无权者与有权者之间的对抗充满了欺骗——无权者假装恭敬有礼，有权者则故意夸大他们的名望与掌控能力。如果仅接受这些表面价值，我们将无法把握权力关系中的各种矛盾、紧张和内在可能性。

通过考察世界各地文学、历史学、政治文化中的实例，著名政治学、人类学者詹姆斯· C. 斯科特深入探讨了支配者与从属群体的公开剧本及潜隐剧本之间的联系、区别和界限。出于各自的利益考虑，有权者与无权者会心照不宣地在公开互动中合作共谋，这使得公开剧本往往带有程式化和仪式化的色彩。相对地，任何从属群体都会在其苦难之中创造出特定的潜隐剧本，这些发生在后台的话语、姿态与实践代表着他们对支配者的某种权力批判。与此同时，有权者亦会发展出他们的潜隐剧本，即那些使其统治得以维系但又不能公开承认的措施和观点。

斯科特指出，在公开剧本和潜隐剧本之间最具分歧的地方，话语和权力关系会得到最为显著的表露；两者的交界之处，则是支配者与从属者持续斗争的重要地带。这部里程碑式著作，将修正我们对从属、抵抗、霸权、民间文化和反叛背后的各种观念的理解，并为权力关系的研究提供一条新的路径。

In Alias Grace, bestselling author Margaret Atwood has written her most captivating, disturbing, and ultimately satisfying work since The Handmaid's Tale. She takes us back in time and into the life of one of the most enigmatic and notorious women of the nineteenth century.
Grace Marks has been convicted for her involvement in the vicious murders of her employer, Thomas Kinnear, and Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.
Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Is Grace a female fiend? A bloodthirsty femme fatale? Or is she the victim of circumstances?

How the law harms sex workers—and what they want instead
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive—and can the police deliver justice?
In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.

为什么印度的整体社会发展缓慢，而软件出口却独领风骚？为什么美国的IT公司不断裁人，同时又引进外国雇员？作者基于在印度、澳大利亚和马来西亚长达两年的人类学实地调查写作此书，指出其中关键在于IT产业中的“猎身”体系。它是指一个以印度为中心的全球化劳动力配置和管理体系。

An accessible, bold new vision for the future of intersectional trans feminism, called "one of the best books in trans studies in recent years" by Susan Stryker<br /><br />Why are trans women the most targeted of LGBT people? Why are they in the crosshairs of a resurgent anti-trans politics around the world? And what is to be done about it by activists, organizers, and allies?<br /><br />A Short History of Transmisogyny is the first book-length study to answer these urgent but long overdue questions. Combining new historical analysis with political and activist accessibility, the book shows why it matters to understand trans misogyny as a specific form of violence with a documentable history. Ironically, it is through attending to the specificity of trans misogyny that trans women are no longer treated as inevitably tragic figures. They emerge instead as embattled but tenacious, locked in a struggle over the meaning and material stakes of gender, labor, race, and freedom.<br /><br />The book travels across bustling port cities like New York, New Orleans, London and Paris, the colonial and military districts of the British Raj, the Philippines, and Hawai'i, and the lively travesti communities of Latin America.<br /><br />The book shows how trans femininity has become legible as a fault line of broader global histories, including colonial government, the sex work industry, the policing of urban public space, and the line between the formal and informal economy. This transnational and intersectional approach reinforces that trans women are not isolated social subjects who appear alone; they are in fact central to the modern social world.

编辑推荐
◎一部资本主义过渡时期的妇女身体史
◎以女性视角对话马克思主义的代表作，探讨资本原始积累背景下性别与再生产的重磅作品
◎马克思主义女权主义经典著作，补全《资本论》缺失的女性视角。清华大学夏莹、严飞，南京大学蓝江、杨乔喻，弗吉尼亚理工大学倪湛舸等众学者诚挚推荐 ！
学者推荐
非常值得一读……使我们能够更好地理解现代父权制、民族国家的崛起以及从封建主义到资本主义的过渡时期之间的密切关系。
——《卫报》
一部开创性的作品……费代里奇已经成为……新一代女权主义者的关键人物。
——雷切尔•库什纳，《火星俱乐部》作者
在描述对妇女发起的国家恐怖行为之可憎时，费代里奇写下了一本真正属于我们时代的书。既不妥协，也不傲慢。《凯列班与女巫》传达出一贯的无偏见和一位全球学者所拥有的高尚品格。它既是有关被恢复记忆的充满激情的作品，也是一记历史之锤。
——彼得•莱恩博，多伦多大学教授
本书在将猎杀女巫放入资本主义社会成长的历史过程中，完成了对现代的资本主义祛魅化成长历程的呈现。视角独特而富有感染力。理论在此获得了它的肉身化的表达，不仅具有独特的性别视角，同时更让现代性的批判充满了一种切身之痛。资本主义的诞生与发展正是在这一切身之痛当中完成自身合理化的推进。
——夏莹，清华大学哲学系教授
《凯列班与女巫》通过对女巫问题的追溯，补上了长期以来被马克思主义和其他理论忽略的向资本主义过渡过程中缺失的女性历史的一环。费代里奇让我们明白，在现代性的发展过程中，对女性的压迫，构成了资本主义原始积累的血腥基础，揭开这个奥秘，才能真正为女性主义找到一个反抗的裂隙。
——蓝江，南京大学哲学系教授
教会对巫术的镇压与资本市场的兴起和民族国家的构建相辅相成，是现代社会崛起的基石。猎巫运动以女性主导的社会组织力量和民间知识为打击目标，旨在规训女性身体，将其排斥在有偿劳动之外，被困于新建的家庭空间，从事无报酬的社会再生产劳动。猎巫、贩奴以及对自然的剥削共同构成了被传统马克思主义忽视的资本原始积累真相。《凯列班与女巫》不仅为我们展示了性别、种族、生态和宗教等诸多范畴在全球资本主义历史中的复杂交织，更是提醒我们分析重建渗透在日常生活方方面面的权力关系。
——倪湛舸，弗吉尼亚理工大学宗教与文化系副教授
在宗主国与殖民地之间的文化权力关系中，凯列班象征着对殖民者的反抗和对命运的改变。在15 至18 世纪，当有超过十万的平民女子因被指控为女巫而处死，更多的女性站起来，通过妇女运动试图摧毁资本主义制度所要求的社会规训，重新夺回对性、身体、劳动的控制。费代里奇向我们展示出，每一位独立勇敢的女性，在破除猎巫的进程中，用自己的身体推动起历史的变革。
——严飞，清华大学社会学系副教授
内容简介
本书围绕一个核心问题展开:如何解释欧洲近代初期数十万“女巫”被处死?为什么资本主义的兴起与针对妇女的战争同时发生?全书分为五个部分:15世纪前农民和工人的日常斗争;土地私有化和扩张的人口政策带来的影响;机械身体观的兴起;欧洲大陆的大规模猎巫;猎巫策略在美洲的重演与当地妇女的反击。
通过回顾这段300年的历史,费代里奇表明:猎巫运动是资本主义对于社会再生产合理化的过程体现,它为现代社会组织的两个核心原则即劳动能力和自我所有权提供了必要支撑。换言之,对女性生育和身体的控制(以攻击女巫为代表)是资本主义实现原始积累的关键步骤。
费代里奇以女性视角对话马克思的原始积累学说和福柯的身体理论，对于传统历史叙事和理论范式构成了强有力的挑战。

★著名学者、清华大学教授汪民安当代文化研究的全新力作。
★关于当代性的文化探险，重新审视日常生活中的情感、物质、语言和艺术。
★一场打破固定理论框架的文化研究盛宴，对当代文化问题做耐心而清晰的溯源和梳理。
★对“当代性”这一被滥用但始终语焉不详的概念，进行明晰的阐释。
★从容晓畅地勾勒出对当代文化影响深远的哲学家之间的历史渊源。
★留给我们的精神课题：让积极的情动同消极的情动做斗争，让爽朗大笑压倒那些令人心碎的啜泣。
=====
激活理论，让它流动起来，并且可以到处运转，甚至将它拖到我也无法预料到的地方。我相信，将理论进行封闭性的还原解释实际上是对理论的扼杀。（汪民安）
=====
在中国当代理论书写中，汪民安是一位独特的写作者和思考者，他穿行于哲学、文学、艺术与日常生活场景之间的理论空地，游走于学术写作与理论随笔之间的中性地带，构建了一幕幕视觉化的理论屏幕，使我们置身于理论与现实交织的诗性空间。
——董树宝（教授，法国当代批评理论的研究与翻译工作者）
在思想阐述方面，汪民安既有着手术刀式的冷静与精确，又有着诗人般的优雅与洞察力。
——胡赳赳（作家，诗人，前《新周刊》总主笔）
汪民安教授对德勒兹、布朗肖、巴丢、阿甘本等的译介，在很大程度上引领着国内批评理论的发展方向。他的影响也不仅局限于学术界，他在艺术批评领域的影响也是众所周知，他是先锋理论家，也是先锋批评家。
——刘天歌 黄崇航（中国社会科学院大学）
汪民安教授始终保持诚实，保持好奇，尽可能多地突破人文学科的疆界，并对当下现实保持警醒之姿。
——《南方人物周刊》2017年度中国魅力人物
从文艺学到哲学，再到美学，再到艺术，再到文化评论，汪民安老师有法国哲学大家的魅力。
——知乎读者
=====内容简介=====
学者汪民安当代文化研究的全新力作，围绕“情动、物质和当代性”三大主题的一次文化探险，重新审视日常生活中的情感、物质、语言和艺术。三大主题相互关联相互辉映，共同揭示文化问题最终影响了人的情感、文学、艺术和商业，影响着人与社会之间的关系，渗透和左右着每个人的生存状态。这是一场打破旧有理论框架的文化研究盛宴，是对当代性富有成效的追根溯源，引出令人深思的质询：在当下时代，是否还存在人文主义意义上的人和主体，人的主体性是否已被物质、符号、机器、流量、数据等摧毁取代？

No, they weren’t ‘just friends’!

Queer women have been written out of history since, well, forever. ‘But historians famously care about women!’, said no one. From Anne Bonny and Mary Read who sailed the seas together disguised as pirates, to US football captain Megan Rapinoe declaring ‘You can’t win a championship without gays on your team’, via countless literary salons and tuxedos, A Short History of Queer Women sets the record straight on women who have loved other women through the ages.

Who says lesbians can’t be funny?

Thrilling, sharp, and deeply humane, philosopher Amia Srinivasan's The Right to Sex: Feminism in the Twenty-First Century upends the way we discuss―or avoid discussing―the problems and politics of sex.
How should we think about sex? It is a thing we have and also a thing we do; a supposedly private act laden with public meaning; a personal preference shaped by outside forces; a place where pleasure and ethics can pull wildly apart.
How should we talk about sex? Since #MeToo many have fixed on consent as the key framework for achieving sexual justice. Yet consent is a blunt tool. To grasp sex in all its complexity―its deep ambivalences, its relationship to gender, class, race and power―we need to move beyond yes and no, wanted and unwanted.
We do not know the future of sex―but perhaps we could imagine it. Amia Srinivasan’s stunning debut helps us do just that. She traces the meaning of sex in our world, animated by the hope of a different world. She reaches back into an older feminist tradition that was unafraid to think of sex as a political phenomenon. She discusses a range of fraught relationships―between discrimination and preference, pornography and freedom, rape and racial injustice, punishment and accountability, students and teachers, pleasure and power, capitalism and liberation.
The Right to Sex: Feminism in the Twenty-First Century is a provocation and a promise, transforming many of our most urgent political debates and asking what it might mean to be free.

Meet Kate and Baba, two young Irish country girls who have spent their childhood together. As they leave the safety of their convent school in search of life and love in the big city, they struggle to maintain their somewhat tumultuous relationship. Kate, dreamy and romantic, yearns for true love, while Baba just wants to experience the life of a single girl. Although they set out to conquer the world together, as their lives take unexpected turns, Kate and Baba must ultimately learn to find their own way.

Initially was published in a shortened form in a 1949 Ladies Home Journal magazine under the title of Never Look Back <br /><br />A Cornish cliff collapses on top of a seaside resort hotel, squashing everybody but those lucky enough to be away on a picnic. The story tells why some were spared and some were not... <br /><br />The germ of the idea for The Feast - Margaret Kennedy's ninth novel and perhaps her most ingenious, first published in 1950 - came to the author in 1937 when she and a social gathering of literary friends were discussing the Medieval Masque of the Seven Deadly Sins. The talk turned excitedly to the notion that a collection of stories might be fashioned from seven different authors, each re-imagining one of the Sins through the medium of a modern-day character. That notion fell away, but something more considerable stayed in Margaret Kennedy's mind over the next ten years, and so she conceived of a story that would gather the Sins all under the roof of a Cornish seaside hotel managed by the unhappy wife of Sloth.<br /><br />Among The Feast's entertaining cast of characters are a clergyman, a gaggle of adolescents and children, a quarter of lovers, and a clutch of frustrated husbands &amp; wives - all serving Kennedy's dark and witty moral fable, which bears out the Biblical adage that many are called but only a very few chosen.

"A fresh feminist appraisal of the pop culture canon." —Publishers WeeklyHow bitches, trainwrecks, shrews, and crazy women have taken over pop culture and liberated women from having to be nice.Female characters throughout history have been burdened by the moral trap that is likeability. Any woman who dares to reveal her messy side has been treated as a cautionary tale. Today, unlikeable female characters are everywhere in film, TV, and wider pop culture. For the first time ever, they are being accepted by audiences and even showered with industry awards. We are finally accepting that women are—gasp—fully fledged human beings. How did we get to this point?Unlikeable Female Characters traces the evolution of highly memorable female characters, examining what exactly makes them popular, how audiences have reacted to them, and the ways in which pop culture is finally allowing us to celebrate the complexities of being a woman. Anna Bogutskaya, film programmer, broadcaster, and co-founder of the horror film collective and podcast The Final Girls, takes us on a journey through popular film, TV, and music, looking at the nuances of womanhood on and off-screen to reveal whether pop culture—and society—is finally ready to embrace complicated women.Praise for Unlikeable Female Characters:"Fascinating, insightful, and kick-ass." —Emma Jane Unsworth, internationally bestselling author of Grown Ups and Animals"Beautifully written." —Chelsea G. Summers, author of A Certain Hunger"Part-cultural exposé, part-Taylor Swift album." —Clarisse Loughrey, Chief Film Critic at The Independent"Brilliant masterpiece breaking down the tired tropes of TV and beyond." —Aparna Shewakramani, author of She's Unlikeable and star of Indian Matchmaking

Elizabeth Bowen is widely considered to be one of the greatest novelists of this century. While her novels masquerade as witty comedies of manners, set in the lavish country houses of the Anglo-Irish or in elegant London homes, they mine the depths of private tragedy with a subtle ferocity and psychological complexity reminiscent of Henry James.The Death of the Heart, a story of adolescent love and the betrayal of innocence, is perhaps Bowen's best-known book. When sixteen-year-old Portia, recently orphaned, arrives in London and falls for an attractive cad -- a seemingly carefree young man who is as much an outsider in the sophisticated and politely treacherous world of 1930s drawing rooms as she is -- their collision threatens to shatter the carefully built illusions of everyone around them. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sharp sense of humor with a devastating gift for divining human motivations.

《洁净与危险》对于诸多领域里的重要论争一直影响巨大；从宗教到社会理论。但它最重要的作用还是为每位读者理解人们为何行其所行提供了一种全新的解释。这部Routledge经典版本，特地邀请作者撰写了一篇前言，评估了这部作品35年来持续保持其意义的原因，从而保障了《洁净与危险》在新千年继续对人类的思想提出挑战和质疑。

本书通过巴塞罗那土生土长的一位普通妇女一辈子的生活经历， 反映了西班牙内战前后时代的变化。

The Best of Greg Egan contains twenty stories and novellas arranged in chronological order, and each of them is a brilliantly conceived, painstakingly developed gem. The book opens with “Learning to be Me,” about a society in which the organic human brain can be replaced by a miraculous piece of technology called “the jewel,” a “mock brain” that confers, among other things, a kind of immortality on its recipients. “Bit Players”—the opening movement in a trio of tales that continues with “3-adica” and “Instantiation”—posits a world in which cheaply generated software beings are exploited for the basest commercial purposes. (Other sets of interconnected stories—all of them reprinted here—include the mathematically-themed “Luminous” and “Dark Integers,” and a pair of stories centered on the complex marriage of a physicist and a mathematician: “Singleton” and “Oracle.”) “Reasons to be Cheerful,” concerns a young boy whose brain tumor has an unexpected effect on his life, moods, and view of the world. “Axiomatic” tells the story of a society in which “implants” can be used to alter the human personality, with potentially lethal results. And the Hugo Award-winning novella “Oceanic” is a powerful account of a boy whose deeply held religious beliefs are undermined by what he comes to learn about the laws of the physical world.
This book really does represent the best of Greg Egan, and it therefore takes its place among the best of contemporary SF. Startling, intelligent and always hugely entertaining, it provides an ideal introduction to one of the most accomplished and original writers working today. This is an important and provocative collection, and it deserves a place on the serious science fiction reader’s permanent shelf.
Limited: 1000 numbered hardcover copies

Sunshine State trivia buff Serge A. Storms loves eliminating jerks and pests. His drug-addled partner Coleman loves cartoons. Hot stripper Sharon Rhodes loves cocaine, especially when purchased with rich dead men's money. On the other hand, there's Sean and David, who love fishing and are kind to animals -- and who are about to cross paths with a suitcase filled with $5 million in stolen insurance money. Serge wants the suitcase. Sharon wants the suitcase. Coleman wants more drugs . . . and the suitcase. In the meantime, there's murder by gun, Space Shuttle, Barbie doll, and Levi's 501s. In other words, welcome to Tim Dorsey's Florida -- where nobody gets out unscathed and untanned!

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.<br /><br /><i>Tom Lake</i> is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

Over half a million copies sold!

From the author of the highly acclaimed heavy metal memoir, Fargo Rock City, comes another hilarious and discerning take on massively popular culture—set in Chuck Klosterman’s den and your own—covering everything from the effect of John Cusack flicks to the crucial role of breakfast cereal to the awesome power of the Dixie Chicks.

Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don’t even get him started on his love life and the whole Harry-Met-Sally situation.

Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he’ll make you laugh, and he’ll drive you insane—usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but—really—it’s about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, “In and of itself, nothing really matters. What matters is that nothing is ever ‘in and of itself.’” Read to believe.