Kieran Hebden (born 1977), best known by the stage name Four Tet, is an English musician. Hebden first came to prominence as a member of the band Fridge before establishing himself as a solo artist.

FM3 went into the VPRO studio for their Mort Aux Vaches session in August 2004, right in the middle of a six-month tour of Europe and North America. The session captured the last-ever performance of FM3 material developed for a project at the Louvre museum,
and was seen by the band as a definitive version of that particular live set. Following this MaV session, the material was retired and never performed again.
Founded in Beijing in 1999, FM3 pioneered avant-garde electronic music in China. Virant works closely with computer musician Zhang Jian, distilling the FM3 sound from traditional Chinese instruments and home-made electronic loop boxes called "buddha machines."

制作：FM3
乐器：张荐 窦唯 老赵
声音助兴：颜峻
录制于北京后海无名
完成于荷兰恩绅格得
感谢王磊授权使用他的作品采样。
这个植根北京，由Christiaan Virant及张荐组成的二人声响艺术乐团，继Buddha Machine之後，再次带来另一神来之笔：后观音。
仍然是充满著破格和超越意味的概念转化。单是演奏阵容，已足以叫人眼前一亮。FM3加上窦唯，绝对是个充满破格性的合作。还有身兼诗人、乐评人、实验演奏家及地下音乐推手的颜峻作声音助兴。而负责出版后观音这张专辑的，又是由Alok (Slow Tech Riddim) 所策划的香港实验厂牌Lona Records。这一切，都叫人对FM3+窦唯这张新专辑万分期待。
与我们所见惯的近年那些已变成陈腔滥调及肤浅的所谓”Crossover”不同，后观音是一次极深层的多向性融合。
音乐上，它不著痕迹地，化合著FM3的实验性环境声像及窦唯的摇滚乐根源，造出一个相互引发及补充的演奏状态。FM3的声像如流质物渗透著窦唯的敲击，诱发出其潜聚待发的环境音乐及後摇滚似的特质。同时间，窦唯那恰到好处的节奏元素，又将FM3声像中的抽像动态，含蓄地彰显成形。
再深一层地聆听，你又会发觉，FM3及窦唯彷佛是在以西方实验音乐的演奏模式，去理解及感悟东方哲学思想的抽像概念。疏落的声响，彷佛水墨画技法般画黑留白。重要的，不在於发声的部份，而在於发声与发声之间，於空白位置所遗下的氛围馀音所造就的冥想空间。憩静而平和得近乎禅的意味。甚至乎是一种近乎无为的演奏状态。同样地画黑留白，全张专辑十一首作品，只有第二、五、九及十一首分别命名「乌」、「无」、「吾」、「悟」，其馀曲目都只是留著空白。从「乌」(黑->色) 到「无」(白->空) 再到「吾」(自我) 及最後「悟」(顿悟) 的过程，透过的，是对於虚空的参悟冥想。这不是很富东方哲学色彩的布局吗？
重实验感而又不乏可听性，概念化之馀又不流於理论化。一切，都能从声响的角度以聆听的方式细意体会及感悟。一种完完全全道地中国的实验音乐。

My third album, Frozen
thank you
got u m8
vocals + guitar + piano = klein
mixing and production = klein
mastering = amir shoat
<3
credits
released April 23, 2020

What were the skies like when you were young?
These days, asking that question likely conjures disappointment in its answer. Dreams of possibility hardened by certainty. Hopes and prayers jet-cooled to brittle acquiescence. A lingering feeling that this is not what we asked for, not what we worked towards.
Promises of the future replaced by sins of the father.
It is in this particular light that the latest work, &quot;Moscels,&quot; by Iranian artist and musician Ata Ebtekar, also known as Sote, arrives on Opal Tapes, British label for the sonically curious and aurally disaffected. Contrary to potential expectation, it features no rhythmic exhortations, no colloidal outbursts, and no acoustic instrumentation of any kind. Synthesized entirely from physical models and oscillators, whose union gives the record its name, &quot;Moscels&quot; is a haunting, beautiful, and auspicious listen.
None of Ebtekar&#39;s work comes necessarily easy to the listener, but &quot;Moscels&quot; is suffused with a sense of wonder almost childlike in quality, and so it beckons kindly. In a certain sense, electronic music is a kind of magic, isn&#39;t it? And this is the sound of a magician at work. Dive into the sound of an otherworld, so close yet so far, where dreaming is less sweet than being, and where all that is possible remains still at hand.
- Chris Zaldua

Nicolás Jaar is a Chilean-American composer and recording artist based in New York. Among his notable works are the albums Space Is Only Noise, Pomegranates and Sirens.

Modeselektor新厂SSPB开张以来一直是techno/house玩家的炸场首选，新单请来王牌Peder Mannerfelt

Artwork – Moebius
Bass, Vocals, Trumpet, Acoustic Guitar – Jean-Hervé Peron
Drums – Mani Neumeier
Mixed By – Lietz, Moebius, Neumeier
Percussion – Werner Diermaier
Producer [Produced By] – Lietz, Moebius, Engler, Neumeier
Recorded By – Chris Lietz
Synth – Dieter Moebius
Synth, Talkbox, Guitar – Jürgen Engler
Violin, Saxophone [Sax] – Chris Karrer
Recorded live at ATOM H Studios, Düsseldorf.

…前接《平安夜》“朝筒”组合再续《后疫》
用乐音记录这次疫情世界家国氛围······
出品人：杨子江
制作：朝简 录音/混音：李杰
旋律贝司：何锋 吉它/鹰骨笛：文智勇
合成器/采样/：窦唯 李杰
录音时间：2020年3月
录音地点：北京光华路尊悦光华大厦b1录音棚
鸣谢：罗皓 倪卓良 余先生
周广斌 校友子江及团队！
《止止安》 《无疫》已同时制作完工待续后发