*OFFLINE VERSION*
Produced by JPEGMAFIA
Mixed by JPEGMAFIA
Mastered by JPEGMAFIA
NEMO contains additional production from BUZZY LEE
THOT’s PRAYER contains an interpolation of “HIT ME BABY ONE MORE TIME” by BRITNEY SPEARS
HAZARD DUTY PAY sample replay by ALEX GOOSE
Ive been making music since i was 12 years old. but ive been in the music industry for about 4 years now and almost the entire time I’ve been surrounded by people who never had my best interest at heart. I live and die by the quality of my work, not the hype. And the minute anyone does anything to impede on that. You are dead to me. and that’s how it will stay. I had a contract to fulfill and I used a lot of things I was gonna save for the album just to be out of this shit. but it’s over now. this is my last release under a label. From this day on Im free as hell, more free than i already was something I haven’t felt in a long time. I don’t make music for dickriders, I don’t make music for casuals, theres plenty of wanna be ass niggas to fill that void for u, if u just need some bullshit to put on in the background, while u do dishes or whatever. but I’m just not here for that. me and my fans, we like detail. so if your not actually good at what u do. we don't care. i understand that in this day and age a black man being great at what he does consistently is just not enough for some.
My goals are different my body is different my mind is different, where I came from is different. We’re not aiming at the same thing. I am a true outcast and that’s who I want to draw in. if u feel out of place, in every place. Im here for u. because that exactly how i have always felt. i'm just happy i have people to feel that with now.
my time in the music industry is over because I refuse to be disrespected by people who aren’t respectably in the first place. the only ones I care about now and forever are you my fans, I love u. and for u will always be here. This is the true LP! & i hope u all enjoy ?

This is the return of Wu-Tang! Their first studio release since the death of Dirty Ol Bastard; these superstars have returned...GZA, RZA, Method Man, Ghostface Killa, Raekwon, U-God, Inspecta Deck and Masta Killa, they're all here. "The Hear Gently Weeps" features Erykah Badu and is the first song to feature a Beatles sample! This is A MUST for true hip-hop fans. "The 8 Diagrams" comes with a bonus DVD!!

All-Amerikkkan Badass (stylized as ALL-AMERIKKKAN BADA$$) is the upcoming second studio album by American hip hop recording artist Joey Badass. It is set to be released on April 7, 2017.

你我都知道，潮水一定是会退去的，不管此刻它有多汹涌，最终都是会消散的。而那平淡无奇的镇海塔嘛，仍旧会矗立在原地。那塔究竟有没有退潮的能力，已经不重要了，重要的是每个人都愿意相信它，它会成为一种标志，成为每个退潮者的信仰，成为一个代表无名之辈的符号，那便是它的宿命。

Run the Jewels 2 is the second studio album by American hip hop duo Killer Mike and El-P, collectively known as Run the Jewels. The album was released early for free on October 24, 2014 and the following day on iTunes. It will also be available on CD and LP through Mass Appeal Records on October 28, 2014, although some retailers sold physical copies early.

记忆中的碎片连接成长这条路
过去 现在 未来
时空的界限在奔赴的薄雾中弥散
旧铁皮颠簸着防风火机的传奇
语音通话中的乡音仍在缭绕
在华灯初上的楼宇间推杯换盏
凝望穿越天黑路滑的荆棘地
目光丈量归家路
脚步书写青云志
威远不远 威远很远

王以太和艾热设想了一个极端例子，假如世界末日真的来临，幸存下来的人会怎么想？他们该如何生存下去？
在过去的一年里，人类经历了比往年更多的灾难，沙漠蝗灾、森林山火、平原洪水和全球疫情……这一系列灾难诱发出的末日情绪成为了王以太和艾热这张全新联合专辑《幸存者的负罪感（Survivor’s Guilt）》的灵感来源。
在灾难里经历了毁灭性创伤事件后存活下来的人很容易患上一种叫“幸存者内疚”的心理疾病，这些幸存者往往并不会抱有逃过一劫的喜悦，反而经常会有强烈的负罪感，表现出易怒、抑郁、焦虑和恐惧的情绪，它可以持续数月，数年，甚至一生。
如果这一天真的到来，幸存者们要怎样才能用积极的心态看待内疚和悲伤，继续面对现实的生活，疗愈伤口呢？
王以太、艾热在专辑里演绎了两名灾难的幸存者，置身末世的电影院里，用音乐一起探讨着这些命题，这些被记录下来的对话，组成了这11首歌曲。
《末（Intro）》
作为专辑的序言，《末（Intro）》采样了很多近期或者已经发生过的“灾难”新闻事件，从两人的对话开始展开讨论，如果末日到来，世界会是什么样子，你还是不是原来的你？
《Pay Right Now（种瓜得瓜，种豆得豆）》
因为“种什么因得什么果”、“做坏事的人一定会付出代价”的惯性思维，刚刚获得幸存的人们在末日伊始还会享受着属于幸存者的小雀跃。但幸存者的武器绝不是躲起来的键盘和鼠标，而是担起幸存者的己任，是将凝聚的精神力化作我们坚固的利刃，打碎末日，来好好爱这个世界。
《醉》
浮躁的世界里不要太得意忘形，幸存者们继续着狂欢，在感觉自己快被欲望吞噬的最后一瞬间被理性拉回，告诉自己“别喝得太醉”。
《无言以对》
冷静下来的幸存者们开始认真思考所谓的负罪感到底是什么？我们幸存是不是只是在某些时候被选择了或者说选择对了，而不是因为我们本身是对的。“这样幸存下来的你真的是幸存者吗？”总有一些我们应该去为其发声的事情，这是我们所获盛名的责任。
《现实的生活》
回归内容至上的Old School HipHop，用玩味性质的辞藻勾勒了现实的生活，充满了戏谑和无可奈何。
《生而为人总错过》
人都会犯错，生而为人总是错过，那就去请求犯过错的人或事情的原谅，心里总难能可贵，“告诉你前进哪怕一小步，只要在说唱我们就是随大流的少数”。
《没时间流眼泪》结束深邃的思考，不再去在意过去纠结的事情，生活中有太多值得我们忙碌的事情，所以没有时间流眼泪。
《头头是道》就算是在世界末日，爱情也是一个很重要的维度。《头头是道》用最写实的手法描述了小情侣吵架的日常，细腻平实的字词句中勾勒了一幅幅真实生活的生活场景，你来我往的琐碎中其实夹杂了爱情的甜蜜。
《别怕变老》整张专辑中极具流行性的一首歌曲。这是王以太和艾热写给他们彼此爱人的歌，岁月划过指尖，但年轮不会改变，就像爱你的心，藏在了字里行间，别怕变老，有我们陪你。因为“Love can fight everything” ，这是属于他们最暖心的爱情宣言。
《乡野传说》描绘了一幅超脱释怀的生活蓝图。最开始源于艾热用bass和吉他演奏、创作录制的小样，之后两人共同完成的一首歌，歌曲表达了两人共同对于美好生活的一种向往。
《始 （Outro）》中的人声部分做了特殊处理，在同一歌声里两个人的声音随时切换，代表着两人的共同口吻和态度。最后回归主题，这是专辑幕歌，也是希望的开始。假如在末日幸存，你会感到幸运吗？
在《幸存者的负罪感》中，艾热和王以太延续并融合了彼此的个人特色，也尝试着突破原有的音乐风格，专辑涵盖R&b、HipHop、Jazz、Soul、Reggae、Trap、Country/folk、Gospel、Experimental 等音乐元素、为大家带来一场末世的音乐疗愈之旅。
“中文说唱，榜样，责任，纽带，目标，收入，个性，资产，意识。”
这里饱含着幸存者的负罪感。
我们为所有生灵与创造祈福。
未来，拭目以待。

K.I.D.S. (backronym for Kickin' Incredibly Dope Shit) is the fourth mixtape by American rapper Mac Miller. It was released by Rostrum Records on August 13, 2010, through DatPiff. The title is a reference to the 1995 drama film Kids, which is quoted throughout the mixtape. It was later commercially released on April 29, 2020. A deluxe version was released on its 10th anniversary and includes two new tracks, "Ayye" and "Back In The Day".

Mr. Morale & The Big Steppers is the upcoming fifth studio album by American rapper Kendrick Lamar. Set to be released on May 13, 2022, it is his first studio album since the release of 2017's critically acclaimed Damn. The album is expected to be released in association with pgLang, Lamar's newly-founded media company, and Top Dawg Entertainment. Lamar has stated that the album will be his last with Top Dawg Entertainment.