【编辑推荐】
“视错觉”是设计中绕不开的问题。无论是设计字体，还是设计logo，如何让作品“看上去”好看，是设计师们需要解决的一大问题。
★2022年TDC奖章得主、蒙纳字体创意总监小林章在本书中以“解决视错觉”为主轴，讲解了如何微调文字造型，才能实现深入浅出地曲线和舒适排版，向读者阐释了自己30多年以来积累下的、不受时代与制作方式限制的设计原则及手法。
★本书是继《西文字体》《西文字体2》之后，“西文字体”系列的又一力作，是一本详解西文字体发展脉络到如何识别细节的字体设计入门书。
★除图文并茂的方法讲解外，作者还以亲自设计的字体Akko、Clifford、DIN Next等字体为例，细致展示不同风格与目的的设计历程。本书展示了由观念到实际运用的全过程，是字体设计师、平面设计师、设计专业师生、设计爱好者不可错过的西文字体设计书。
★本书使用由蒙纳公司授权、作者小林章亲自担任设计指导的简体中文字体“翔鹤黑体”，并在排版上尽力呈现作者的设计理念，让读者可以在阅读的同时切身体会作者的设计态度与细节。
★作者小林章用朴实易懂的语言讲解出了厚重的知识。在书中，读者能切身体会到作者细致到极致的匠人精神，感受到深藏在简洁言语中的浓浓热情，从而打开“西文字体”世界的大门。
【内容简介】
本书以“不同字体造型与细节在我们眼里会有怎样的观感”以及“如何微调文字造型，才能实现优美曲线和舒适排版”为主轴，深入浅出地说明不受时代与制作方式限制的设计原则及手法。
为使字型更接近设计师所想传达给读者的感受，本书讲解了大写字母、小写字母、数字、各种符号等的制作方法，无衬线体、衬线体等字体的风格，西文标识的设计要点，还以大量图例说明何为“视错觉”，以及如何调整线条、形状乃至字母排列后的可读性，让字体看来更为平衡与自然，是一本详解西文字体发展脉络到如何识别细节的字体设计入门书。作者还以自己实际设计的字体Akko、Clifford、DIN Next等为例，展示不同风格与目的的设计历程。本书展示了由观念到实际运用的全过程，是字体设计师、平面设计师、设计专业师生、字体设计爱好者不可错过的西文字体设计书。

作者自序：
因为母亲的病，高考填志愿时我从头到尾清一色填了十几个医学院，以第一志愿录取到上海医科大学。毕业于北大古典文学系的语文老师闻知对我说，中医是个“伟大的宝库”，值得好好研究。我颇信以为真，因为伟大领袖也这样说过。
进入大学后，从解剖组胚开始一步步进入医学世界，系统而清晰的现代医学体系给人以纯净深沉的美感；同时，也到图书馆看《黄帝内经》，我所受到的教育使我不能接受那些模糊混乱的概念。我渐渐明白，所谓“伟大宝库”其实是个伟大的垃圾堆，费尽力气，深挖细扒，或许能找到一两块金子；但决然的全部填埋，或许是更理智的选择。“伟大宝库”在强大的现代医学面前很快崩塌，在我是自然的结果，这就像中国第一批留学生出洋见世界后自然会减掉辫子一样。同寝室有一同学痴迷中医，常在寝室斗口中遭到群殴，我是激烈反对者之一。那时的反对主要是理论上，作为副产品，我对中医积累了相当的知识，以致在大四选修中医课即使几乎一节课没上，临时抱佛脚一个通宵也通过了考试。单从考试层面讲，中医其实很简单，一点也不“博大精深”。
进入临床后，遇到太多因为迷信中医而贻误病情，因为服中药而致严重后果的病例，对中医的厌恶日深。这种厌恶无处表达，直到2005年左右我开始接触互联网。网上不但有海量中医广告，专业和非专业论坛上也有无数中医或粉丝大放厥词。我确信所有的中医广告都是忽悠，所有的中医粉不是骗子就是无知，没有例外。
“虽万人，吾往矣”， 基于医者本能和侠义情怀，我义无反顾加入反中医的少数派。因为我深感，倘不批中医，首先对不起受忽悠的患者，其次对不起我所受的教育。我无意中闯进37度医学网的中医论坛，在那里酣战了2年多时间，赢得“中医反王”之名。不断有中医粉丝质问我：你懂中医吗？我坚信，站在现代医学的巨人之肩上，可以绝对姿态俯视古老中医，唯有深刻理解现代医学的精神实质，才更有资格批评中医。这样的论战中，我不但阅读了大量中医古籍和文献，更重要的是，对循证医学的深入研究使我对现代医学有了更深刻的理解。
我的论战贴被好事者挂到医学八号楼，再被收录到新语丝。在这两个网站又接触了更多的批中医大家，我对中医的看法渐趋定型：于理论，一个基于粗浅经验和玄想，一个基于科学实验和逻辑；于疗效，一个撒嘴皮子，一个严苛循证——中西医的区别大致如此。此后在新语丝和新浪博客不绝如缕的发表批中医文章，积累而成百余篇，就集成一本书。开始取名为《棒喝中医》，终因自知没有这么大的力量，改为“拍砖”。尽力拍出一块砖，虽不致死，拍他个鼻青脸肿呼吸不畅，吸引或警醒几个旁观者，也就达到了目的。
然而，并不容易出版，联系了数家出版社，均未审查通过。也曾幼稚的想借助名人的力量，试着给方舟子写过一封信，请他给写个序言。非常荣幸方先生居然回了信，只有一句话：找到出版社了吗？简洁而又犀利，是方舟子的风格。
我找不到出版社，只有自己印，就有了这本书。
是为序。

编辑推荐
一次关于“魔都”的知识考古，从这里寻找上海被称为“魔都”的答案。
内容简介
作为东亚与西方交往的重要窗口，日本的有识之士从明治维新到20世纪20年代，就在时刻观察并体验着上海。上海如何从举世闻名的“摩登”变成“魔都”？她的城市性格中混杂了哪些不为人知的秘密？她又是如何影响东亚世界的？都是本书将要回答的重要问题。

左方先生是當代中國新聞界的老行尊，一位洞燭機先的智者。他親手播種、育苗，培育出《南方週末》這棵勁拔的大樹。他熔合前輩理念和自己的實踐，總結出早期《南方週末》的辦報方針：「新聞主攻，副刊主守」、「可以有不說出來的真話，但絕不說假話」、「先做瓶，後釀酒」、「從容是辦報的最高境界」。對追求新聞自由的後來者，這是一段不可不知的歷史。

～超單身時代來臨～
不婚主義、婚姻難以維持⋯⋯
2040年將迎來有5成單身人口的時代！
＼超單身時代來臨，不婚是罪大惡極嗎!?／
現今社會奉行不婚主義、閃婚後離婚的人愈來愈多，
就連經過愛情長跑的情侶，也決定維持「同居關係」就好。
2040年將迎來有5成單身人口的時代，
獨活風潮席捲全球，
「單身」不再等同「Loser」，
結婚也不再是人生必經的殿堂！
然而，這樣的未來是「絕望」還是「希望」？
本書探討單身時代的各種社會現象，
以豐富的數據為基礎，
剖析社會問題與結婚CP值，
從各個角度探討現今單身時代中的「婚姻」、「家庭」、「社群」、「幸福」議題，
以全新觀點看待，探討現代年輕人的幸福道路！
本書特色
◎詳細分析日本社會數據，看出全世界的「婚姻問題」！
◎剖析新世代的兩性關係與婚姻存續，改變舊有觀點！
◎重新思考人與人的互動，找出「結婚」以外的幸福人生！

Lasting from 1979 to 2015, China's One Child Policy is often remembered as one of the most ambitious social engineering projects to date and considered emblematic of global efforts to regulate population growth during the twentieth century. Drawing on a rich combination of archival research and oral history, Sarah Mellors Rodriguez analyses how ordinary people, particularly women, navigated China's shifting fertility policies before and during the One Child Policy era. She examines the implementation and reception of these policies and reveals that they were often contradictory and unevenly enforced, as men and women challenged, reworked, and co-opted state policies to suit their own needs. By situating the One Child Policy within the longer history of birth control and abortion in China, Reproductive Realities in Modern China exposes important historical continuities, such as the enduring reliance on abortion as contraception and the precariousness of state control over reproduction.

　　蔣中正日記不只是歷史發展的一部分，更是人性的揭露與展現。他在生前死後，被很多人崇拜過，也被很多人罵過。他的日記仰慕過許多人，也批評了不少人。他既傳統又現代，想要突破既有的框架，卻又受到時代環境的局限。

　　在蔣中正長時間地撰寫日記之後，經過我們長時間地閱讀，或許能有所體會，一位國家領導人在面對內外局勢的心路歷程。

　　這是一套有血、有肉、有靈魂的資料，是一部活生生具有人味的日記。
　　當我們自己看、自己探尋、自己挖掘、自己解讀，每個人都可以尋找自己的蔣中正。

　　首批出版為1948年至1954年日記，共七冊，除按日記事以外，還有預定工作事項與反省，以及每一年盤點可用人才的雜錄。

　　本套書內含：
　　《蔣中正日記》（1948）一冊
　　《蔣中正日記》（1949）一冊
　　《蔣中正日記》（1950）一冊
　　《蔣中正日記》（1951）一冊
　　《蔣中正日記》（1952）一冊
　　《蔣中正日記》（1953）一冊
　　《蔣中正日記》（1954）一冊

With insight, humor, formal invention, and lyricism, in A Man of Two Faces Viet Thanh Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son.
At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thuột and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he callsAMERICA TM. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn Mới, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening,
Profound in its emotions and brilliant in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.

Both utilitarian objects and examples of textile design of wondrous beauty, Chinese rank badges were developed in the Ming and Qing dynasties to indicate the bearer’s station in the civil or military bureaucracies. Employing birds for civil officials’ insignia and four-legged animals―some of them fantastical―for the military, these rank badges additionally contain motifs springing from Chinese culture and religion. David Hugus, who has made an intense study of these textiles and shared his knowledge with lectures in Hong Kong, New York City, San Francisco and Los Angeles, centers his narrative on their chronology and iconography and accompanies it with beautiful color illustrations. He begins with the earliest dynastic period―the reign of the Hongwu emperor during the Ming―and brings us to the end of the imperial period, and beyond, to the present day, with the occasional production of ersatz badges. His analyses of the style and iconography of the badges provide the reader with the tools to recognize the circumstances of individual badge design and to develop a basis for connoisseurship. In addition to the survey of rank insignia from the Ming through the Qing dynasties are accompanying appendices that provide the general reader with a historical and cultural context for rank badge creation.

江文君等的《近代上海职员生活史》以近代上海职员阶层这一新社会
群体为研究对象，将上海近代职员群体研究视为理解中国之现代的一个途
径，从“地方性知识”中寻求一种普遍性。上海职员的产生与近代中国社
会有着同构性，即“新旧共栖”的二元格局。首次对城市白领职员阶层这
一新社会集团给予了全面、综合的考察与研究，将这一社会史上的失踪者
呈现出来。《近代上海职员生活史》试图突破传统社会史与思想文化史不
可逾越的鸿沟，重新建立社会史和文化史联系的传统。通过这一研究把两
者结合在一起。

《上海城市社会生活史：近代上海城市公共空间（1843-1949）》为上海城市社会生活史丛书之一种，选取了1843-1949年上海城市公共空间的几种典型类型，如公园（包括租界公园、开放性私园）、戏园、电影院、游乐场、咖啡馆、跑马场等，叙述其沿革兴衰的历史过程，或考察其内部组织形式、日常经营方式、功能，着重探讨其与上海城市社会生活之间的关系。近代上海城市公共空间，集现代化、大众化、多元化与商业化于一体，生动、深刻地体现这个城市社会的民族关系、阶级关系、移民区域特点，反映了上海这座城市世界性与地方性并存、摩登性与传统性并存、先进性与落后性并存、殖民性与爱国性并存的特性。

范用先生是中国改革开放以来影响力最为深远的出版家。他的一生，是为书籍的一生。本书即以“书”为线索，呈现其一生的出版风貌：从上世纪三四十年代腥风血雨中的读书、做出版，到新时代波澜中的编书、出书、设计书，再到晚年的写书、推广书，凡七十余年，历经坎坷，唯文化坚守不变。书中披露了《读书》《新华文摘》等重要刊物的创办历程，《西行漫记》《傅雷家书》《干校六记》《随想录》等经典图书的诞生始末，也叙写了范用与李公朴、陈白尘、田家英、启功、王世襄、罗孚、丁聪等师友的交往故事。“书多、酒多、朋友多”，其行事为人每每见出人情之美、人文之光。今年是范用先生诞辰一百周年，谨以此书纪念他。

Today, a scientific explanation is not meant to ascribe agency to natural phenomena: we would not say a rock falls because it seeks the center of the earth. Even for living things, in the natural sciences and often in the social sciences, the same is true. A modern botanist would not say that plants pursue sunlight. This has not always been the case, nor, perhaps, was it inevitable. Since the seventeenth century, many thinkers have made agency, in various forms, central to science. The Restless Clock examines the history of this principle, banning agency, in the life sciences. It also tells the story of dissenters embracing the opposite idea: that agency is essential to nature. The story begins with the automata of early modern Europe, as models for the new science of living things, and traces questions of science and agency through Descartes, Leibniz, Lamarck, and Darwin, among many others. Mechanist science, Jessica Riskin shows, had an associated theology: the argument from design, which found evidence for a designer in the mechanisms of nature.
Rejecting such appeals to a supernatural God, the dissenters sought to naturalize agency rather than outsourcing it to a "divine engineer." Their model cast living things not as passive but as active, self-making machines. The conflict between passive- and active-mechanist approaches maintains a subterranean life in current science, shaping debates in fields such as evolutionary biology, cognitive science, and artificial intelligence. This history promises not only to inform such debates, but also our sense of the possibilities for what it means to engage in science-and even what it means to be alive.

为什么我们不爱了？
这似乎是一个人人崇尚自由、追求自主的时代，无论男女都可以自行定义自己的爱情样貌，随意选择交往的对象。但更多的选择，并没有为人们带来更高的情感满意度。爱的前景正变得愈发不确定，经历分手和离婚的人也仍然经历着心碎……
这既是一部关于“心碎”的历史记录，也是一部批判资本主义和消费文化的学术扛鼎之作。伊娃·易洛思潜心二十年研究，结合社会学、心理学、哲学等相关理论资源，从大量文学作品、社交软件、影视、访谈和咨询中抽取出丰富的案例，为我们展现出现代社会如何影响了人们的情感结构和关系。
---------------------------------
★“世界上最有影响力的12位思想家之一”（德国《时代周刊》）
耶路撒冷希伯来大学社会学和人类学教授伊娃·易洛思潜心20年研究成果
★梳理18世纪至今人们爱情观念的演变，并分析背后的成因
社会学、心理学、哲学多学科视角，一本书让你读懂当下我们情感关系的困惑：为什么我们“不爱”了。
★直击当下情感关系的病症：日益常见的分手、离婚，不断下降的生育率……
更少的承诺、更多的自由，这样的情感关系真能幸福吗？
男性和女性在自由恋爱中的处境有何不同？
性自由真的为两性带来了实质的解放吗？
★美国哲学家苏珊·奈曼、哥伦比亚大学教授吉尔·伊亚尔、复旦大学教授沈奕斐、中国人民大学教授刘玮、华东师范大学教授姜宇辉等人力荐
★《明镜周刊》《每日镜报》《时代周刊》《爱尔兰时报》等国际知名媒体一致好评推荐
“一项从根本上质疑现代爱情概念的启发性研究。”——德国《时代周刊》
“书写人类心碎的历史学家。”——《爱尔兰时报》
“没有人比这位社会学家更热情、更准确地分析了互联网和消费资本主义对爱情的影响。”——德国《明镜在线》

Marx and Engels were right when they observed in The Communist Manifesto that free markets had in a short time created greater prosperity and more technological innovation than all previous generations combined. A century and a half later, all the evidence shows that capitalism has lifted millions from hunger and poverty.
Nonetheless, today’s story about global capitalism, shared by right-wing and left-wing populists – and by large sections of the political and economic establishment – accepts that prosperity has been created, but says it ended up in far too few hands. This in turn has made it popular to talk about the global economy as a geopolitical zero-sum game, where we must fight to control new innovations, introduce trade barriers and renationalize supply chains. More generally, capitalism is also accused of fuelling glaring inequality, populist revolts, climate change and China’s global conquest.
In this incisive and passionate investigation, Johan Norberg instead restates the case for capitalism and the vital role played by the free market in today’s uncertain world. Ultimately, he argues that a move away from global capitalism would not only squeeze the growth out of the economy but also deepen an already large social exclusion for the vulnerable – for the world’s poor, it would be a killing blow.

孫中山先生唯一的兒子——孫科，民國政治舞台上的風雲人物，兩任國民政府行政院院長。從反蔣到擁蔣，他的政治主張在蔣介石的強權面前步步後退，不堪一擊。他軟弱、動搖、多變，“名聲很大，事功卻不顯著。”
本書引證了大量權威的史料，按照時間順序論述了孫科在大革命、抗戰等各個時期的政治主張、政治活動、與強權人物蔣介石的關係及其動搖多變的政治立場。
本書讓讀者了解到這樣一個孫科：顯赫的出身既給他帶來了躋身風雲際會的民國政治舞台的機會，同時也帶給他許多先天不足，例如：軟弱、動搖和多變。他的憲政主張和民主的追求，土地改革、發展經濟和改善民生的設想，在蔣介石的強權政治面前往往不堪一擊，最終他不得不屈從於蔣介石。他政治上的失敗既是個性使然，也是歷史的必然。

傳奇歷史學家列文森開創性著作，全新翻譯
「梁啟超的思想是他的牢籠。」
他的自相矛盾，他的一變再變，
是要為怎樣的一個問題提供答案？
當找到這個問題，就找到了思想史的關鍵。
麻省理工學院教授、列文森之子托馬斯．列文森（Thomas Levenson） 作序
葉文心、歐立德（Mark C. Elliott）、董玥、黃樂嫣（Gloria Davies）、齊慕實（Timothy Cheek）、白傑明（Geremie R. Barmé） 聯合撰寫長篇導讀
《梁啟超與近代中國思想》是美國歷史學家約瑟夫．列文森的第一部專著，從「變形記」、「美麗新世界」、「追憶似水年華」三階段追索中國近代知識人梁啟超的思想嬗變，探求他身處歷史和價值撕裂的煎熬之中，如何從傳統突圍、擁抱進步主義和現代西方，卻又在生命的最後十年主動走向不合時宜，「一夫當關把守舊中國的疆土」。作者的視野並不限於思想者個體，而是以歷史與個人的交互作用貫穿全書，通過梁氏思想中種種「必然的前後矛盾」和「理性上的不完美」，不斷反觀歷史，揭示近代中國思想史鮮麗複雜的面貌及其變化的本質。
「梁啟超經歷了漫長的回家之路，他在半途碰見了年輕的一代。
他幾乎徹底心碎後才到達了反傳統文化之境，而年輕人從他手中接過的是一種自然狀態、一份免費禮物、一個出發點。對他而言只是冰山一角的想法（水面之下深埋著他對傳統文化的赤忱），對年輕人來說是基石。他們追隨了他一段時間，並沒有說要永遠追隨他。
這就是為何《新青年》的『新青年』們看似在說跟梁啟超一樣的話，卻很少跟他一起說。因為二者的語言並非真正相同，『一樣的』思想並不一樣。
當一戰改變了這些思想進行的環境，梁氏的思想從根源上決定了他的不合時宜。」

he bestselling author of How to Live and At the Existentialist Café explores seven hundred years of writers, thinkers, scientists, and artists, all trying to understand what it means to be truly human
Humanism is an expansive tradition of thought that places shared humanity, cultural vibrancy, and moral responsibility at the center of our lives. The humanistic worldview--as clear-eyed and enlightening as it is kaleidoscopic and richly ambiguous--has inspired people for centuries to make their choices by principles of freethinking, intellectual inquiry, fellow feeling, and optimism.
In this sweeping new history, Sarah Bakewell, herself a lifelong humanist, illuminates the very personal, individual, and, well, human matter of humanism and takes readers on a grand intellectual adventure.
Voyaging from the literary enthusiasts of the fourteenth century to the secular campaigners of our own time, from Erasmus to Esperanto, from anatomists to agnostics, from Christine de Pizan to Bertrand Russell, and from Voltaire to Zora Neale Hurston, Bakewell brings together extraordinary humanists across history. She explores their immense variety: some sought to promote scientific and rationalist ideas, others put more emphasis on moral living, and still others were concerned with the cultural and literary studies known as "the humanities." Humanly Possible asks not only what brings all these aspects of humanism together but why it has such enduring power, despite opposition from fanatics, mystics, and tyrants.
A singular examination of this vital tradition as well as a dazzling contribution to its literature, this is an intoxicating, joyful celebration of the human spirit from one of our most beloved writers. And at a moment when we are all too conscious of the world's divisions, Humanly Possible--brimming with ideas, experiments in living, and respect for the deepest ethical values--serves as a recentering, a call to care for one another, and a reminder that we are all, together, only human.