This innovative work is the first to approach the awakening of China as a historical problem in its own right, and to locate this problem within the broader history of the rise of modern China. It analyzes the link between the awakening of China as a historical narrative and the awakening of the Chinese people as a political technique for building a sovereign and independent state. In sum, it asks what we mean when we say that China "woke up" in this century. Fiction and fashion, architecture and autobiography, take their places alongside politics and history, and the reader is asked to move about among writers, philosophers, ethnographers, revolutionaries, and soldiers who would seem to have little in common. Rumor is sometimes taken as seriously as truth, novels are consulted as frequently as documents, and dreams are given a prominence normally reserved for facts in the writing of history. This book follows the legend of China's awakening from its origins in the European imagination, to its transmission to China and its encounter with a lyrical Chinese tradition of ethical awakening, to its incorporation and mobilization in a mass movement designed to wake up everyone. The idea of a national awakening crossed all discursive boundaries to make room for nationalist politics in personal culture and helped to conscript personal culture into service of the revolutionary state. The book focuses on the Nationalist movement in south China, highlighting the role of Sun Yat-sen as director of awakenings in the Nationalist Revolution and the place of Mao Zedong as his successor in the politics of mass awakening. Of special interest is the previously untold story of Mao's role in the NationalistPropaganda Bureau, showing Mao as a master of propaganda and discipline, rather than as peasant movement activist.

"Filled with wisdom and thought experiments and things that will mess with your mind." -- Neil Gaiman, author of The Graveyard Book and American Gods "Cory Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age." -- Douglas Rushkoff, author of Present Shock and Program or Be Programmed "Author, Internet guru, and practical philosopher Cory Doctorow gives hard-headed advice about how to gain fame and fortune using the Internet. Along the way, he explains a great deal about the hidden workings and dangers of modern technology. Whether you want to make money online or just surf safely, there's much to learn in this fast-moving and entertaining narrative." -- Alex Kozinski, Chief Judge of the United States Court of Appeals for the Ninth Circuit "Required reading for creators making their ways through the new world." --Kirkus Reviews (starred)

内容简介
《庄子》内容简介：关于庄子的历史记载颇少，其生前默默无闻，死后也长时间少有人问津，以致家世渊源、师承关系、生卒年月均不甚明了。在战国时期的人之中，除了荀子在《解蔽》中有“庄子蔽于天而不知人”一句批评的话之外，几乎没有其他的评论留传下来，甚至同时期的孟子对他也只字未提。后世了解庄子，主要是通过《史记·老子韩非列传》及《庄子》一书。《列传》对庄子仅有二百多字的记载，但目前看来，这是历史书中对庄子所作的最早的较详细记录，可将其作为了解庄子其人的基本线索；而关于庄子的详细情况，则大部分要来源于《庄子》一书。

《周易》是群经之首，也是最难读懂的古书之一。本书依据新出土文本，对传世的《周易》正文加以全新的整理和疏解，破解了许多疑点，并用简要的语言贯通大义、白话译注。在此基础上，《周易》经传中蕴含的阴阳对立、五行循环的自然哲学，书中也有独到的阐述。
《周易》是北京大学教授李零在《论语》、《老子》、《孙子》之后，详细解读的第四部最重要的传世典籍。以上四部书，合称为“我们的经典”。

Une actrice se rend à Hiroshima pour tourner un film sur la paix. Elle y rencontre un Japonais qui devient son amant, mais aussi son confident. Elle lui parle de sa vie, de son adolescence à Nevers pendant la Seconde Guerre Mondiale, de son amour pur un soldat allemand et de l'humiliation qu'elle a subie à la Libération.

Understanding the dramatic political, social, and economic changes that have taken place in Poland in the mid-1980s is one key to predicting the future of the communist bloc. Jadwiga Staniszkis, an influential, internationally known expert on contemporary trends in Eastern Europe, provides an insider's analysis that deserves the attention of all scholars interested in the region.
Staniszkis presents the breakthrough of 1989 as a consequence not only of systemic contradictions within socialism but also of a series of chance events. These events include unique historical circumstances such as the emergence of the "globalist" faction in Mosow, with its new, world-system perception of crisis, and the discovery of the round-table technique as a productive ritual of communication, imitated all over Eastern Europe. After describing the development, collapse, and reorganization of a "new center" in Poland in 1989-1990, she discusses the first attempt at privatizing the economy. Her analysis of the dilemmas accompanying breakthrough and transition is an invaluable guide to the challenges that face both capitalism and democracy in Eastern Europe.

This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.

From the surreal eroticism of Salvador Dali to the kitsch eroticism of Jeff Koons, erotic art has always inflamed opinion and, even today, such images are considered provocative, dangerous, and unwelcome in the public sphere.
Now Alyce Mahon, the feisty Irish art historian, takes us on an imaginative and engaging tour of erotic art in all its forms, including painting, sculpture, video art, installation, performance art, and photography. Mahon explores eroticism from its most romantic to its most explicit: from Impressionist Paris where the naked body signaled the rise of a new, modern world, to the contemporary scene where artists use eroticism to address the politics of race, gender, and sexual orientation. The book examines some of the key movements and moments in modern art history: from the birth of Realism with Courbet in Paris, to the Surrealist subversion of taboo, to Nazi propaganda's use of the heroic nude, to the soft-porn of Pop art, to the vogue for carnality in contemporary art in Los Angeles, Paris, and London. Indeed, Mahon provides a concise history of art in the twentieth century through the lens of eroticism, offering original insights into works of art that do not sit easily within popular notions of taste and that have provoked controversy and calls for censorship. Her discussion includes the work of such European and American artists as Egon Schiele, Hans Bellmer, Robert Mapplethorpe, Nancy Goldin, Orlan, Franco B, and Annie Sprinkle.
With over a hundred illustrations, including sixty-five in full color, here is a strikingly written and stimulating history of eroticism in modern Western art.

The Pacific Ocean covers one-third of the earth's surface. Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of this vast ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. Including both traditional and contemporary arts, this book introduces the rich artistic traditions of these two regions, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin. Instead of looking at Polynesia and Micronesia separately, the book focuses on the artistic types, styles, and concepts that they share, placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler looks at religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments - even canoe-construction - to provide the ultimate introduction to the rich and vibrant artistic cultures of the Polynesian and Micronesian islands.

This concise yet lively new survey guides the reader through 5000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with much fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.

A source book of tips and techniques to make the reader's writing clearer, simpler and more memorable. It is designed to help writers at any level of proficiency to produce clear, concise writing structured around the messages they want to convey to their audience, and supported with strong, well-developed paragraphs and sentences. Written in plain English and a relaxed style, the book seeks to be easily adaptable to a variety of writing styles and tasks, and should be useful at any stage of the process: conceptualization, writing, or editing.

Despite a quarter-century of constructivist theorizing in the social sciences and humanities, ethnic groups continue to be conceived as entities and cast as actors. Journalists, policymakers, and researchers routinely frame accounts of ethnic, racial, and national conflict as the struggles of internally homogeneous, externally bounded ethnic groups, races, and nations. In doing so, they unwittingly adopt the language of participants in such struggles, and contribute to the reification of ethnic groups. In this timely and provocative volume, Rogers Brubaker--well known for his work on immigration, citizenship, and nationalism--challenges this pervasive and commonsense "groupism." But he does not simply revert to standard constructivist tropes about the fluidity and multiplicity of identity. Once a bracing challenge to conventional wisdom, constructivism has grown complacent, even cliched. That ethnicity is constructed is commonplace; this volume provides new insights into how it is constructed. By shifting the analytical focus from identity to identifications, from groups as entities to group-making projects, from shared culture to categorization, from substance to process, Brubaker shows that ethnicity, race, and nation are not things in the world but perspectives on the world: ways of seeing, interpreting, and representing the social world.

Modern Japan offers us a view of a highly developed society with its own internal logic. Eiko Ikegami makes this logic accessible to us through a sweeping investigation into the roots of Japanese organizational structures. She accomplishes this by focusing on the diverse roles that the samurai have played in Japanese history. From their rise in ancient Japan, through their dominance as warrior lords in the medieval period, and their subsequent transformation to quasi-bureaucrats at the beginning of the Tokugawa era, the samurai held center stage in Japan until their abolishment after the opening up of Japan in the mid-nineteenth century. This book demonstrates how Japan's so-called harmonious collective culture is paradoxically connected with a history of conflict. Ikegami contends that contemporary Japanese culture is based upon two remarkably complementary ingredients, honorable competition and honorable collaboration. The historical roots of this situation can be found in the process of state formation, along very different lines from that seen in Europe at around the same time. The solution that emerged out of the turbulent beginnings of the Tokugawa state was a transformation of the samurai into a hereditary class of vassal-bureaucrats, a solution that would have many unexpected ramifications for subsequent centuries. Ikegami's approach, while sociological, draws on anthropological and historical methods to provide an answer to the question of how the Japanese managed to achieve modernity without traveling the route taken by Western countries. The result is a work of enormous depth and sensitivity that will facilitate a better understanding of, and appreciation for, Japanese society.

Continuing his groundbreaking analysis of economic structures, Douglass North develops an analytical framework for explaining the ways in which institutions and institutional change affect the performance of economies, both at a given time and over time. Institutions exist, he argues, due to the uncertainties involved in human interaction; they are the constraints devised to structure that interaction. Yet, institutions vary widely in their consequences for economic performance; some economies develop institutions that produce growth and development, while others develop institutions that produce stagnation. North first explores the nature of institutions and explains the role of transaction and production costs in their development. The second part of the book deals with institutional change. Institutions create the incentive structure in an economy, and organisations will be created to take advantage of the opportunities provided within a given institutional framework. North argues that the kinds of skills and knowledge fostered by the structure of an economy will shape the direction of change and gradually alter the institutional framework. He then explains how institutional development may lead to a path-dependent pattern of development. In the final part of the book, North explains the implications of this analysis for economic theory and economic history. He indicates how institutional analysis must be incorporated into neo-classical theory and explores the potential for the construction of a dynamic theory of long-term economic change.

In this completely revised edition of one of the foundational texts of network sociology, Harrison White refines and enlarges his groundbreaking theory of how social structure and culture emerge from the chaos and uncertainty of social life. Incorporating new contributions from a group of young sociologists and many fascinating and novel case studies, "Identity and Control" is the only major book of social theory that links social structure with the lived experience of individuals, providing a rich perspective on the kinds of social formations that develop in the process. Going beyond traditional sociological dichotomies such as agency/structure, individual/society, or micro/macro, "Identity and Control" presents a toolbox of concepts that will be useful to a wide range of social scientists, as well as those working in public policy, management, or associational life and, beyond, to any reader who is interested in understanding the dynamics of social life.