你在人群中曾经想要把自己藏起来吗？
小烙饼章鱼毛毛不喜欢引人注目，看起来也一点都不显眼，除非你很认真的找寻他，不然你可能也不会发现他不见了。但是害羞的人，却总是能够发现彼此的存在。
这是一个关于内向小章鱼如何在鱼群中自处的小故事，探讨了害羞和友谊的主题。缤纷精致的插图及可爱的故事，能引起初到陌生环境的孩子的共鸣，给予他们鼓励与信心。

如今人们对于花的理解，多来自西方，比如情人节要送玫瑰，母亲节要送康乃馨。用这些含义代入情景去理解中国古人关于花的认知，会非常奇怪甚至荒谬。古人对花的观察力和想象力远远比现代人丰富细腻。比如剪春罗、晚香玉，光听到这些名字，就让人赏心悦目；又如蜀葵始终向阳，还能卫足，所以象征忠诚。
历时两年多，作者翻阅大量古代文献资料，参考古籍对花的阐释，在“中国古笺谱最后的辉煌”——《百花诗笺谱》中选取九十种花，辅以关于花的诗词，弥补其有花而无诗、不能将花的名字和寓意逐一道出的遗憾，从而了解古人的花语评定，带读者找寻属于它们的文化故事。
本书插图花朵图案张力大，花色潋滟多姿，构图巧妙，伸展富于变化。全书图文并茂，能让读者欣赏到百年前《百花诗笺谱》木版水印的美，让这枚沧海遗珠被更多人看见；让读者借助中国花语，了解每种花在中国传统文化中的含义，对于古人审美和生活情怀有一些深度认知。以花为切入点，让读者对古代历史典故、名人逸事和文化品格洞悉一二。

A mother's advice to her daughter--a guide to daily living, both practical and sublime--with full-color illustrations throughout.

One sleepless night while she was in her early twenties, illustrator/writer Hallie Bateman had a painful realization: her mom would die, and after she died she would be gone. The prospect was devastating, and also scary--how would she navigate the world without the person who gave her life? She thought about all the motherly advice she would miss--advice that could help her through the challenges to come, including the ordeal of losing a parent.

The next day, Hallie asked her mother, writer Suzy Hopkins, to record step-by-step instructions for her to follow in the event of her mom's death. The list began: "Pour yourself a stiff glass of whiskey and make some fajitas" and continued from there, walking Hallie through the days, months, and years of life after loss, with motherly guidance and support, addressing issues great and small--from choosing a life partner to baking a quiche. The project became a way for mother and daughter to connect with humor, openness, and gratitude. It led to this book.

Combining Suzy's wit and heartfelt advice with Hallie's quirky and colorful style, What to Do When I'm Gone is the illustrated instruction manual for getting through life without one's mom. It's also a poignant look at loss, love, and taking things one moment at a time. By turns whimsical, funny, touching, and above all pragmatic, it will leave readers laughing and teary-eyed. And it will spur conversations that enrich family members' understanding of one another.

From School Library Journal
PreS-K—Employing a rainbow of tones, a young girl tries to help her multihued friend understand why he is "feeling all mixed up." The unnamed child distinguishes five emotions (happiness, anger, sadness, fear, and calm) and articulates what each one might feel like by equating it with a color. A smiling golden monster on a spread featuring yellow leaves and cutouts represents happiness, describing it as "yellow like the sun." The text explains, "When you're happy you laugh, jump, dance and play. You want to share that feeling with everyone." Conversely, when blue, "you're sad you might want to cry or be alone." Most dramatically, a red monster jumps off the page and declares, "When you're angry, you want to stomp and roar and shout, 'It's not fair!'" Emotions are described in age-appropriate terms, and although calm is a bit tricky ("you breathe slowing and deeply. You feel at peace."), there's no question what the fellow bathed in green is feeling as he rests in a hammock, eyes closed with a smile on his face. A final emotion is left unnamed for readers or listeners to identify, but pink hearts give it away. A number of books, such as Molly Bang's When Sophie Gets Angry—Really, Really Angry (Scholastic, 2004), explore how a child deals with a particular emotion; Color Monster considers the range of feelings a child can experience. As with most pop-ups, durability is a question. VERDICT Less a story than a vehicle to initiate a reassuring conversation about emotions and how to identify them.—Daryl Grabarek, School Library Journal

Editorial Reviews
From Publishers Weekly
Starred Review. Tullet's brilliant creation proves that books need not lose out to electronic wizardry; his colorful dots perform every bit as engagingly as any on the screen of an iPad. "Ready?" the voiceover-style narration asks on the first page; it shows a yellow dot on a plain white background. "Press here and turn the page," it instructs. When the page is turned, there's a second yellow dot beside the first one. "Great!" it says. "Now press the yellow dot again." A third yellow dot appears beside the first two. "Perfect," the narrator continues. "Rub the dot on the left... gently." On the next page, voila!—that dot is now red. "Well done!" the book congratulates. The fun continues as the dots proliferate, travel around the page, grow and shrink in response to commands to clap, shake, or tilt the book, etc. The joy is in the tacit agreement between artist and reader that what's happening is magic. Shh! Don't tell. All ages. (Apr.)
(c) Copyright PWxyz, LLC. All rights reserved.
Review
WALL STREET JOURNAL
\"Irresistible...A cross between a high-concept picture book and an iPhone, only more charming.\"
SHELF AWARENESS
\"This is one that will be passed around every classroom, every library and at every gathering of family and friends. Irresistible.\"--Shelf Awareness
SCHOOL LIBRARY JOURNAL, STARRED REVIEW
\"[S]pectacularly simple....And it s just plain fun. Tullet reminds readers that a child s imagination truly needs only the most basic of instruments to soar high and far.\"--School Library Journal, starred review
100SCOPENOTES.COM
\"Simple in appearance, genius in execution. An interactive book for interactive times, Press Here will please all comers. A must see.\"
PUBLISHERS WEEKLY, STARRED REVIEW
\"Tullet\'s brilliant creation proves that books need not lose out to electronic wizardry; his colorful dots perform every bit as engagingly as any on the screen of an iPad....The joy is in the tacit agreement between artist and reader that what\'s happening is magic. Shh! Don\'t tell.\"--Publishers Weekly, Starred Review
KIRKUS REVIEWS, STARRED REVIEW
\"Compared to the squawking sounds and flashing lights of many toys, Tullet\'s simplicity is a breath of fresh air....Children and parents keen to explore technological interactivity will delight in recalling the infinite possibilities of the picture book.\"--Kirkus Review, Starred Review
BOOKLIST
\"Without so much as a single tab to pull or flap to turn, this might be the most interactive picture book of the year.\"--Booklist
SAN FRANCISCO CHRONICLE
\"The iPad generation expects interactive. But books can play too...It\'s so much fun to pretend that things are actually changing on command. No computer needed! Kids (and adults) are delighted by their perceived power.\" -Susan Faust

An affecting exploration of the ways our roles as parents and children change over a lifetime

Paul at Home is Quebecois superstar Michel Rabagliati’s most personal book yet, a riveting, emotional, and frequently amusing take on the losses and loneliness of being closer to retirement than to university. Paul is in his mid-50s, a successful cartoonist with an achy shoulder living in a house he once shared with his wife and daughter. The backyard is unkempt, full of weeds. A swing set sits idle, slowly rusting beside a half-dead tree Paul planted with his then-five-year-old daughter. The room that belonged to his now-18-year-old daughter is mostly unused, especially once she decides to move overseas.

Left unspoken but lingering in the background is Paul’s divorce after a three decade relationship with his high school sweetheart. Amid all of this emotional turmoil, Paul visits his ailing mother in the final months of her life. Like Paul, she divorced in mid-life after a long marriage. She spent most of her remaining years alone or in unfulfilling relationships, which Paul implicitly fears might happen to him. Online dating only seems to make the world worse.

Rabagliati doesn’t shy away from these intimate issues, approaching them as much with self-deprecating humor as with sorrow or pain. Characterized by both a deep insight and a willingness to poke fun at life’s shortcomings, Paul at Home is a playful and poetic rumination on loss and the sometimes unsettling changes that come with middle age.

THE BEST SICK DAY EVER and the animals in the zoo feature in this striking picture book debut. Friends come in all sorts of shapes and sizes. In Amos McGee’s case, all sorts of species, too! Every day he spends a little bit of time with each of his friends at the zoo, running races with the tortoise, keeping the shy penguin company, and even reading bedtime stories to the owl. But when Amos is too sick to make it to the zoo, his animal friends decide it’s time they returned the favor.

Bear has never been so tired but his next-door neighbor, a wide-awake duck, keeps disturbing his sleep.

小小的鸟儿飞来飞去，大大的鸟儿踱来踱去，有的能在天上飞，有的却在水上漂，有的有长嘴，有的有利爪，有的遨游在林间枝头，有的却喜欢在大海上搏击风浪——它们是如此的不同，却都可以叫做——鸟。
百种鸟类形态，各色鸟族生存习性，不同鸟类特色精准细节展示，送给喜欢鸟儿的孩子很棒的礼物。
★大量丰富、精准、生动的鸟类形象，百种鸟类大全。
★中英双语，和谐押韵朗朗上口的鸟类认知童谣，带孩子领会中英双语语言美，韵律美。
★细腻、美丽而富有古典韵味英伦风格的图画，深入浅出、生动形象的语言，激发孩子的想象力和审美能力。
★画面精致，色彩鲜艳，主要以插图为主配上文字阐述，很适合幼儿的阅读特点。
★独属于孩子的鸟类认知启蒙笔记，培养孩子对身边动物的兴趣和好奇心。

《五岁老奶奶去钓鱼》主要内容：有一只会钓鱼的淘气小猫，陪伴着一位98岁的老奶奶，他老想请老奶奶一起去钓鱼，但老奶奶认为她年纪大了，不可能在去钓了。老奶奶99岁生日那天，小猫去为老奶奶买生日蜡烛，蜡烛掉进了河里，只剩了五根，但就是这五根蜡烛让老奶奶返老还童，重过了一次五岁生日……

“你看完这本书大致需要五小时，约莫等于我和我的父亲曾经相处时间的总和。”——克里斯·韦尔
这是一本经典的成人绘本，也可称为“图像小说”。英国《卫报》“第一本书奖”自设立起，该书是迄今唯一获奖的绘本作品。 女作家莎娣·史密斯在获奖结果公布前就认定《吉米·科瑞根》为其心目中的不二之选：“克里斯·韦尔应该马上当选——我根本不在乎名单上还有哪些人入围。
作者克里斯·韦尔的父亲在失踪三十年后，忽然以几通电话和一顿令人坐立 难安的晚餐出现在他面前。但当两人还没机会再见面之前，他父亲便死于心脏病发。这段充满失落寂寞、难堪痛苦，以及措手不及的经历，累积沉淀在克里斯·韦尔的心中，于是他以极端自制、干净且缜密的手法绘图，将小小的人物埋在小小的画格中。
《吉米·科瑞根》的故事分成两条主线，其一的主角是由单亲妈妈抚养长大的吉米·科瑞根，三十六岁，生活在1980年代，不擅交际、个性畏缩；某天他收到一封短信，寄件人自称是他未曾谋面的父亲，以一种故作轻松的语调邀他一起过感恩节假期，随信还附上一张机票——去，还是不去？吉米开始左思右想，还生出许多天马行空的幻象。另一条主线则发生在1890年代，当时吉米的祖父詹姆斯还是个九岁的孩子，住在正要举办世界博览会的芝加哥，母亲已经在生产的时候过世，而与父亲相依为命的生活，则似乎正要发生变化。
作者的巧妙构思和缜密绘图让你每次从头读起，仍能发现很多震撼人心的细节。从1993年开始，《吉米·科瑞根》在韦尔自创的美国地下漫画刊物The ACME Novelty Library上连载五年，2000年在美国出版后可谓佳评如潮，让各界人士眼睛一亮、赞不绝口。女作家莎娣·史密斯在获奖结果公布前就认定《吉米·科瑞根》为其心目中的不二之选：“克里斯·韦尔应该马上当选——我根本不在乎名单上还有哪些人入围。

一场跟踪与被跟踪的游戏，三个陌生人奇妙而温暖的相遇
逃出泥淖，找到自己真正想要的人生
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三十岁的主人公樊尚过着微不足道、单调沉闷的生活，直到秋日的一天，他遇到了一个陌生女人，罗莎莉•布卢姆。他产生了一种似曾相识的感觉，于是，一场跟踪游戏就此开始。就在樊尚越来越沉迷 于 跟踪罗莎莉的同时，另一个陌生人也展开了对樊尚的秘密跟踪……原来人生转折和幸福总是在不经意的时刻悄然发生，三位亲爱的陌生人，能否走出困境，温暖相识？
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【樊尚】30岁，理发师
“我的父亲坚持要我早早工作，却没有给我时间去思考自己究竟想要什么样的人生。”
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【奥德】20岁，休学中
“我很想做点儿什么，但我希望她也能主动做些努力。她从来不会试着去理解别人。”
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【罗莎莉】40岁，独居女人
“你知道吗，我已经有十年没看过大海了。”
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※ 第37届安古兰漫画节“启示奖”
※ 法国RTL电台漫画大奖
※ 法国漫画精神书店金警徽奖
※ 附作者《创作记录》，收录线稿草图、人物设定、取景照等内容
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媒体评论：
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人物悲喜交织、不可思议，画风温情脉脉、致敬经典。总而言之，此为艺术。
—— Glamour 杂志
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卡米耶•茹尔迪进一步完善了其风格。她擅长把幽默和忧郁的诗意加入到深沉敏锐的眼光中，可谓是一位对人类社会及其神经症洞察入微的分析者。
—— Livres Hebdo 周刊
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卡米耶•茹尔迪拥有一项极为难得的才能，那就是谈论日常、描绘现实，而并不因此流于平庸。在她笔下，郊区的列车、周末的购物、运河岸边的闲逛、办公室的交谈，以及构成我们日常的种种琐碎絮叨，突然具有了出人意料的起伏。
—— Télérama 周刊
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用波西•西蒙兹式的线条和水彩画般的柔和色彩，卡米耶•茹尔迪证明了其图像和叙事才华，从人们习以为常的事物中挖掘出独特之处。
—— ELLE 杂志
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一本拥有柔和魅力和巧妙节奏的图像小说，其间以自然可人的画风和精心琢磨的对话构成的一幕幕生动小喜剧轮番上演，整页的水彩画充满诗意，引人久久凝视。
—— Madame Figaro 周刊

🗡【编辑推荐】
★冰冷的剑、落下的头，在猛火与滚水中，新的人性诞生了
——人要复仇，唯一的出路是向自身复仇。
“青春和热血浓缩为砍下的头颅，无比轻灵而又勇敢无畏，向那幽冥的深处前行了。”
★文学经典的视觉演绎， 诗与魔幻的纸上剧场，人性与艺术的反抗狂死曲
先锋绘本作家、 图画造梦师——昔酒打破文字与视觉的界限，重建全新绘本美学，以艳异笔触唤醒鲁迅故事的精魂：侠的悲歌，反抗的火焰，信念与复仇的二重奏。
★色彩与想象铸造的图像诗：比火焰炽热，比刀锋明亮，比爱与鲜血更浓郁艳丽
最失控、最浓墨重彩的“大片感图像诗”：分镜、转场、蒙太奇、马赛克……用诡奇绚丽的画面，将反抗之歌逼入纸中。从故事到人物，从场景到服饰，昔酒精妙呈现传统美学的异变，推入现代想象的高潮。
★鲁迅最具“鬼气”与现代性的Cult故事，一场弱者革命和幽灵的复仇
这场弱者革命中，爱与血腥不可分，阴郁、冷血的杀戮场面会透出爱的旋律。而古老的复仇提升为纯粹的艺术，《铸剑》赋予了复仇这一永恒主题新的意义，就是艺术与人性的境界。
★豪华爱藏版：单向文学节年度设计奖得主、新锐设计师山川担纲全本装帧设计，精细耕作每一帧画面、每一处细节
黑色锁线精装，全本采用特种纸；初回限定：赠送眉间尺大幅头颅海报
封面金属专银印刷、镭射火焰冲击视觉；全本插画与文字分别使用两种特种纸，颜色还原度高、手感细腻光洁；大开本210*260mm尺寸，可180°平摊 ，极致享受图像阅读。
🔥【内容简介】
“我已经改变了我的优柔的性情，要用这剑报仇去！”
《铸剑》是鲁迅历史小说的代表，根据干宝《搜神记》的《三王墓》改写，再现古代重然诺、轻生死的侠义精神。
先锋绘本作家昔酒为鲁迅这篇经典小说创作全新图像绘画，风格冷酷神秘，诠释荒诞叙述，平添奇异幻彩。
👻【名人推荐】
《铸剑》之妙，如青焰赤苗，绘画解构令人赞叹。最清冷的青、最朽媚的黄、最魍魉的黑……这些曾几何时想象中的色彩、构图如今被还原而出，令人心悸。
——著名海报设计师 黄海
一首荡气回肠的图像诗。历史和想象，在昔酒的画笔下迸发出巨大的能量，唤醒了故事中沉睡的意义。就《铸剑》而言：关于复仇，关于牺牲，关于千百年来笼罩不去的幽暗时代的吹息。
——书评人 牧羊的水鬼
“《故事新编》真是塞责的东西，除《铸剑》外，都不免油滑。”
——鲁迅给黎烈文的信
鲁迅用他那诡奇而绚丽的笔触，将复仇精神充分地诗化了。这把无情的复仇之剑，既是小说主人公“黑的人”宴之敖者的精神象征，又是鲁迅思想、人格、情感的化身。
——北京大学教授 钱理群
《铸剑》是一部精彩的四幕散文剧。
——李欧梵

《大森林里的小木屋》是广西师范大学出版社魔法象故事森林推出的作品之一。
这是一部饶有生活情趣、充满暖暖爱意的儿童小说。由图画书作家、画家安野光雅精心绘制插画，“哈利·波特”译者、著名翻译家马爱农精心翻译，将文中人物的性格特点真实可感地呈现出来。小说描写了生活在大森林原木结构小木屋里的劳拉一家单纯、质朴、温馨的生活，通过平实的叙述歌颂了生活在大森林的人们积极乐观的精神风貌。
这部作品细节描写生动，感人至深，插画精美，译文准确、流畅，读完后，小读者会从中得到爱的滋润和面对未来的勇气，是小读者成长过程中不可缺少的指南针。

丰子恺先生曾说：“文学之中，诗是最精彩的。”他认为漫画好比文学中的绝句，字数少而精，含意深而长。在丰先生的自述中，“描写古诗句时代”是其漫画创作生涯的重要时期。丰先生欢喜“教绘画与文学握手”，喜欢借古诗词的意境来表达现代人的生活。
本书精选丰子恺先生百余幅以古诗句入画的作品，并从画作出发回到原典，选入对应的古诗词，将诗词评注与漫画相结合，让读者在欣赏漫画的同时，也能进一步了解背后的诗歌故事，是诗画共赏的经典之作。

凯迪克大奖得主作品，入选纽约公共图书馆“百年百佳书”
畅销五十年，销量过千万，迄今仍在亚马逊榜单前列
超越时间的大师经典
大人小孩都喜爱的书之瑰宝，家庭藏书的理想之选
适合识字看图的孩子，也适合被繁冗的希腊神话谱系绕晕的大人
全本书店出品。
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希腊神话是文学和众多艺术门类的基础，没有小孩会小到，也没有大人会大到不适合看希腊神话。没有希腊神话的教育是不完整的。
《多莱尔的希腊神话书》初版于1962年，世界著名的童书绘本艺术家多莱尔夫妇去希腊小岛考察后，将希腊神话繁杂的谱系加以梳理，用简炼而优美的语言讲述，配以真实、稚趣又幽默的插图。此书多年来畅销不衰，至今仍位于亚马逊图书排行榜前列，成为影响了一代代人的最受欢迎的希腊神话之书。

One cat sleeps. Two cats play. Three cats stack!
Cats of all shapes and sizes scamper, stretch and yawn across the pages of this adorable counting book. And every now and then, they find themselves in the purrfect fluffy stack!