在成军的第十九个年头，超级市场乐队带来了第七张正式专辑《有限无限》，以一张唱片的有限时长，去论证电子乐所能包蕴的无限可能。
老乐迷们一定有所察觉，去年的回归之作《Blackeclipse墨蚀》已呈现出和以往不同的创作思维和听觉质感。它更偏向笔记本音乐，数码音效大量取代模拟音效，音色和节奏从而更易操控，犹如解放了的生产力，令整张专辑生长出更大的包容空间，迸发出愈加灿烂的气象。新专辑《有限无限》可谓这一探索的自然延伸，手法则愈发精当纯熟。
若将《Blackeclipse墨蚀》看作超市对以往作品的提纯和结晶，《有限无限》便是这一晶体折射出的多彩光谱和细密纹理。或者用主创羽伞的话说：前者是一个有形的固体，后者是它向外发射的信号和辐射。开场曲清寂寥落的钢琴声过后，便是《生机》中令人屏息凝神的Glitch和Minimal射频，仿佛向耳膜发射出密集的针尖。
之后的曲目有着更深的下潜，但无论是Trip-hop和Downtempo基底上的深沉律动（《我们人类》），还是Techno舒适的动感八拍（《我》），音色和结构上的独到匠心都清晰可辨，也因此能以轻盈灵动之姿突破根源风格的沉与重。而那些氛围化的曲目，如《有限》和《最后一千》，则彷若对太空旅行的声响描摹，宇宙空间中飘荡的物质实体和电磁辐射凝成声波被我们听到，有限的声音形态构筑了无限的想象空间。超级市场做到了举重若轻，却并不晦涩艰深，美好的旋律一如既往地前卫而又动听。
相较以往，新专辑中的歌词更加“有限”了，情绪片段信口一舒，音乐中的感情倾向随即暧昧不明，只有那首《我们人类》犹如一个勘破世事者的失望独白，将摇滚乐的力道化入电子乐节拍——在超级市场向更纯粹的电音世界转型的路途上，这是一个值得纪念的背影。

Highly anticipated debut album from the six-man DJ/producer collective known as Jazzanova. In Between features Philly neo-soul artist Vikter Duplaix, poet Ursula Rucker, MC 900 Ft. Jesus rapper Hawkeye Fanatic, Detroit jazz legend Doug Hammond and a host of others. Digipak. 2002.

It's album time for Norwegian DJ/disco producer Todd Terje. He'll release his new long-player, titled, yes, It's Album Time, on April 8 via his own Olsen Records. It features some amazing artwork from illustrator Bendik Kaltenborn, and it's got a guest spot from Bryan Ferry, covering Robert Palmer's "Johnny and Mary". (Terje previously remixed Ferry's "Don't Stop the Dance" and "Alphaville".)

Must is Spanish Producer Pablo Bolivar's third album and is a showcase of his dubby warm house sounds. There are hints of varying styles across the album's 55-minutes but there is also a consistent atmosphere of lush laid back Spanish vibes and very few vocals.
The album opens with the slow moving 'Rise You Demons', a track full of stumbling, echoing drum beats and gentle electronic melodies that captures the feel of a Mediterranean sunset. 'Eleven Years' is the logical next step, a slight shift in gear as the lights come on - a more measured rhythm carrying a similarly contemplative tune.
Must - Pablo Bolivar
With the help of Fabel, Bolivar delivers a sun kissed jazzy piece in 'Off Soft', complete with gorgeously soft percussive remedies and a gently played melodic hook. The jazz influence is retained for the vibe and composition of the slightly moody 'Diamonds', the track here that Pablo sounds most at home on - it's carefully crafted, tight and atmospheric.
Mantra provides the only vocal on 'New Order' - a track similar in feel to 'Diamonds' but the vocal adds little and if anything the track is symptomatic of Must's primary flaw - for all the attempt to vary styles and a measured length it still feels at times like it runs out of places to go. 'Keep Moving' manages to do little more than it's title suggests, a looped groove that pushes some unconstrained rhythms but little else.
But most moments here shine in their own, subtly refined way. Either side of 'Keep Moving' are 'Don't Hold' and 'Heat' - the former using progressive synths and a stomping beat to build an uplifting, funky piece of electronic music. Album closer 'Heat' is a slow ambient track assembled around the sounds of nature, insect noise and bird calls providing the foreground to a subtly emotional conclusion, and again, it's Bolivar at his best.

1996年在中国音乐里曾经有一支充满了现代电气味的乐队，他们具有先锋的姿态，时髦的电音气质，他们还有一个奇怪但容易记住的名字，叫做超级市场。2010年超级市场在低调地发行完第五张专辑《2005我们零零碎碎的理论》后开始进入消声沉淀期。
如今，时隔四年，超级市场再度发声，用一张概念化极强而且迥异于之前所有唱片的专辑《Blackeclipse墨蚀》重新回归中国音乐，主创田鹏用这样一句话概括了超级市场的电气轨迹：“时光颠簸，风水无常，超级市场乐队在潮浪大地上摇曳摆晃，忽隐忽现。”
专辑的所有歌曲都没有出现中文名字，取而代之的是一连串以M为开头的代码，充分凸显了超级市场的先锋性和实验性，这不禁让人想到冰岛实验后摇乐队Sigur Rós那张诡异的无名专辑。超级市场在中国音乐市场里的这种气质早在1998年的第一张专辑里就已经彰显，这张专辑再次证明超级市场的先验特质。超级市场是极度热爱节奏的，比如在《M3》和《M4》里，田鹏带领的超级市场所制造的是一种让人产生无限联想的波形文件，在某些时候甚至会感觉它们像是某个民族的世界音乐混音，弥漫着神秘的烟雾，而田鹏吟唱出来的歌词也具有即兴的意味，“我要和你一起躺着飞”这种定义性的语句更是主导了歌曲在意境上的表达空间。2013年重组后的超级市场，所呈现出来的变化都在这张概念专辑里被淋漓尽致地体现，在现场演出上更是大胆尝试融入视觉领域的艺术家进行创作，对现场的表达进行深入的探索。同样，超级市场也具有摇滚乐的叛逆，曾经有乐评定义超级市场是中国第一支真正意义上的电子乐队，但是田鹏对这样的定义显然是不屑的，于是他给超级市场下了这样一个注脚：中国第一支没有真正意义的电子乐队。确实如田鹏所言，在超级市场的所有唱片里，任何人都无法给他们在风格上做细分归类，既不是Techno、Trance，也不是House、Ambient，这样的不可定义正是超级市场的探索目的。
电子乐一直是充满变数和诡计的音乐形式，超级市场的每一张专辑都像是一场电子阴谋，这张也不例外。用大段的反复歌词铺垫的《M0》作为结尾曲，并非超级市场的惯用手段，歌词所承载的意义在这首歌里大于了音乐本身，“跟我来我的世界啊，我为你付出了所有理想，你那前方的路是一片辽阔的荒野。”这或许是超级市场对他们所秉持的先锋性的独白：一如既往又无所畏惧。

Austrian downtempo duo Tosca — Richard Dorfmeister and Rupert Huber — will present their latest album on October 6. Set for release on !K7, Outta Here includes contributions from vocalists Earl Zinger and Cath Coffey.
Obligatory press release gush from Rupert Huber: “The title stands for change, a change to the concept we’ve had so far. It refers to a change in energy and dynamic. We’ve been known for an almost ambient sound. The new songs are much more beat-oriented and direct. Basically, it’s just a lot more energetic.”

一支北爱尔兰的独立电子流行乐队， 2007年成立，今年获得了BBC潜力新人的提名，之前签约一家法国厂牌Kitsuné Music，并发行了首张专辑。合成器拼凑跳跃舞曲，驱动抢耳的庞克气流，整张专辑流畅节奏驰骋，相当出色。