本片的故事情节围绕一个圣诞节蛋糕展开，讲述了战争年代天主教女子学院里人性的纯真、贪婪和幻想。“pupil”⼀词来源于拉丁语“pupilla”，即小女孩。本片改编自20世纪意大利最知名的作家之一艾尔莎·莫兰黛在1971年圣诞节期间给好朋友戈弗雷多·弗菲的一封问候信。

在西伯利亚北极地区的偏远海岸，一位孤独的人正在风暴摧残的小屋里，等待见证一场古老的集会。然而，随着海洋变暖与气温上升，意想不到的变化降临，他很快陷入无能为力之中。

夜晚的盧森堡機場。一位戴著面紗的16歲伊朗女孩神情慌張，她緊抱著隨身攜帶的紅色手提箱，遲遲不肯前往入境大廳，而且看上去越來越不安……。在伊朗，女性會因追求自由意志或是沒有正確佩戴面紗而消失，這也是導演起心動念拍攝該片的起點。本片中的伊朗女孩因某種原因摘下了面紗，觀眾將會為她的命運懸心到最後一刻。

A neurotic middle-aged man's trip to visit his mother is delayed indefinitely when his keys are mysteriously taken from his door. He is subsequently haunted by an increasingly sinister chain of upsetting events. (Although it is not made apparent in the film, it should be said that Beau once used a Ouija board.)

对于爱情的讨论，不仅是余秀华诗歌的母题，也是她生活的一部分。她说她从来不曾拥有爱情，但仍想热烈地拥抱它。于是，我们对她身上的野性和激情充满好奇。
2023年春天，全球创意生活短片平台NOWNESS邀请第4届NOWNESS天才计划获奖导演徐天琳，一同记录余秀华的一场旅行。

25 composers, 25 filmmakers, 25 ultimate symbioses of music and cinematography that fit completely within the DNA of Film Fest Gent and the World Soundtrack Awards. For the unique 2x25 project, the festival asked 25 composers to compose a short piece of music, after which 25 filmmakers made a short film. The result: 25 exceptional films where the music inspired the form, narrative and texture.

通过一个偶然的机会，嗜赌的富豪亨利·休格发现了一份医疗报告，报告记录了一个印度的马戏团演员在诊治过程中可以透视的事实。亨利·休格想借此来为己谋利，于是偷走了这份报告，经过几年的学习他终于学会了透视并开始了一次惊心动魄的周游世界之旅……本片出自韦斯·安德森之手，改编自挪威作家罗尔德·达尔的同名中篇小说《亨利·休格的神奇故事》。

A young adult Roald Dahl short story about a small/brilliant boy ruthlessly pursued by two large/idiotic bullies.

本片由韦斯·安德森执导，改编自罗尔德·达尔鲜为人知的短篇故事，主人公是一名专业捕鼠人。

本片改编自罗尔德·达尔著名的短篇故事，讲述一名男子发现他的床上有一条毒蛇。

A film producer, an assassin, and a patriot. These aren’t three characters in this film but three ways of describing Wu Dun, a member of the United Bamboo Gang who murdered the Taiwanese-American writer Henry Liu and became a producer of wuxia films.

A young man forages for magic mushrooms in the forests surrounding Lisbon, before distributing them with carrier pigeons to locals suffering from depression. With Shrooms Jorge Jácome trades the expected sensationalism of its central subject for lyricism and curiosity, shooting on dreamy, gossamer 16mm.

This film is about haunting memories of Asia's late 20th-century modernization. The story departs from a 1965 United States embargo on the hair trade, known as the "Communist Hair Ban". Yet, in every wig resides a ghost from the imperial past.
Wigs were vital for the rise of the Asian economy in the post-war era. In the heyday of the 1960s, it was the number four export in Hong Kong's export-orientated industrialization. Between Mao's China - the largest source of hair supplies, and the insatiable Western market, Hong Kong functioned as the gateway. In 1965, U.S. Treasury Department imposed an embargo on "Asiatic hair", to cut off foreign currency to Communist China in the hair trade. The highly racialized category of "Asiatic hair" was later revised as "communist hair", to enable the wig industry to develop in U.S. allies including mainly South Korea and Japan, which led to a significant reconfiguration of light industry in East Asia. Departing from the moment of the communist hair ban, through stories of movement, diaspora and migration, this project examines the role of Hong Kong as a transient space that mediates and sanitizes the connection between different worlds, and the relationship between U.S. Imperialism and East Asia order in the Cold War era.
Produced by: Ruoyao Jane Yao
Director of Photography: Yavuz Selim Isler
Cameraman (Hong Kong): Fai Wan
Sound Recording: Franco van der Linde
Casting Director: Sai-wang Lau
Makeup: Ika Kartika
Color Grading: Bob Lemm
Voice-over:
Jia Zhao, Hamza Junaid, Tommy Tse
Cast:
Zoenie Liwen Deng, Ruoyao Jane Yao, Zoe Tang, Michael de Ross, Sidney Vereycken, Sai-wang Lau, Jo-Lene Ong
Produced by:
Geodesic Studio, Vines Films
Thanks to
WAAG Society, Amsterdam
16mm Film Transfer and Scanning
Andec Filmtechnik, Berlin

After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem about Iranian film, that also echoes our own time of physical distancing.

「東京、遠いな」「あっというまだよ」
相鉄線沿線に住む、ある父と娘の物語。
幼少期、思春期、反抗期。
ふたりは、あらゆる季節を越えて、
2023年春、新たな風景へと進んでいく。
相鉄線を舞台に、父と娘の12年を描く、
相鉄・東急直通線開業記念ムービー。

苹果2024新年短片《小蒜头》官宣，《超凡蜘蛛侠》导演马克·韦布执导，范伟主演， 《漫长的季节》编剧潘依然执笔剧本，将于1月28日上线。

聚焦导演王湘圣83岁的外婆跟94岁的奶奶，性格迥异、热爱生活的两个老人一起过着普通而快乐的日子。

福戈火山爆发让三个年轻的姐妹分道扬镳。
但她们在歌唱
总有一天，我们会知道为什么活着，为什么受苦

德國的悠悠夏日，烏克蘭的難民孩子們，落腳在過去納粹德軍的舊軍營，他們修理單車、學習德語、編織花冠，在道路凸起的邊緣用粉筆寫著「普丁別再濫殺人民」；砲彈攻擊、防空避難、宵禁成為孩子和父母的日常對話，軍營裡遺留的二戰軍事繪畫，被孩子們解讀為當下的俄烏戰事，同樣的歷史重複上演，一代代的孩子仍那麼稚嫩天真。