2003 album for Luke Vibert (aka Wagon Christ) and his first for Warp (believe it or not). Features 13 amazing tracks including the single 'I Love Acid'. Packaged in digipak format.

Kelly Lee Owens' masterful second album Inner Song finds the convention-blurring techno producer and singer/songwriter diving deep into her own psyche—excoriating the struggles she's faced over the last several years and exploring personal pain while embracing the beauty of the natural world.
Dinked Edition No. 44
* 2LP Exclusive Clear Vinyl
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* bonus Exclusive ‘Hidden’ track Side C
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* Etching on Side D
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* Signed and Numbered Exclusive 12” Art Print .
It's a leap in artistry from a musician who burst forth on the scene with a confident, rich sound, and Inner Song is endlessly enticing when it comes to what Owens is capable of.
Inner Song follows the star-making debut of her 2017 self-titled album, a quixotic blend of body-moving beats and introspective songwriting that garnered numerous accolades from the music press. Owens has indeed come a long way from her background as a nurse, since then she has remixed Bjørk & St Vincent, released an indelibly clubby two-tracker, 2019's "Let It Go" b/w "Omen" and
teamed up with like-minded auteur Jon Hopkins on the one-off "Luminous Spaces."
Her latest album also comes off of what Owens describes as "the hardest three years of my life" an emotionally fraught time that, in her words, "Definitely impacted my creative life and everything I'd worked for up to that point. I wasn't sure if I could make anything anymore, and it took quite a lot of courage to get to a point where I could make something again." So while the lovely cover of
Radiohead's "Arpeggi" might strike some as an unconventional way to open a sophomore effort, to Owens the winding take on the classic tune—recorded a year before work on Inner Song properly kicked off—represents the sort of sonic rebirth that's so essential to Inner Song's aura.
Inner Song was largely written and recorded over a month last winter. As with her debut, Owens holed up in the studio with co- producer and collaborator James Greenwood —and letting loose in the studio and being open to whatever sonic whims emerge was essential to Owens' craftwork. The evocative title of the album is borrowed from free-jazz maestro Alan Silva's 1972 opus, which was
gifted to Owens Smalltown Supersound's Joakim Haugland for her 30th birthday: "I'm so grateful for him and his perspectives—he's always thinking outside of the box. Those two words really reflect what it felt like to make this record. I did a lot of inner work in the past few years, and this is a true reflection of that." The hair raising bass and tickling textures of Inner Song drive home that, more so than ever, Owens is locked in to delivering maximal sonic pleasure—as evidenced by the decision to make the album's vinyl release a sesqui album, or triple-sided album: "Im still obsessed with frequencies that don't do well on vinyl if they don't have the space."
"The power of conceptualizing who you are has really informed this album" Owens states about Inner Song's essence, and her second album is truly a discovery of self— the latest statement from a fascinating artist who continues to surprise, gesturing towards a rich and varied career to come

"Directly following an ambient collaboration with modular synth master Alessandro Cortini (Illusion of Time) and a club 12" with Roman Flügel as Noun (Meeting of the Minds), Daniel Avery finished a solo LP and spontaneously decided to release it with no advance hype.
"Love + Light touches on several sides of Avery's personality, delivering propulsive dance tracks as well as reflective experiments, and diverting into other modes that he hasn't explored as frequently. "Dusting for Smoke" and "Dream Distortion" are prime examples of the type of hissing, hazy techno he excels at, with heavy, pounding beats and tense, dreamy synth textures, all fine-tuned for major club impact. "Darlinnn" keeps up a steady beat but builds much more gradually, working up to a frothy peak and then simmering down. Surrounding all these tracks are experimental pieces like the distorted drone of "London Island" (echoing his work with Cortini) and the gentle, floating harp interlude "Katana." "Searing Light, Forward Motion" takes things in a much harsher direction, with clattering, distorted breakbeats reminiscent of Christoph de Babalon or DJ Scud, and furious acid synths sounding like an angry robot on the rampage. "Infinite Future" is much more serene, with shoegazey synths gliding over a slightly jittery post-dubstep beat, and other tracks like "Into the Arms of Stillness" and "A Story in E5" dip into swirling, tenderhearted downtempo IDM in the vein of Casino Versus Japan or Freescha. "Fuzzwar" is in a similar vein, yet somehow it's one of the least fuzzy-sounding tracks on the album. Wrapping it all up is "One More Morning," a light, shimmering electro piece perfect for greeting the sunrise. While Love + Light feels a lot rougher than Avery's first two solo albums, and initially takes a few more listens to fully appreciate, it's just as inspired and creative."

真名Anthony Child，英国电子音乐人/DJ。他在自己的厂牌Counterbalance和Dynamic Tension下发行音乐。大厂牌如Tresor,Soma,Harthouse也出版过Surgeon的原版作品和混音作品。个人感觉他的作品比较黑暗、激烈，非常有层次感。
上海的地下Techno和House音乐组织Void可能会在今年五月将Surgeon带来上海，如果确定后会在我的博客放出消息。
个人网站：

Previously released as "Enter" (Fantasy 9625).
Recorded at Solid Ground, Ann labor, MI. "Cosmic Cars" & "The Line" recorded at Pearl Sound, Ann Labor; "Alleys Of Your Mind" recorded at Randy Howe's parents' house while they were elsewhere. Mixed to and mastered from digital tape using the Mitsibishi X-80 tape recorder.