Epica are back with a bang on their sixth studio release, the symphonic metal powerhouse abolishing any doubts that they can maintain their powerful presence within the genre.
The Quantum Enigma is a busy album, both in its role in returning Epica to form after the questionable efforts of Requiem For The Indifferent, as well as in itself. This is a pretty physical kick-start which sees their inspirations working toward clearer aims and more beneficial ends, and in a more rewarding renewal of the style that made the band so successful with their symphonic metal in the first place.
When I say that it's busy, I mean it's a much more driving listen in its entirety than expected of Epica after the previous album, and it contains none of the stagnant clutter that is largely responsible for weighing down so heavily on Requiem For The Indifferent, culminated with its dull guitar tone. The production here is much more polished and the song writing in The Quantum Enigma is very active, the level of dramatic impact turned up more than a notch, as the introductory piece would indicate from the album's very beginning.
This record is focused, clear and linear in its direction with the dominance of guitars carrying the symphonic elements along for the ride, but also spearheading the usual elemental interplay. Piano keys may lead in as well as bridge the lines of guitarists Jansen and Delahaye, choirs and orchestra provide effective backing for the album's movement through frequently forward punches as well as the usual growling contrast. Simons maintains her vocal grace throughout, though not exactly carrying this album with any outstanding performances, but occupying her role to her usual high standard. Things will reach moments of calm and soothing elegance to allow the listener a more intimate connection with the symphonic arrangements, as well with Simon's voice on "Canvas Of Life."
The Quantum Enigma isn't particularly varied in its scope, seeming to rely heavily on its re-established emphasis of punch over complex compositions, which is brought forth by the guitars and rhythms. Symphonically it isn't as neoclassical in its ambitions nor as culturally allusive as efforts such as The Divine Conspiracy, nor is it quite as tightly homogenised by symphony or operatic qualities as Consign To Oblivion, with its more concise nature. Massive swells of orchestra and choir arrangements do press this new album onward, but the rhythm section takes a domineering pride of place more often than not, setting a simpler stride rather than going for anything overtly varied or putting any diverting elements into its frame.
With all the energy in the performance, the album gives us the impression that it's getting to something in particular, which keeps the album moving in strong consistency toward the lengthier final track. Of this one I won't disclose too much, beyond stating that it ties this record in well with Design Your Universe, it being part two of the "Kingdom Of Heaven" sequence. Part one is found on Design Your Universe, which is itself part five of another sequence titled "A New Age Dawns," which links things back to Consign To Oblivion, where parts one through three are housed. A likeness in sound across all those connections is questionable, but it is a conscious effort by Epica to link to past triumphs and get their discography back on track.
Which this album certainly does, as Epica reclaim their strength in an explosive fashion with The Quantum Enigma.
