这是一个通过食物诠释的以色列人的剪影。电影记录于美食餐厅，家庭厨房，酒庄，奶酪工场，城市街道，以及这之间的各种地方。尽管美国人认为以色列人和巴勒斯坦人总处于冲突之中，而许多以色列人却并不这样认为。“寻找以色列美食”展示了七十多种文化交融而汇成的以色列，各种文化背后都有精彩而独特的美食传统。

《爱与黑暗的故事》发生在1940年代末期的耶路撒冷，书中通过作者童年的视角写出了他母亲身患精神疾病的困扰和父亲的无助，同时也展现了以色列建国的重大历史事件。

一名退休的顶尖以色列特务重操旧业，追缉一位早就死在自己手下的巴勒斯坦激进份子，引发一连串的混乱事件

On October 18, 2015, a terrorist armed with a gun and a knife entered a bus terminal in the Southern Israeli city of Beersheba. Within 18 minutes, a soldier was killed and an Eritrean asylum seeker was beaten to death. Using surveillance footage and cellphone cameras, this riveting film presents a tense, minute-by-minute, Rashomon-style account of that tragic day. It tells the story of people caught in the wrong place at the wrong time and the terrible results caused by panic, fear and prejudice. Winner of top prizes at the International Documentary Film Festival Amsterdam and Israel’s Academy Awards, this intricately constructed film puts the viewer in an extreme situation and forces them to question their own assumptions. Executive produced by Mark Boal and Megan Ellison (Zero Dark Thirty), Death in the Terminal was recently named one of the “10 Most Anticipated Documentaries of 2017” (nonfics.com).

Auschwitz prisoners, both Jewish and non-Jewish, were tattooed with serial numbers, first on their chests and then their left arms. An estimated 400,000 numbers were tattooed in Auschwitz and its sub-camps; only some several thousand survivors are still alive today. NUMBERED is an explosive, highly visual, and emotionally cinematic journey, guided by testimonies and portraits of these survivors. The film documents the dark time and setting during which these tattoos were assigned as well as the meaning they took on in the years following the war. In fact, the film's protagonist is the number itself, as it evolves and becomes both a personal and collective symbol from 1940 to today. These scars, paradoxically unanimous and anonymous, reveal themselves to be diverse, enlightening, and full of life.

A six-hour interview with David Ben-Gurion, one of modern history's greatest leaders, emerges from the obscurity of an archive where it has lain unrecognized for decades. It is 1968, and Ben-Gurion is 82 years old. He lives in the seclusion of his home in the desert, remote from all political discourse, which allows him a perspective on the Zionist enterprise. His introspective soul-searching is the focus of this film, and his reflections provide a surprising vision for today's crucial decisions and for the future of Israel.