The post-rock grandeur of Explosions in the Sky lends itself well to movies and television, so much so that the Texas foursome are pretty much synonymous with Friday Night Lights. The instrumental unit will further capitalize on their cinematic flair by releasing their original score to Prince Avalanche, the latest film from director David Gordon Green.

Sleepmakeswaves are an instrumental rock band from Sydney, Australia, formed in late 2006. Drawing influences mainly from but not limited to post-rock, they mix driving metallic bombast with textured electronics.
来自澳大利亚的Sleepmakeswaves是为一支器乐型后摇新团，Sleepmakeswaves同样也受着Mogwai,Explosions in the sky,Mono,SigurRos等团体的影响。他们的作品中有着利落铿锵的旋律，让人热血沸腾。乐队对力度拿捏很有分寸，曲调走向变幻莫测，让人感觉大气中却又不失温柔的气质。

This is Explosion In The Sky's 2nd album, and one of the most critically acclaimed records of 2004 and a massive word-of-mouth success story, going on to sell 20,000 copies in the UK alone. Features 5 tracks. Bella Union. 2005.

'Asunder, Sweet and Other Distress' is the forthcoming fifth studio album by Canadian post-rock band Godspeed You! Black Emperor, to be released on 31 March 2015. The album marks the group's first single LP-length release since their debut, F♯ A♯ ∞. The album was recorded with Electrical Audio engineer Greg Norman in studios in North Carolina and Montreal. The album was announced on 24 February 2015; the group also shared an excerpt of "Peasantry or 'Light! Inside of Light!'" on SoundCloud. On March 24, 2015, Constellation Records streamed the album on their SoundCloud.

简单加上爆裂，却并非简单的爆裂，可以说是这张专辑的简单概括。
整张专辑从平缓到激烈起伏很大但是过度的很自然~很大器~
Envy 是一支来自日本的乐队，新专辑与前作不同的是偏向于悲愴的感觉。歌曲虽然只有七首，但歌词与旋律充分展现出所要表达的意念。首首展现出寂静与爆轰的特色，加上主唱极具张力的撕吼与纤细温柔的嗓音，以及壮大的旋律，充分表示心中思想所散发出的情感，会让人省思自己心中深处的感受。

world's end girlfriend が新作「Girls/Boys Song」を
12インチ・レコード＋ダウンロードコード形式のみで12月25日発売決定。
Virgin Babylon Records公式webストアからのみの限定販売となり
現在、先行予約受付中。
「Girls/Boys Song」は流麗なストリングス、緻密な打ち込み、バーストするギター
といった、まさにwegといえる楽曲「Boys」と「Girls」を中心に全４曲を収録。
今作のテーマは「青春」。
それは暴走できる夢と現実、希望と恐怖、喜びと孤独、そして多くの暴力や間違いをも含む
現実に足をつけながら現れるファンタジーとしての「青春」である。
昨年末の「ゆでちゃん」に続いてwegが3.11以降の音楽として作り上げた第二作目である。
ジャケットは高校生を撮り続ける写真家 小野啓の写真集「NEW TEXT」(赤々舎)より。

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Pg.lost是一支来自瑞典Norrköping的4人后摇乐团，成立于2004年。乐队之前曾使用 "Before You Give In" 这个名字，后来因为阵容变化而改用现在的名称。现在的乐队成员包括Gustav Almberg (guitar/keys), Mattias Bhatt (guitar), Kristian Karlsson (bass/vocals), and Martin Hjertstedt (drums).
乐队于05年发行首张同名EP。去年发行第二张EP《Yes I Am》，这张包含了5个作品的小专辑已为Pg Lost的音乐定下了基调~~~没有人声的横加干涉（其实仔细听还是有人声的），没有其他元素的喧宾夺主，只有后摇滚哀愁的描述与盎然的爆发。在后摇井喷的2007年，Pg.lost仅凭借这一张EP就成为了TSB年度50佳后摇唱片之一。
时隔一年之后，Pg.lost终于带来了乐队首张全长专辑《It’s Not Me It’s You》，与EP一样，这张专辑最突出的音乐方向还是传统的后摇滚美学，跌宕起伏，仅仅通过器乐的堆积而达到古典音乐式的宏大与壮阔。
有人说他们的音乐很暴力，我不觉得，我认为Pg.Lost 把后摇的细腻柔美和力量大器结合的非常完美，Pg.Lost 很善于优雅中爆发，但在那一串串听似山洪暴发般的吉他噪音中，Pg.lost的旋律却永远不失柔美，衔接巧妙。对于之前听多了柔美旋律的后摇入门学生而言，当我听到第一首 Pascal's law 时, 很难描述是怎样的一种震撼！之前没听是因为没有好的版本~~~呵呵
专辑中每首曲子都值得很多次的细细品味~~~

罗可居：吉他/贝斯
Joeya：小提琴
白水：客座吉他（曲目1、2、5），吹奏乐器（曲目4）
作曲/编曲：罗可居
录音：罗可居，白水
制作/缩混：罗可居
摄影：王鹏飞
设计：猫总
豆瓣小站已开放全碟试听:
实体CD预计下月在PEST Productions发行，相关信息请关注

Silent Whale Becomes A° Dream’s debut album “Canopy” is an unforgettable and awe-inspiring instrumental rock masterpiece of majestic depth consisting of four long atmospheric tracks fuelled by orchestral expansiveness, soaring guitars and intense melodies that induce powerful emotions and a dreamlike state at every listen.
“Canopy” is an astoundingly disarming debut release from a band that immediately displayed remarkable cohesion in their compositions and a natural ability to tug at one’s heartstrings. The arrangements emphasize texture, structure and pacing. The lush cinematic strings are constantly enveloping and come to life with mystical grandeur. Yannick Tournier’s pristine production only further empowers the high-reaching capabilities of this imposing band that truly lives up to their name. “Canopy” is a towering triumph born out of ambition, emotions and mesmerising mastery. It is a larger than life post-rock symphony for the ages. - Elusive Sound

This self-titled 12” vinyl split between Swedish experimental instrumentalists pg.lost and domestic post-rock outfit Wang Wen (罔聞) is definitive proof that China’s musicians have become equal partners in the global creative community.
pg.lost tackles the A-side with a suite of two ten-minute songs—“Desperdicio Parts I & II”—that open with a decidedly doom-influenced Spaghetti Western flair before nestling into more comfortable post-rock ground: crashing rock movements that intoxicate the listener and ferry them through waters of aching, almost heartbreaking emotion stamped with forceful, triumphant and occasionally-violent melodies that recall sweeping windswept vistas.
Wang Wen excels at running emotional relays from melancholy grief to guarded hope—and back again—multiple times within single songs, feats of sonic prowess that make their contributions an ideal soundtrack for these troubled times.
On the B-side, the Chinese quintet counters pg.lost’s fiery, outward-looking tracks with three subdued and inward-looking sketches. The fragile opener, “13th”, is dominated by mellow, intricate guitar interplay overlaid upon warm and reassuring throbbing organ tones before disintegrating into a pedal-induced feedback fuzz.
“Homeland Accent,” a subdued island in which a glockenspiel, Hammond organ, earnest percussion work, soaring lead guitars and a violin all take turns occupying center stage, offers a tranquil respite before the barnstorming closer “Mouse Song,” the aural equivalent to a flash thunderstorm.
The seven-minute jam neatly pivots from languid mandolin and violin-laced guitar wizardry backed by sunny, bubbling synths to a brief midpoint moment of stark lucidity before the band throws themselves into cathartic, film credits territory marred by agitated and fitful guitar squalls.
And then the sky brightens, the string section chirps and all is well again—置若罔聞: turning a deaf ear to the wolf at the door.

豆瓣音乐人:
豆瓣小组:
myspace:
简　　介：
脆弱可以看成是一种短暂的状态。
是青嫩幼芽，也是秋天泛黄的叶；是初生婴孩，也是发花鬓白的老者。是开始，也是终结。是因为不完整的存在，也就必然地只能够作出短暂的逗留。亦因为短暂，我们会珍惜这样忧郁的美感... (全部) 脆弱可以看成是一种短暂的状态。
是青嫩幼芽，也是秋天泛黄的叶；是初生婴孩，也是发花鬓白的老者。是开始，也是终结。是因为不完整的存在，也就必然地只能够作出短暂的逗留。亦因为短暂，我们会珍惜这样忧郁的美感，全神灌注，恐怕错过了什么。
脆弱可以看成是一种坦白。
在风雨冲刷的年代，我们不得已武装自己。长出刺，长出硬壳，把自我收藏。拼命吼叫，拼命要打倒别人。能够倘开软弱的一面倒需要更加的坚强。这般纯朴的流露有着它的吸引力，就像动荡里的一点烛火，你会禁不住张开手去保护，并感受着温度。
香港后摇滚乐团fragile选择语言以外的世界，对听众说说故事。他们用白色的声场做成茧，包裹着最脆弱的情感。音乐里描绘的生与死、冷与暖都没有定案，你听到的喜可能是我耳朵里的悲。你亲自感受到的一切情感与画面只属于你一人，那一份脆弱只对你一人表露。
fragile诉说的都是人性，因为人性本就是如此脆弱。
Fragile is a sense of temporary existence.
It’s a green blossom, or an autumn tinted leaves, it’s a newborn, or a white haired elderly. It is the beginning and the end. It is an imperfection, therefore it is not meant to last. And because it doesn’t lasts, we would treasure the melancholy beauty of the object, not dare to blink, won’t miss a thing.
Fragile is a sense of honesty.
We all living in a cynical world, we are taught to armed ourselves. Growing spikes and armor, hiding our true self. We roar and try to fight people off. Being able to opens up the vulnerable side requires relatively much more courage. This purity of expression has its audience, it’s like a candle light in the ever changing world, and you’ll reach out your hand to protect it, and treasure the warmth it projects.
One of the Hong Kong’s finest post-rock group <fragile> choose the world without language, a storyteller without words. By using white noises as the silk to a cocoon, they wrapped up the most vulnerable emotions ever existed to a man. Life and death, cold and warmth, it is for you to decide what lines between the music notes. It is for you alone, for your very own precious emotion.
<fragile> expresses what human nature is all about, and our nature, is simply fragile.
曾参加的演出:
06/05/2010--UNiXX - 7 Deadly Sins - China Tour Hong Kong Stop
05/28/2010--「心火亢盛」音乐会@香港兆基创意书院
05/15/2010--T(H)REE ALBUM RELEASE PARTY IN HONG KONG@ Space
04/22/2010--六四廿一周年音乐会@岭南大学
01/31/2010--马上封音乐会@Hidden Agenda
12/18/2009--Triple Smash《When the light goes off》 香港站
10/31/2009--Group Show @ Sammi Kitchen
09/13/2009--声锐‧后摇音乐节 @ 191SPACE
09/12/2009--Macau Flash 2009 @ XL Creation
05/31/2008--take back the noise 3 @ Backstage
05/03/2008--Underground 58 @ Club Cixi
04/06/2008--Chinese Post-Rock Debut @ Backstreet Bar(Suzhou)
04/05/2008--Chinese Post-Rock Debut @ Live Bar (Shanghai)
03/27/2008--Live @ Wei Hing Theatre (The City University of Hong Kong)
12/24/2007--Live @ phonograph
11/17/2007--Take back the Noise @ Fringe club

With depth and insight well beyond their years, FOURTEEN NIGHTS AT SEA have stepped out of the shadows of their influences to become one of Australia’s more interesting and spirited underground rock bands. Recorded with acclaimed engineer Neil Thomason (MY DISCO, AUGIE MARCH), Great North reflects the bands profound level of concentration, seamlessly capturing the unforgiving winter illustrated throughout the packaging. The ominous beauty, the unrelenting bitterness and lingering, eerie static.