當尊品謝先生告知有一張名為 "花開見佛" 的CD要我寫一篇"序"的時候,心中真是非常歡喜! ABC唱片的徐先生終於兌現了他的承諾.以下就讓我來敘述我跟徐先生的這段因緣吧!
記得三、四年前,第一次聽到ABC唱片公司所出版的雪麗紅.藍.白這三張專輯,就頗欽佩徐先生在製作上之用心,不惜斥資用最好的錄音及監聽器材.當下心裡起了一個想法,希望能請徐先生以"發燒"的精神,製作有關"佛樂"或"心靈音樂"的專輯,可以讓音響的發燒友"身心安康".
隨後徐先生親臨了在臺北舉行的環亞音響唱片展,這時我終於如願見到了徐先生,我當時預備了"拍手功治百病"一書來送給徐先生, 希望徐老闆健康長壽,多製作好CD加惠愛樂者.當時我也提供了一些佛樂的CD,請徐先生能參考製作.沒想到徐先生很豪爽一口應允,今日終於見得"花開見佛".
花開見佛在項老師精湛的演藝下,確能"滅除煩惱熱"身心清涼.沏一壺好茶,燃一爐檀香,不論靜坐,閱讀,都能養心.對發燒友而言,頂好的錄音，撥弦聲,殘響,空間感,足以令您細細品味.悅耳的音樂更是BONUS.
曲目中有"峨眉佛光",峨眉山是普賢菩薩應化之道場,普賢菩薩在華嚴經中以十大願望：1禮敬諸佛.2稱讚如來.3廣修供養.4懺悔業障.5隨喜功德.6請轉法輪.7請佛住世.8常隨佛學.9恒順眾生.10普皆回向來導歸極樂,希望所有愛樂者因此緣而發願求生極樂,屆時蓮華化生,花開見佛,悟無生不退菩薩為伴侶,回入娑婆度有情.
相信這是一個緣起,徐先生能再接再厲的製作更好的佛樂,如弘一大師之佛樂"清涼集",聞其音聲,皆得解脫,得無上清涼.
弘一大師紀念學會 理事
懺悔居士 陳世興 2009.01.01
转载自中国古曲网：

比较“My Beautiful Sinking Ship”与“Stars At Saint Andrea”两张专辑就会发现，前者比后者更用力，显出急不可耐的表达激情。从一首表现Sara的嗓音从纤细柔美到浑厚有力的“Heart and hands”开始，Devics急欲将他们的技巧表现得淋漓尽致，于是标题曲“My Beautiful Sinking Ship”登场，铿锵的节奏与Sara在沧桑与婉转之间自由变换的嗓音，一幅宏大而又不失细节的海景拉开了。紧接着是一首摇滚味很浓的“You In The Glass”，之后便是数首Devics拿手的慢板情歌。“You Could Walk Forever”、“Why I Chose To Never Grow”等都是他们精心培植的动人的暗夜玖瑰。
到了新专辑“Stars At Saint Andrea”，乐队的心态似乎受到了宁静的意大利乡村之夜的影响。这是一张浑然一体的、创作者深陷其中的专辑。一首冷冷的略带电子味的“Red Morning”和柔情绵绵的“Don\'t Take It Away”之后，是他们迄今最好听的一首男女声二重唱：Sara与Dustin如情人般轻轻吟吟唱“In Your Room”的时候，一个柔美如水，一个粗糙如木，这张力巨大的结合把一个有关分别的场景描绘得如诗如画，却真正把他们要表达的哀意抹入最隐蔽的内层。越来越迷恋夜晚，越来越习惯用幻觉与柔情表达他们不变的颓伤主题。Dustin天生悲凉的嗓音以“Safer Shore”里又把我们带回海边；“Conneted By A String”讲述了由一根小线牵连的两个女孩的故事，超现实主义的主题下暗含着恐惧的阴影；平静得让人崩溃的“Stretch Out Your Arms ”决非是出自人的声音，这首歌正是对他们名字的十足诠释：黎明之前，精灵们带着一个温和的灵魂踏上了去天使之城的飘渺之路……
专辑以一首恬静的钢琴独奏收尾，类似口哨的虚幻之音飘在天边。Saint Andrea的夜空满是繁星。Devics也罢，星星也罢，对于永恒如夜的宇宙都只是闪光的一瞬。歌唱黑夜不是为了一味的下坠，而是因为夜凸显了白昼的光明。夜风清凉，谁能想到精灵们就在你身边，和你一起呼吸、感伤、歌唱？Devics正是挟着这朦胧与灰暗从阳光明媚的加利福尼亚州绽出地面的暗夜之花。聆听他们的音乐如同在观看一部色调微微发黄的旧电影，这电影或是发生在深夜无人问津的街区酒吧，或是在凌乱不堪暗喻了无言的结局的卧室，或在声名狼藉的草地上仰望宁静的星空，或在不断下沉的美丽航船上向往着海岸不无狰狞的岩石。我们看见女主唱Sara Lov不停的在镜头中被遗忘的角落忧伤的歌唱，用她甜美并郁郁寡欢的声音把听者们带入他们早已制好的暗调繁美之境。这说不尽的气态氛围里满布着看不见的感伤分子，如精灵般模糊不清的在你耳边游动。这巧妙的魔法使听者不能自持的低陷下去，却又茫然不知为何。
所谓艺术，正是把每个人都感受得到却无法诉说的情绪或思想表达出来的东西。而音乐恰恰生来就最具备摹写人类情绪的天赋。Devics的音乐表明他们的十年探索不断地的开启了音乐宝盒的动人能量，用并不复杂的配器和编排轻易地实现了他们暗调、大气的音乐理想。而他们在音乐中不断描摹的梦幻场景更是对进入新世纪后越发迷茫的人类内心暗处感怀小花的一矢中的。想想他们的名字，Devics，一种神话中将人们护送至昏暗的黎明深处的天使.

A genre-defying tour of the globe exploring the nexus between classical, popular and traditional music uniquely inhabited by Avi Avital and his magical mandolin.
From Bach to Bluegrass to Balkan Beats, the mandolin is the chameleon of the music world - every culture and musical genre features the mandolin or one of its close relatives - and Avi Avital is this beautiful instrument s most charismatic, versatile exponent.
After the success of Bach , Avi returns to again defy expectations with a selection of beautiful melodies and delightful dances from Europe, Central Asia, and the Americas, each with roots in popular folk traditions, arranged by some of the world s greatest classical composers. The resulting dialogue between North and South, East and West, New and Old, Classical and Traditional - offers a captivating musical journey Between Worlds
For this journey, Avi is joined by a host of special guests: from music legends such as Richard Galliano and Giora Feidman, to DG stars such as Catrin Finch, accompanied by a hand-picked ensemble of virtuoso friends from around the world. The joy is palpable, the colours and rhythms irresistible.
Repertoire highlights include the popular Monti Czardas, Bachianas Brasilieras (Villa-Lobos), Bloch s spiritual Nigun, the finale from Dvo ák s American String Quartet, Spanish, Bulgarian, Romanian, Cuban and Georgian folk dances, and a very special Piazzolla tango.

Six years after 'Krataia Asterope' (2007) and many Live dates in Europe, the Greeks led by the duet Spyros Giasafakis & Evi Stergiou are back with their new album 'Psychostasia' (the "weighing" of souls by Gods).
Since its origins the band uses instruments recreated from the Greek Antiquity : lyre, pandoura, double flute ... During their shows, the 3 singing Nymphs wear masks and interpret bewitching ancient danses.
‘Psychostasia’ takes us into the journey of a Life, the journey of a Soul. It starts with Zephiros (the god of Wind), then comes 'Pnoe' the breath that animates each thing ... During the trip, we will meet Gaia, the forces of Nature, the moon dances for Selene and Eros, to finish into Hypnos’s dreams.
The new songs are perfectly sculpted for Live shows with epic and powerful ‘rock’ riffs, hypnotic dances celebrating the Moon and superb polyphonic choirs (guest:Taiteria) reminding the Balkan choirs of Goran Bregovic. Daemonia Nymphe rises in intensity and now is part of the essentials of Pagan Folk scene.
Note the contribution of Peter Ulrich (ex dead can dance), Dimitra Galani (Reknown Greek singer), Dessislava Stefanova (Head of Bulgarian choir in London), Luka Aubri (ex-Omnia), Peter Jaques (Stellamara) ... The album was recorded in London, Athens and Thessaloniki
Musicians on stage: Spyros Giasafakis, Evi Stergiou, Victoria 'Couper', Vaggelis Paschalides, Chris Brice, Stephen Street, Kate Arnold.

This recording of traditional hymns and folk songs entitled "Christ Is My Hope" includes 3 original songs, and benefits numerous hunger relief charities.

This is the vinyl companion to the DVD.
Rosie Thomas with Denison Witmer and Sufjan Stevens

《Triton》是年少之夏。
不知为何有那么多关于夏日的记忆，或者说记忆里只有夏天。十二首歌的词曲都是为二十五岁以前那些夏天而作。电影，音乐，小说，午睡，雪糕，水果，游泳，旅行，友谊，爱情，或是友谊与爱情之间……夏之事，说来说去也总这样，却又天花乱坠得让人痴迷。
去年大半年时间没有工作，除了帮小武哥写些歌词和录些DEMO外，几乎没有别的事可做。每天醒来去川大游泳，起水后坐在池边读小说直到傍晚，安静得连瓢虫都能在我的手臂上停留。晚上回家练习吉他，夏热闷出了这些旋律和歌词。最早开始写这张专辑是去年四月初，记得当时录音棚外的人工湖上柳絮纷飞。或者说这根本不能算得上是一张正式的专辑，因为它简直漏洞百出。无论是我的演唱还是小武哥的吉他，几乎都是一遍完成，小黄老师做后期混音时也几乎没有大的修改，那些话筒串音或吉他打品之类的小错漏也都被原封不动地保留在了录音中。这是我的意愿，我当它是本纪念册。
年少事，年少毕。这些音符应当被这样记录，以它本该有的面目。谢意，歉意，爱意，悔意都有了，也就不需要在意了。没有完满的青春，青春的回忆却未满而盈。哪知偏偏是些憾事，记忆中无法遗失。法语中“été”既是“夏天”的意思，又是“être（存在）”的过去分词，仿佛夏天总存在于过去，于是写了这句话放在CD的扉页，同时也把这句话送给所有听到这张专辑的人和过往的夏天，以及入土为安的年少时光。
"Le mot été signifie passé toujours， mais où allons-nous chercher un nouvel été? "
(夏天总是旧时记忆，而我们又能去哪里寻得一个新的夏天呢?)
PS：感谢小武哥，小黄老师，张依宁，段轩，非哥，重庆的玩伴，成都的挚友，以及那把陈旧的尼龙弦吉他。
二零一四年四月
时成都洋槐挂霜水杉叠青

뜨거운 한낮에 만난 시원한 여름비처럼 기분 좋은 노래들
우쿨렐레 피크닉 미니앨범 [시원 시원 여름비]
‘여름’의 아이콘 “우쿨렐레 피크닉”이 그들과 가장 잘 어울리는 계절을 맞아, 우쿨렐레 피크닉만이 들려줄 수 있는 건강한 멜로디와 이야기의 신곡이 담긴 미니앨범 ‘시원시원 여름비’로 우리를 찾아온다. 지난 겨울의 정규앨범 ‘겨울 나들이’와 올해 봄 발매한 싱글 ‘식사하셨어요’가 우리에게 익숙한 노래를 우쿨렐레 피크닉의 색깔로 리메이크 해서 많은 사랑을 받았다면, 이번 앨범은 오랜만에 그들만의 감성을 담은 오리지널 곡들을 다채롭게 들려준다.
단번에 따라 부르게 되는 멜로디가 인상적인 ‘몸에 좋은 생각’, 특유의 유머가 녹아있는 노랫말이 귀에 쏙 들어오는 ‘남다른 총각’, 쉽고 단순한 가사로 따뜻한 생각을 전하는 ‘우리 가족’ 등 우쿨렐레 피크닉만이 할 수 있는 건강하고 기분 좋은 노래들은 자극적인 조미료 없이도 자꾸자꾸 생각나는 집밥처럼 담백하게 마음에 남는다. 또한 어딘가로 훌쩍 떠나고 싶게 만드는 기분 좋은 여행 출발송 ‘캠핑카’, 홍영구의 담백한 보컬과 빗소리가 어우러져 차분하게 더위를 식혀주는 듯한 노래 ‘여름비’는 우쿨렐레 피크닉이 제안하는 올 여름의 노래다.
한편, 이번 앨범을 음원이 아닌 CD로 구입하는 팬들을 위해 음반에는 이 다섯 곡 외에 지난 봄 발매한 디지털 싱글 [식사하셨어요]를 통해 리메이크한 일기예보의 ‘좋아좋아’, 삐삐밴드의 ‘안녕하세요’ 두 곡이 추가로 수록된다.

Longtime friends Ben Bridwell of Band of Horses and Iron & Wine's Sam Beam take great pride in announcing the completion of their first ever collaborative album, Sing Into My Mouth. Classics interpreted on Sing Into My Mouth range from the familiar-Talking Heads' "This Must Be the Place (Naive Melody)," Sade's "Bulletproof Soul" and El Perro del Mar's "God Knows (You Gotta Give to Get)" (the original having recently been featured on HBO's GIRLS)-to deep cuts such as Them Two's "Am I a Good Man?" (a frequent feature of Band of Horses' live set) and "There's No Way Out of Here" originally recorded by '70s UK act Unicorn but better known as the lead single from David Gilmour of Pink Floyd's 1978 solo debut.

耳熟能詳的旋律 + 簡單卻餘韻無窮的空心吉他，醞釀出如夢似幻的音樂氛圍。Innocence Mission情感深刻、迴轉自如的優美清澈嗓音被民謠傳奇Joni Mitchell譽為最能打動她的聲音
Innocence Mission的音樂清澈有如森林深處從未被人發現過的一流靈泉。聆聽The Innocence Mission你會立刻感動！《Now The Day Is Over》裡玻璃般玲瓏剔透的鋼琴、弦樂與吉他悠然響起，女主唱清澈靈透的嗓音，彷如夢境中傳來的天籟。這張專輯用極簡而純粹的手法詮釋你我耳熟能詳的曲調。
"Over the Rainbow"清新、溫柔；朦朧如霧的背景音樂有如彩虹般的夢幻感。名曲What A Wonderful World與Moon River，女主唱Karen Peris那出自天主教唱詩班鮮嫩欲滴的嗓音，對比起阿姆斯壯的滄桑，別有一番趣味；Moon River的吉他伴奏，更賦予這首浪漫歌曲一種甜美的節奏感，而電影「真善美」中著名的插曲"Edelweiss" 則彷彿一陣和煦春風吹拂過山頂，溫暖如愛人懷抱。The Innocence Mission用耳熟能詳的旋律、如夢似幻的音樂氛圍、清新如黃鶯出谷的嗓音來告訴你：生命，其實可以很簡單，純潔，美好。

Genre: Indie Folk / Acoustic / Singer-songwriter
Myspace:

Katie Herzig has fronted a nationally successful indie band from Boulder, CO, since she was a sophomore in college. The band, Newcomers Home, still grows strong, already selling in the teens of thousands of cds and steadily becoming a recognizable name in the band world (Check out
). So, this mid-twenties over-achieving, under-divafied artist has taken her untouched-by-Newcomers Home songs and made them clearly her own. "Really, making this album was just an indulgent outlet for my songs and ideas...often needed by those writing in a band. The project was very un-forced because I had so much material just waiting for an outlet." Already Herzig's cd has had national TV play on WB's "Smallville" and radio play on NPR playing stations. "Watch Them Fall," was co-produced with Newcomers Home's former bass player and favorite engineer/producer Chris Coleman. (See
). Herzig and Coleman play and sing everything that made it on the album. "Watch Them Fall" has taken a back seat to Katie's priority of being in the band, but has ended up taking a front seat in the cd players of many Newcomers Home fans as well as those who've never even heard of the band. Most recently, Herzig was chosen out of hundreds of applicants to be a finalist in a national songwriting showcase in the 2004 Planet Bluegrass Folk Festival, put on by The Telluride Bluegrass folks. Wondering who her influences are? "Well it's a big confusing collage of Shawn Colvin's guts and poetry, Patty's raw goodness, Enya's layerings of harmonies and texture, a smidge of Ani's guitar goddess punch, Norah's soft and tasty production, and my new fascination with Coldplay." It is what it is and it's luckily not a rip-off of anyone, as Herzig's style begs a definition of its own.

程璧第三张个人专辑 《我想和你虚度时光》
虾米音乐人寻光计划编号XA-004
两岸同步诚意上线
预购链接：
- 程璧，旅日音乐人，词曲创作者，兼具森系与佗寂之美，被称为“离诗歌最近的声音”。
- 莫西子诗、原研哉、高晓松、老狼 等一致认可与推荐。
- 以一把古典吉他为诗歌谱曲，嗓音“又优美又沈静，又清亮又崭新”。
- 曾工作于东京NDC原研哉设计研究所，现居东京独立从事艺术创作与写作。
在她的音乐里，悲伤快乐都显得那么的生动，就像个很熟悉的人在耳边低语一样。
—— 莫西子诗，著名独立音乐人
她的民谣是克制的、耐心的、放松的、自由的同时又是饱满的，用迷人的单纯包含了很多复杂的意味。
—— 李元胜，诗人，鲁迅文学奖获得者
透过她的声调与音质，我感受到如今中国的年轻女性在感受着什么，想要追逐着什么而生活。
—— 原研哉，日本中生代设计大师
这是一张将诗的沈静浸润到春的生动里的专辑。
春天来了，希望你有所爱，并从爱中汲取到力量，敢于自由地追求更美好的生活。
关于新专辑：
我的两个审美方向，一个是沉静，一个是生动。如果说去年秋天的《诗遇上歌》，因为那些厚重诗歌的加入，而更多的是沉静，那么今年春天的新专辑更多的会是生动。我把我的“生动”解释为：盎然的生意，蓬勃和自由。
为了诠释“生动”，我邀请莫西子诗来帮我担纲制作。从一见面就知道，是调性相合的人。他的身上没有“城市感”，更多的是森林、大海、山野、月光。我听过他的专辑《原野》，或是高亢或是忧伤，或是明亮或是低沉，是从土地里面生长出来的旋律，所有的浅唱低吟都是最自然和原始的东西。
专辑里面还是九首歌。其中五首是我创作于东京，会和节气、风物、自然、民俗有关。另外三首创作于北京，是基于三首中国现代诗歌的谱曲，是中国年轻诗人的作品。所以这张专辑，相比上一张《诗遇上歌》，自己的词创作部分会多一些，但仍会隐隐含着诗歌这条线，会有趣。
关于专辑名《我想和你虚度时光》，来自刚刚获得鲁迅文学奖的诗人李元胜的一首诗。这是我最喜爱的一种诗歌样式，不规整的句子，不押韵，散淡，平常，但是突然会有一句直达内心最柔软的地方。想起辛波斯卡那句“我偏爱写诗的荒谬，胜过不写诗的荒谬。” 写诗，唱歌，这些在一些人眼里也都只是些荒谬的事情吧。但我宁愿这样。
——程璧
致谢的话：
感谢莫西子诗。每一首作品，如果没有你的巧思编排，就不会有今天这样完整的样貌。每一首歌，如果是一棵树，我只是粗粗的画出了轮廓，是你让它们真正的枝繁叶茂，最后蔓延成整片森林。《我想和你虚度时光》这一首，你的声音一出现，就带入了一个更辽远而深邃的世界。
感谢诗人北岛，李元胜，张定浩。你们妙笔生花的诗作，在第一时间给了我旋律的灵感。我觉得，音乐是带着人们去走近诗歌的一个入口，先用旋律带着耳朵进入，如果听者有意，会自己去细细寻觅和体味那些字里行间，完成对整首诗的理解。与“读首诗再睡觉”、“为你读诗”、这些微信读诗平台一样，在这个碎片化的阅读时代，让大家重新感悟诗歌的生动和细腻。我愿意用音乐来做这件事。
感谢《恋恋风尘》词作者高晓松，演唱者老狼，以及红星二十年翻唱合集发起者，太合麦田詹华。这是专辑里的唯一一首翻唱歌曲，是去年秋天的缘分。前辈们的认可与赏识，给了我莫大的鼓励。我在懵懂的年纪听过这首歌，那时候给了我最初的感动。而如今用自己的感悟重新演绎，尝试用回忆的口吻。后来老狼大哥在微博给我留言，说“谢谢你，给了我再一次的感动”。
感谢所有为这张专辑辛苦的全体制作人员。其中来自O2录音棚的混音师王博，古典吉他演奏者胡晨，从我的第一张专辑合作到现在，彼此之间已经有了相当的默契。福达录音棚的时俊峰大哥，第一次合作录制，给了我很多新的启发。《梅雨》这一首，由制作人韩丁独立负责完成，他的认真和细致，对作品的负责，让我敬佩。大提琴部分有了宋昭大师的加入，让曲子有了无限的沉着和想象力。感谢编曲&键盘手王思谦，萨克斯乐手李增辉，鼓手毛毛，以及我的日本编曲&乐手喜多直人、溝呂木奏，感谢大家的动情演绎。
最后感谢虾米音乐寻光计划。南瓜，朱七，赵宗，李唐甲子，林初霞，设计师歪酱、王威，摄影师何脑斯，以及整个虾米团队。是你们，在这个崭新的音乐时代，有力而勇敢的为独立发声，带着稚嫩的音乐创作者，摸索属于这个时代的成长之路。感谢你们的如炉火般光明而温暖的照亮。有你们，才有光。
出品– 虾米音乐人 i.xiami.com 、程璧
制作人–莫西子诗
监制 - 朱七
总统筹 - 赵宗
音乐人统筹– 李唐甲子
企划统筹 –程璧、林初霞
线上推广 - 林初霞
经纪事务– 程璧工作室
视觉总监 - 王威 @XXX乘以创意
平面摄影 – 何脑斯
平面设计 –王威、 歪酱、三通
造型/化妆 -刘聪
生产管理/唱片发行 – 独音唱片
总出品：虾米音乐 Xiami.com
总出品人：王皓
发行时间：2015.3
P&C ：虾米音乐人 i.xiami.com
唱片编号：XA-004
程璧主页：
@程璧

The EP can be bought HERE and at the moment we’re not offering any of the tracks for download as it’s a brand new baby EP and the more support shown the quicker her second album will be out, that’s a result that we all want!