1 Let There Be More Light Waters 5:38
2 Remember a Day Wright 4:33
3 Set the Controls for the Heart of the Sun Waters 5:28
4 Corporal Clegg Waters 4:13
5 A Saucerful of Secrets Gilmour, Mason, Waters, Wright 11:57
6 See-Saw Wright 4:36
7 Jugband Blues Barrett 3:00

Beggars Banquet is a studio album by English rock band the Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States; it is the band's seventh British and ninth American studio album. The recording marked a change in direction for the band following the psychedelic pop of their previous two albums, Between the Buttons and Their Satanic Majesties Request

Magazine's music continues to be an influence in modern music today. While having roots in the punk and new-wave movements, Magazine combined elements of avant-garde and pop. Radiohead in particular draws on the lyrical style of the group, and have performed "Shot By Both Sides" in concert. What's more, Radiohead's 1995 single "Just", with its ascending guitar hook, bears a passing resemblance to "Shot By Both Sides". Former Smiths singer Morrissey, a fan and acquaintance of Devoto's, covered "A Song From Under The Floorboards" as a B-side to his 2006 single "The Youngest Was the Most Loved". "Floorboards" was covered by My Friend The Chocolate Cake on their 1994 album Brood. Half Man Half Biscuit have performed live covers of a number of Magazine songs. "The Light Pours Out Of Me", from the album Real Life, has been covered by both Peter Murphy and Ministry. Swedish punk band No Fun At All did a cover of "Shot By Both Sides" on their record "And Now For Something Completely Different". Devoto co-wrote two songs with Mansun, "Everyone Must Win" and "Railings", contributing vocals to the latter, and the band later covered "Shot By Both Sides" for John Peel.

This Mortal Coil，犹如史诗般的那种绚烂，有时似被湮没于空幻中，而更多的却是难以忘怀。这支乐队以低调、唯美的新古典派风格著称于世，从而树立4AD最具典型意义的招牌式音乐风格MoodyPsychedelic，又称4AD仙音、4AD之声。
This Mortal Coil应该是公认的4AD最出色的乐队之一。4AD公司老板VioWatts-Russell亲自出马操练的乐队，自然投入的心血比较多了。This Mortal Coil并不是一支普通概念的乐队组合，它的每张专辑就像是Watts为4AD公司出的集锦专辑一样，没有固定的组合，没有固定的演唱者，这似乎都是即兴的发挥，没有任何的限制，让音乐的自由最大地发挥了出来。
在寂静的午后，在无人的深夜，在孤独的感觉让人想哭的时候，用音乐把这种孤独发挥到及至吧！慢慢地感觉自己的身体缓缓开始坠落，然而又似乎飘在了空中，给失落的灵魂寻求一个落脚的地方……其实我喜欢让灵魂放飞的感觉，那毕竟是难得的。
总体来感觉This Mortal Coil的音乐就是柔和的女声+缓慢的节奏+中世纪的舞台感觉，虽然没有繁华喧闹的节奏和动人的效果，也不能让你的血液沸腾，但她却像一个让你着迷的女孩，一见钟情……

"Y'All Doomed" is the bonus track from the Japanese CD edition of 'The Magic Whip'.
Released on the same day in the UK as 'The Magic Whip' (Monday 27th April 2015). Available exclusively at the 125 UK HMV and Fopp entertainment retail stores.
Centre holed (rear only) die cut sleeve.

Mezzanine is the third studio album by English electronic music duo Massive Attack, released on 20 April 1998 by Circa and Virgin Records. Produced by Massive Attack and Neil Davidge, it saw the duo expanding their trip hop sound to electronica stylings,[1] with diverse influences from new wave,[2] rock, hip hop, and dub music.[3]
Mezzanine topped the charts in the United Kingdom, Australia, Ireland, and New Zealand, becoming the group's most commercially successful album to date. It spawned four singles: "Risingson", "Teardrop", "Angel", and "Inertia Creeps".

Hut旗下的著名低调乐队auteurs的灵魂及前卫人物luke haines与两个毕业于戏剧学院的年轻人sarah和john组建了这支玩票式乐队：black box recorder。 从auteurs最近的那张恶毒的专辑“after murder park”的黑色噪音 里挣脱的luke，在音乐表层上不知不觉地陷入一种微妙、细腻、蜜糖般沉着文静的情趣中去，而更多的原因在于"两个临时"演员“——john唯美而保守的和谐吉他点弦与sarah沉闷疲倦、冷静得有些骇人并固袭默守的嗓音所赋予的特性，这亦是这张唱片卒听似是源自４ＡＤ的原因——标准英式的对于沉着从容而易使人心迷神乱的情节的酿造，厌世并避世的幽雅的童话故事及绝望疯癫的金斯勃格与不安的叶芝的融合体。
唱片所宣扬的情绪是用玫瑰与绸缎装点的炼狱，滴入沥青的咖啡或接近腐烂的艳尸。那是一个无光的，luke乐于勾画的丧心病狂却凄艳绝伦的临界空间：冷淡、单调、凄惨、缺乏生机的音乐语言叙述着感情的迟钝、精神的瓦解、末日的象徽。这是一部献给麻木灵魂的凄美的安魂曲，对被现代物质破坏并扭曲的童真精心布置的一场豪华的守丧。一方面又焚燃了自我精神祭祀的大旗。它有计划地去保持一种对毁灭的感怀，在他的第一首单曲“child psychology”这个眩晕的音乐旋涡里，一个患自闭症的6岁小孩刻意游离着父母的关爱，蔑视着烦琐的心理疗程，他随时随地只呆滞地嘟囔着：“人生黑暗……”；音乐里它成功地在乐部与文本之间营造出了剑拔弩张的紧张与对立，用一种肯呢感会引发瓦解的简单，将女声破碎的唱腔拼版于稀疏而冗长的间奏与念白里，朴素的节奏与灰黄的音乐框架贴合了音乐意识的核心与本质，它摇晃着诱惑了心灵底层的悸动。此种音乐表白方式同样适用与唱片里的其他曲目。
专辑最为人称道亦有些人云亦云的地方是90年代以来另类音乐一条不成文的惯例：用易碎的少女唱腔来渲染灵魂的流放，如low,mazzy star之类，它密谋着最有效地揭示情节细节的方式，寻找着迅速回归精神本原的捷径：年轻、性感、甜腻、美好的声音与阴冷忧郁的思想，悲苦而歇斯底里地抒情。这点上bbr是异常准确而深邃的，并不惜做得过分出位。bbr阐明了你我的处境并提供了选择：在黑暗中腐烂，或在黑暗中化碟。
这张不起眼的地下作品是98年度英伦吉他音乐里最具革新思想，并相当诚恳的一张专辑。

The Classic Hubcap Diamond Star Halo expanded & remastered 2003 reissue of the 1971 glam-rock masterpiece loaded with 7 rare bonus tracks, 'There Was A Time', 'Raw Ramp', 'Planet Queen' (acoustic version-previously unissued), 'Hot Love', 'Woodland Rock', 'King of the Mountain Cometh' & the T. Rex Electric Warrior Interview from 1971. Reprise/Rhino.