazily stomping contemporary funk pop monster, and what happens in “Hello Fever“ after a soaring cosmic intro could almost be labeled as prog rock.
The thing is, Naomi never play it safe here. They seem to intentionally provoke the coolness police, casting away any tasteful cleverness of comparable indietronic acts and, smiling quietly, they lay it on thick. The Big Shapes draws on the forbidden side of the Eighties (the Phil Collins drums on “Morning Belle“), mischievously quotes heavy metal guitar lines (as for a few bars in “Dragon Tree“), and makes nods toward Kraftwerk and Depeche Mode as well as Chic and the psychedelic Beatles. Still, like any great fun, The Big Shapes is propelled by great seriousness. “First Things First“ gleefully exaggerates the disillusioned pragmatism of the noughties, “Hello Fever“ sounds like a feverish dream about the financial crisis, “Sleep“ ponders the fact that only those who don’t act at all make no mistakes. Behind the stoically grooving psychedelic pop of “Don‘t Die Again OK“ there lurks a childhood nightmare, and the vocoder-based final track “I‘ll Be The Past“, possibly the most touching song of the album, is a humble, obviously autobiographically inspired meditation on mortality, almost a prayer.
Reviewing their last album, Aquarium, Rolling Stone magazine described Naomi as “wondrous“. They still are. Just this time with a bang.

Naomi的第三张专辑，更加流行化。

Quality down-tempo jams for fans of Kruder & Dorfmeister & Royksopp. Mole Listening Pearls.

Parov Stelar真名Marcus Füreder，1974年出生在奥地利的林茨。自2000年以来用各种艺名发行了制作了很多音乐，04年开始用Parov Stelar此名，就此开始慢慢走向成功之路。09年新专辑《Coco》曲风复杂多变，定义为电子融合乐较贴切些。

Featuring band members from REM, Coldplay, The Flaming Lips and The Verve. Half vocal and half instrumental, it ranges from ominous and churning to sweetly beautiful and hypnotic. Combining classic songwriting skills and deeply soulful guest performances with experimental sounds. 2002.

2010 release. Simon Green (AKA Bonobo) returns with his fourth and finest album, Black Sands. Losing none of his epic emotionalism, his control of texture and color and his subtlety, Black Sands sees Green making some of his most contemporary-sounding music to date.

挪威二人组Torbjorn Brundtland和Svein Berge创造了他们首张专辑Melody A.M.的佳绩，其中的单曲发行横跨三个年度。说他们的音乐是舞曲未免有失偏颇，电子乐最为一个大概念还是很适合他们的，你也可以说他们的音乐是chill-out，在许多chill-out的作品中你可以找到他们的音乐，新专辑的部分可以说是chill-out，但也有接近于trance等舞曲类型的歌曲。开场曲真的太过精彩，Triumphant是以钢琴起头，渐渐加入重量的配器和节奏，渐进式歌曲把人的血压也一直网上推，除了纯器乐的作品，专辑中的人声部分也是可圈可点，第一首单曲除了Royksopp的声音，还加上了Kate Havnevik的声音，这是一首接近舞厅效果的电子歌曲，如果经过混音，一定是一首不错的舞曲，类似的搭配还出现在许多，比如49 Percent中的Chelonis R Jones。由Karin Dreijer领衔的What Else Is There是专辑中最有潜力的作品，无论是Karin Dreijer的歌声还是歌曲的节奏，都是用尽力道的结晶，两者的搭配到了完美无缺的地步，同样是Kate Havnevik加盟的Circuit Breaker有着流行的节奏和曲调，而在Royksopp的特别“掩饰”下，点到为止的感觉有些让人意犹未尽。

THE GRAFFITI ARTIST soundtrack features guest musicians Tim Keegan from Departure
Lounge, and Jerome Bensoussan of the bands L'Attirail and Julien Ribot and blends hip
hop, rock and electronica with a Middle Eastern flare. Although a soundtrack, THE
GRAFFITI ARTIST is also very much a moody, beat oriented, guitar-driven KID LOCO
record and should be considered as such.
With over 79 minutes of original music, eager fans will find a real treat in this
groundbreaking, triumphant work. True to this statement, the album was recently named
BEST SOUNDTRACK at the 2004 Austin Film Festival.