A TV version of the Cambridge Footlights Revue "The Cellar Tapes", winner of the first-ever Perrier Award at the Edinburgh Fringe Festival in 1981.

peter际遇各异的朋友去peter家聚会，揣着各自的心情，大家在一起享受一段特别的时光……

Bertie is back in New York and enamoured of portrait painter Gwladys Pendlebury but Aunt Agatha is not enamoured of the painting of her Bertie commissioned and she is even more annoyed when her wayward twin sons, charged to Bertie's care before being shipped off for colonial posts, give him the slip to pursue a cabaret singer. Tuppy Glossop arrives to sell his family recipe for cock-a-leekie to soup magnate Slingsby to finance his nuptials to Elizabeth but slimy ad man Lucius Pim steals Gwladys from Bertie and makes Aunt Agatha the unwitting face of Slingsby's soups on every billboard in New York.

Romantic entanglements are complicated by a unique silver cow creamer that is desired by both Bertie's Uncle Thomas and his rival, Judge Sir Watkyn Bassett. Sir Watkyn purchases the creamer by telling the shopkeeper, falsely, that Thomas had sent him. Bertie's Aunt Dahlia and friend "Stiffy" Byng both want him to steal the creamer for different reasons, but Judge Sir Watkyn has already sentenced him once (for stealing a bobby's helmet) and he doesn't want to go to jail.

Blake was one of the finest craftsmen of his time, an artist for whom art and poetry were inextricably linked. He was an indepedent and rebellious thinker, who abhorred pretention and falsity in others. His Songs of Innocence are products of this innocent imagination untainted by worldliness, while the Songs of Experience resulted from his feelings of indignation and pity for the sufferings of mankind. The Songs of Innocence and Expereince, containing some of Blake's finest and best-loved poems, are presented here in the form which best satisfied the high expectations of his poetic and artistic aspirations. The fifty-four plates which Blake originallly etched and coloured by hand are faithfully reproduced with the same delicacy and dimensions as the artist created them.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.