Beck的新专辑《Guero》预定于3月21日正式发行，而最近他也频频接受媒体访问，畅谈有关新专辑的风格走向。

这张《Guero》是他自2002年的《Sea Change》之后的全新创作，内容一共收录了13首歌曲，而Guero是西班牙文，意思是指“白种男孩”之意。
这张专辑是由他与前任的老搭档The Dust Brothers共同制作而成，同时White Stripes的主唱Jack White也前来跨刀相助，在专辑中的一首Go It Alone中负责贝斯的弹奏部分。
对于Beck而言，这张新作《Guero》其乐风相当激进，“我为这张专辑工作了很长一段时间，不过我却是先完成《Sea Change》这张专辑，然后才完成这张作品，一直以来我都很想要做一张有著吵杂吉他弹奏的专辑！”在接受滚石杂志时说道。

Underworld continues to explore the fringes of dub, dance and techno, creating a seamless, eclectic fusion of various dance genres. 'Second Toughest in the Infants' (Wax Trax!) includes the massive 'Pearl's Girls' and 7 other tracks.

Protection is the second album by Bristol-based trip hop collective Massive Attack. Released in 1994, it was last to feature Tricky as a member of the group, after going solo with his album Maxinquaye in 1995.

Made at The House Of Love.
Track 2 "The Rockafeller Skank" contains elements from "Sliced Tomatoes" as performed by Just Brothers. Also contains a sample from "Beat Girl" by The John Barry Seven included.
Track 4 "Gangster Trippin" contains a sample from "Entropy" as performed by DJ Shadow. Features a sample of "Beatbox Wash" by Dust Junkys.
Track 5 "Build It Up - Tear It Down" features a sampled extract by The Purple Fox.
Track 7 "Soul Surfing" features a sample from "I'll Do A Little Bit More" performed by The Olympics.
Track 9 "Praise You" features a sample from "Take Yo Praise" by Camille Yarborough.
Made in England.
Desert road photograph copyright (C) Photodisc Inc..

Cam calls his own sound 'abstract hip hop', & his acclaimed album, Substances, offers a definition: streetwise beats laced with film samples, jazzy touches, eastern influences & great swathes of symphonic strings. Imagine DJ Krush, DJ Shadow & Massive Attack all gathering join some smoky Left Bank jazz cafe. It's an instrumental music that vaults all language barriers. As often as not the rhythm is implied rather than present, but hip hop provides both the music's structure & its production technique. At the decks, he's likely to be found spinning hard, fat breakbeats & heavy jungle. But on this specially crafted DJ Kicks mix- including Bronx Theme, a track composed exclusively for this album- he returns to his first love, plucking music from the UK, USA, France, Belgium & Switzerland to mix abstract hip hop with the real underground deal.

DJ Sasha是一个在欧美音乐界非常响亮的名字，也是全世界的Party Animal和电音爱好者为之疯狂的名字。原名Alexender Coe的Sasha是英国Progressive House和Trance音乐的领军人物之一，他品位独特的选歌风格，使得Renaissance 大受欢迎，继而把他推上了国际舞台。早在2000年就成为全球最权威的杂志《DJ》－TOP 100DJs（世界百大顶尖DJ）票选榜首得主，被英国专业舞曲杂志《Muzik》封为全球首席DJ等美誉使Sasha这个名字几乎一度成为电子音乐和跳舞音乐的代名词.

Artist：Moby
Album ：Wait For Me
Date ：2009.06.30
Label ：Mute
Style ：Electronic、Downtempo、Ambient、Chillout
Myspace：
Website：
2008年Moby的专辑《Last Night》是一张舞曲风格的专辑适合Party时候播放，深深的被他之前的DJ工作所影响。但是这次Moby表示，他的第九张录音室专辑《Wait for Me》和08年的专辑风格正好相反。“如果开Party的时候你放这张专辑，肯定有人走了，剩下的躺在地上，”Moby说。这张专辑更加的安静并且加入了很多管弦乐的元素，专辑是在Moby位于纽约的公寓里录制的，他还为专辑设计封面—白纸上的一只帆船。

“One day at home”发行于2006年，风格属于迷幻电子音乐。
当你最初涉足电子音乐的时候，也许不太适应这种以气氛和节拍为主而以主唱为辅的音乐吧，当然，这都不重要，关键是那支乐队是你的入门乐队，如果你选择saycet，那么至少你会对这种风格音乐产生浓厚兴趣，并且会去搜索相似风格的乐队，这样的效果，可以说是不错的，这张专辑的封面很有意思，第一看的时候，看了很久都没看出来画的是个什么，原来是描绘的凭空臆想的意境，而它的色调又透露着些许冷艳。
这张专辑从制作上来讲绝对是一张上乘之作，细腻的鼓机切片，冷艳迷幻的气氛，再加上轻描淡写的主唱的声线，三者浑然一体，整体感极佳，无论是trip-hop乐迷还是独立摇滚乐迷，这张专辑都可以让你得到满足。
法国这样一个国度，有着这世界上最浪漫的情怀，大家也许对bossa nova更了解，但是当你听到这支来自法国巴黎的电子乐队saycet的歌曲，你会发现，法国人绝对也擅长制造这种冰冷的美丽的电子音乐。

2009 release, the follow-up to their debut LP Not For Want Of Trying. Sing The Word Hope In Four-Part Harmony once again takes the wide-screen expanses and beauty of Post-Rock and combines it with the immediacy and brutality of Hardcore. This is an intentionally 'accessible' instrumental record - The climaxes and breakdowns condensed into a concise 30 minutes of noise. It's difficult for an instrumental band to make a serious social statement without the use of lyrics, but Sing The Word Hope In Four-Part Harmony is just that. Set against the background of the current recession, and born out of six months of touring their debut LP, this album is a journal of four twenty-something's thoughts and experiences during tough times. Field.

来自英国利兹的一支新trip hop男女双人组合,Kato负责创作和配乐, Laura Fowles女主唱.优秀大气的音乐氛围离不开Kato那让人惊叹的创作才能.恰到好处的把各种音乐风格融合在一起,配合Laura Fowles那干净顺滑的嗓音让人难以忘怀.他们的音乐往往借用一点点电子元素就把音乐做的非常怀旧.细细聆听他们的音乐,还可以找到那些很多年前trip hop超级大牌的痕迹.最初以为女主唱Laura Fowles是同名,听了几首后才发现她真的就是以前唱JAZZ的那个Laura Fowles.之前出过3张唱片,但因宣传等原因销量惨淡而逐渐淡出了大众的视线.其实个人觉得她之前的JAZZ非常的好听.甜蜜,柔软的风格和现在trip hop演唱完全两样!但如今的搭配更加体现出她多元化的才能.any way,不同的体验,喜欢的朋友可以自行搜索下载!相当不错的女歌手,相当不错trip hop组合.强烈推荐!

惯听摇滚的乐迷可能不太习惯The Prodigy的成员组合，两个舞者、一个饶舌歌者和一个DJ。不同的角度会看到The Prodigy不同的面貌∶若只是拿著CD听，一肩挑起音乐创作与制作之责的Liam Howlett便是一切；若是观看他们的表演，那两个动作狂暴的舞者Kieth Flint与Leeroy Thornhill最抢眼，留著魔鬼发型的Kieth Flint，更是The Prodigy的形象代表，但整个团的头头，却是负责rap的Maxim Reality－以舞曲界的术语来说，他是「司仪（MC）」。但无论乐评或乐迷怎么看待，The Prodigy就是这四个人，缺一个就不是The Prodigy，这样的组合真切地呈现了瑞舞（Rave）的面貌。 九○年代初，The Prodigy组成之时，正是英国瑞舞方兴末艾的时候，他们以单调重覆的快速节奏、喷泻而出的电子冲击声，以及有如风暴袭卷的现场表演，撼动了英国乐坛。1992年首张专辑《Experience》在英国获得成功后，1995年的《Music for the Jilted Generation》以更为强硬直接的态度处理电子节奏及音色，并将重吉他切刷的取样溶入音乐中，促成日后所谓Big Beat的出现。 有人形容The Prodigy为「没有吉他手的庞克乐团」。1997的《The Fat of the Land》与Kula Shaker、L7等摇滚乐团合作，The Prodigy的音乐更加多元复杂。这张被主流乐评形容为「差一点就是经典」的专辑，也因为有较多的人声（虽然歌词依旧没什么意义），吸引了大批主流摇滚迷走入电子舞曲的领域，The Prodigy的影响从英国跨入美国，甚至全世界。《The Fat of the Land》可以说是他们最容易亲近的一张专辑。但是The Prodigy在态度上仍然希望与摇滚抱持距离，决不原地踏步，作出令人脚底发痒痛快狂舞的音乐，才是他们最大的企图。

Always Outnumbered, Never Outgunned is The Prodigy’s long-awaited follow-up to 1997’s double-platinum #1- charting The Fat Of The Land. Returning with a sleazy, funky and far more punk album than anything Liam Howlett has ever recorded, the premier electronica dance act for the alternative masses targets both its core fan base at clubs and a new generation of technofreaks with Always Outnumbered, Never Outgunned.