'An impenetrable mystery seems destined to hang for ever over this act of madness or despair.' Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be 'A Simple Tale' proves to involve politicians, policemen, foreign diplomats and London's fashionable society in the darkest and most surprising interrelations. Based on the text which Conrad's first English readers enjoyed, this new edition includes a critical introduction which describes Conrad's great London novel as the realization of a 'monstrous town', a place of idiocy, madness, criminality, and butchery.

First published 10 years ago, Manuel DeLanda's Intensive Science and Virtual Philosophy rapidly established itself as a landmark text in contemporary continental thought. DeLanda here draws on the realist philosophy of Gilles Deleuze to the domain of philosophy of science. As well as contemporary philosophical insights, the book also tackles new developments in geometry, complexity theory and chaos theory to bring new insights to our understanding of a scientific knowledge liberated from traditional ideas of essence. Now available in the Bloomsbury Revelations series, this edition includes a new preface by Delanda, revisiting the themes of his book ten years on.

E.E. Cummings is without question one of the major poets of this century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

City provides an accessible yet critical introduction to one of the key concepts in human geography. Always at the heart of discussions in social theory, the definition and specification of 'the city' nonetheless remains illusive. In this volume, Phil Hubbard locates the concept of 'the city' within current traditions of social thought, providing a basis for understanding its varying usages and meanings through a critical discussion of the contribution of key authors and thinkers. Written in a lively and accessible style, the individual chapters of City offer a thematic overview of four dominant ways of approaching cities: as lived-in places as imagined spaces as networks of association as technologies of flow. Drawing on a diverse range of literatures and case studies, the book spells out the importance of a geographical perspective on the city, suggesting that it is only by bringing these different ways of mapping the city together that we can begin to make sense of cities.

This book explores the key conceptual stakes underpinning historical epistemology. The strong Anglophone interest in historical epistemology, since at least the 1990s, is typically attributed to its simultaneously philosophical and historical synthetic approach to the study of science. Yet this account, considered by critics to be an unreflective assumption, has prevented historical epistemology from developing a clear understanding and definition, especially regarding how precisely historical and philosophical reflections on the sciences should be combined. Thus, this book uniquely analyses how the problems and tensions inherent to the “contemporary” phase of historical epistemology can be clarified by reference to the “classical” French phase. The archaeological method of Michel Foucault, which draws on and transforms fundamental insights by Gaston Bachelard and Georges Canguilhem, is used to exert an enduring influence on the field―especially through the work of Ian Hacking and his philosophical cum historical analyses of “styles of scientific reasoning”. Though this book is of great value to academic specialists and graduate students, the fact it addresses questions broad in scope ensures it is also relevant to a range of scholars in many disciplines and will provoke discussion among those interested in foundational issues in history and philosophy of science.

Twenty-three poems that transformed English poetry Wordsworth and Coleridge composed this powerful selection of poetry during their youthful and intimate friendship. Reproducing the first edition of 1798, this edition of Lyrical Ballads allows modern readers to recapture the book’s original impact. In these poems—including Wordsworth’s "Lines written a few miles above Tintern Abbey" and Coleridge’s "The Rime of the Ancyent Marinere"—the two poets exercised new energies and opened up new themes.

Keats's first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets, with such poems as "Ode to a Nightingale", "On First Looking into Chapman's Homer" and "La Belle Dame sans Merci".While his writing is illuminated by his exaltation of the imagination and abounds with sensuous descriptions of nature's beauty, it also explores profound philosophical questions. John Barnard's acclaimed volume contains all the poems known to have been written by Keats, arranged by date of composition. The texts are lightly modernized and are complemented by extensive notes, a comprehensive introduction, an index of classical names, selected extracts from Keats's letters and a number of pieces not widely available, including his annotations to Milton's "Paradise Lost".

'sense too definite cancels your indistinct literature' Stephane Mallarme was the most radically innovative of nineteenth-century poets. His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. In both form and content, his poems created new ways of conveying existential doubt, fragmentation, and discontinuity. This is the fullest collection of Mallarme's poetry ever published in English, and the only edition in any language that presents his Poesies in the last arrangement known to have been approved by the author. Apart from verse, it includes all the prose poems and the unique, unclassifiable Un Coup de des...(A Dice Throw...). The lucid, wide-ranging introduction and invaluable notes help an understanding of this astonishing poet's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is a book about the philosophy of Henri Bergson (1859-1941) which shows how relevant Bergson is to much contemporary philosophy. The book takes as its point of departure Bergson's insistence on precision in philosophy. It then discusses a variety of topics including laughter, the nature of time as experienced, how intelligence and language should be construed as a pragmatic product of evolution, and the antinomies of reason represented by magic and religion. This is not just another exposition of Bergson's work. It offers an account of why Bergson commanded such a massive reading public in his own day and why he deserves to be read now. Written in a terse and clear style, this book will prove appealing to teachers and students of philosophy, cognitive science, psychology, religious studies and literature.

"Legend is overdue for replacement, and an adequate replacement must attend to the process of science as carefully as Hull has done. I share his vision of a serious account of the social and intellectual dynamics of science that will avoid both the rosy blur of Legend and the facile charms of relativism. . . . Because of [Hull's] deep concern with the ways in which research is actually done, "Science as a Process" begins an important project in the study of science. It is one of a distinguished series of books, which Hull himself edits".--Philip Kitcher, "Nature"

An exhaustive and fascinating account of a remarkable collaboration between Guattari, a radical, militant psychiatrist, and Deleuze, one of the towering figures of contemporary French philosophy, whose work together produced Anti-Oedipus and A Thousand Plateaus, startlingly original blends of social psychology, philosophy, and capitalist critique that positioned itself in opposition to both socialism and Lacanian psychoanalysis. Dosse, a French professor of history, traces these lines of influence, placing the pair's work firmly in the context of the May 1968 student uprising, and both authors' strained relationships with a megalomaniacal Lacan. The intellectual background of each writer is examined: Deleuze's texts on Bergson, Nietzsche, and Spinoza, and Guattari's work as director of a psychiatric unit outside of Paris where distinctions between patient and doctor were obliterated. The author strives to re-establish Guattari as an integral collaborator, one whose contribution was overshadowed in later years by Deleuze's celebrity. However, despite the wealth of research, the author too often resorts to paraphrases of their writings, and the book would have been well served by judicious editing. Nonetheless, as a glimpse into a remarkable period in French intellectual history where politics, philosophy, and literary brilliance coalesced, it is captivating.

In this book van Fraassen develops an alternative to scientific realism by constructing and evaluating three mutually reinforcing theories.

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The epitome of the chivalric novel, Ivanhoe sweeps readers into Medieval England and the lives of a memorable cast of characters. Ivanhoe, a trusted ally of Richard-the-Lion-Hearted, returns from the Crusades to reclaim the inheritance his father denied him. Rebecca, a vibrant, beautiful Jewish woman is defended by Ivanhoe against a charge of witchcraft--but it is Lady Rowena who is Ivanhoe's true love. The wicked Prince John plots to usurp England's throne, but two of the most popular heroes in all of English literature, Richard-the-Lion-Hearted and the well-loved famous outlaw, Robin Hood, team up to defeat the Normans and reagain the castle. The success of this novel lies with Scott's skillful blend of historic reality, chivalric romance, and high adventure.

In the court of Elizabeth I, Robert Dudley, Earl of Leicester, is favoured above all the noblemen of England. It is rumoured that the Queen may chose him for her husband, but Leicester has secretly married the beautiful Amy Robsart. Fearing ruin if this were known, he keeps his lovely young wife a virtual prisoner in an old country house. Meanwhile Leicester's manservant Varney has sinister designs on Amy, and enlists an alchemist to help him further his evil ambitions. Brilliantly recreating the splendour and pageantry of Elizabethan England, with Shakespeare, Walter Ralegh and Elizabeth herself among its characters, "Kenilworth" (1821) is a compelling depiction of intrigue, power struggles and superstition in a bygone age.

Originally published in German in 1935, this monograph anticipated solutions to problems of scientific progress, the truth of scientific fact and the role of error in science now associated with the work of Thomas Kuhn and others. Arguing that every scientific concept and theory--including his own--is culturally conditioned, Fleck was appreciably ahead of his time. And as Kuhn observes in his foreword, "Though much has occurred since its publication, it remains a brilliant and largely unexploited resource."
"To many scientists just as to many historians and philosophers of science facts are things that simply are the case: they are discovered through properly passive observation of natural reality. To such views Fleck replies that facts are invented, not discovered. Moreover, the appearance of scientific facts as discovered things is itself a social construction, a "made" thing. A work of transparent brilliance, one of the most significant contributions toward a thoroughly sociological account of scientific knowledge."--Steven Shapin, "Science"

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When one long, hot summer, young Leo is staying with a school-friend at Brandham Hall, he begins to act as a messenger between Ted, the farmer, and Marian, the beautiful young woman up at the hall. He becomes drawn deeper and deeper into their dangerous game of deceit and desire, until his role brings him to a shocking and premature revelation. The haunting story of a young boy’s awakening into the secrets of the adult world, The Go-Between is also an unforgettable evocation of the boundaries of Edwardian society.

A groundbreaking examination of Michel Foucault’s history of truth.
Many blame Michel Foucault for our post-truth and conspiracy-laden society, but Daniele Lorenzini argues that such criticism misunderstands the philosopher’s work: Foucault did not question truth itself but what Lorenzini calls “the force of truth,” or how some truth claims are given the power to govern our conduct while others are not. This interest, Lorenzini shows, drove Foucault not to attack truth but to articulate a new ethics and politics of truth-telling. The Force of Truth explores this dimension of Foucault’s work by putting his writings on regimes of truth and parrhesia in conversation with early analytic philosophy and by drawing out the “possibilizing” elements of Foucault’s genealogies that remain vital for practicing critique today.

Gibbon's Decline and Fall of the Roman Empire, published between 1776 and 1788, is the undisputed masterpiece of English historical writing which can only perish with the language itself. Its length alone is a measure of its monumental quality: seventy-one chapters, of which twenty-eight appear in full in this edition. With style, learning and wit, Gibbon takes the reader through the history of Europe from the second century AD to the fall of Constantinople in 1453 - an enthralling account by 'the greatest of the historians of the Enlightenment'. This edition includes Gibbon's footnotes and quotations, here translated for the first time, together with brief explanatory comments, a precis of the chapters not included, 16 maps, a glossary, and a list of emperors.

This is a new translation of two essential works on Deleuze, written by one of his contemporaries. From the publication of "Deleuze: A Philosophy of the Event" to his untimely death in 2006, Francois Zourabichvili was regarded as one of the most important new voices of contemporary philosophy in France. His work continues to make an essential contribution to Deleuze scholarship today. This edition makes two of Zourabichvili's most important writings on the philosophy of Gilles Deleuze available in a single volume. "A Philosophy of the Event" (1994) is an exposition of Deleuze's philosophy as a whole, while the complementary "The Vocabulary of Deleuze" (2003) approaches Deleuze's work through an analysis of key concepts in a dictionary form. Key features: singles out the three most controversial questions in debates surrounding Deleuze's philosophy today: univocity, creative vitalism and the event and with an introduction by Gregg Lambert and Daniel W. Smith, two of the world's leading commentators on Deleuze.