Films Directed by Women

警察突然進門臨檢，中斷了巴爾門多薩一家歡慶孩子的生日派對。馬德里郊區的一座小鎮，地方政府和居民的關係日益緊張，胼手胝足打造的家園，卻因為土地開發被轉賣給大資本家。無所事事的午後，少年們相聚

青少年艺术家Angie Chen在她父母突然离婚后，转而与她私立学校的偶像秘密约会。

入围第71届柏林电影节论坛单元。

Lisa Weber’s portrait of Claudia, who had a son when she was 15 and now lives together with him, her mother and her brother in Vienna, is an affectionate and gentle film about the passing of time and about what happens when seemingly nothing is happening.

Lisa goes on a summer vacation with her grandparents, travelling from Vienna to the North Cape by car. She films the journey, in this seemingly simple and light-hearted doc, but soon its length becomes a metaphor for the couple's long-lived and troubled relationship.

在现代法国城市和郊区间生命的碎片被拼凑在一起。一辆火车似乎连接了不同的世界，但在我们破碎的社会中是否有所谓的“我们”？

Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.

[致命录像带]系列将推出第四部！[致命录像带]第四部定名为[致命录像带94](V/H/S 94，暂译)。首批公布的导演包括西蒙·巴雷特([致命录像带2])、提莫·塔哈亚托([嗜人之夜])、Chloe Okuno。大卫·布鲁克纳担任编剧及制片人。该片将为系列首部以单一、流畅的叙述形式呈现，且每个部分都相互关联的作品。

安妮·芳婷将执导影片[警察](Police，暂译)，卡司包括维尔日妮·埃菲拉([20岁的差距])、奥玛·希([触不可及])、格莱高利·嘉德波瓦([你拯救了我的灵魂])、佩曼·莫阿迪([一次别离])。芳婷与克莱尔·巴雷(Claire Barré)操刀剧本。
影片故事改编自雨果·鲍里斯小说，讲述三名警察被迫接受一项不同寻常的任务：将一名陌生人遣返原国。在开车前往飞机场的路上，其中一名警察意识到，如果让他回到自己的国家，他将会遭到死亡的威胁。于是这名警官劝说其他两名同事放他走。

一段奇妙却又充满禁忌的初恋故事！
描述一名生长在传统犹太教青少女，她的性觉醒与丧偶父亲严谨的宗教信仰之间的冲突与撞击。这也是编导演Tsivia Barkai Yacov的自传性故事。本片是继她的毕业作品VIKA 入围2006 柏林影展Generation Kplus竞赛单元之后，再次受到柏林影展肯定。

不同代际的英美黑人角色穿行于当今社会，为民族现状提供批判性视角。

一个年轻女子经常待在一个房子里，通常一个人，有时会在电话上聊天，她很少有人来访问：有她男友的朋友，潜在的男友，还有想要租房的候选人。直到正确的室友到来... 这是一部关于孤独、友谊和寻找归属感的电影。

In a poor neighborhood crisscrossed by a polluted river, Tati, a 14-year-old girl, is forced to grow up alone in a troubled and confusing context. While learning to sail on the river, she dreams of being a boat rower. A job only ruled by men.

两个女朋友试图找到一种方法来应对性暴力的创伤。

从一位低种姓女生写给高种姓恋人但未寄出的情书开始，采用新闻播报、家庭录像、监控、剪报、手绘等拼贴样式，揭开2015年发端于印度电影和电视学院并波及全国大学最终遭到惨酷镇压的反歧视争自由的学运大幕。

一名年轻女子在离家千里之外的地方死去。一个男孩坐在她旁边。她不是他的母亲。他也不是她的孩子。他们共同谱写了一个令人难忘的故事，讲述了破碎的灵魂、无形的威胁、家庭的力量和绝望处境。改编自萨曼塔·施维伯林备受国际评论界赞誉的小说。

本片被认为是苏联默片时代最伟大的作品之一，Olga Preobrazhenskaya是苏联历史上首位女导演，在苏联早期电影史上她的位置非常重要。
Russia 1914. Shortly before the outbreak of the First World War, so that the otherwise quiet life in the Russian village Riasan suddenly stands on its head. The men of the step-sisters Anna and Wassilia be in service to the front. With a warrant summoning huge change in the lives of two women, like that of the other villagers.
Actress, director, and scenarist Olga Preobrazhenskaya is considered to be one of the most important women in Soviet cinema. She was not only one of the most popular actresses of early Russian film, she was also that country's first female director. Pr... Actress, director, and scenarist Olga Preobrazhenskaya is considered to be one of the most important women in Soviet cinema. She was not only one of the most popular actresses of early Russian film, she was also that country's first female director. Preobrazhenskaya began her career as an actress at the Moscow Art Theater where she recieved her training. After that she acted in many provincial Russian theaters before starring in her first film Kliuchakh schastia (1913), a tremendously popular work based on bestselling novel by Anastasia Verbitskaia. She went on to star in several more big-budget pre-revolutionary movies until 1916 when she co-directed Baryshnia-krestianka with Vladimir Gardin. She did not direct again until 1926 after she had been teaching in the first Soviet film school for several years after the 1917 Revolution. Her next two films were targeted for children. After 1927 she collaborated with director Ivan Pravov until 1941. Their best known film, considered one of the greatest films of early Soviet cinema, was Baby Ryazanskie (1927) the story of a traditional young woman who is raped by her father-in-law. Preobrazhenskaya continued directing until the end of the '30s.

A travelling circus troupe during the Civil War. A kommissar tries to transfer the wagon into an agit-prop van. The Whites conquer the town. The kommissar hides among the artists.

名著《静静的顿河》首次被搬上银幕，由苏联第一位女导演Olga Preobrazhenskaya执导。
While it was not unusual to find a woman director at the helm of a Russian film in the early 1930s, neither was it an everyday occurrence. Olga Preobrajenskaya's Cossacks of the Don focuses on plump heroine Akainya, who is married to Stephen but is in love with Grisha. For his part, Grisha loves Akainya but is compelled to marry Natalie. Meeting clandestinely in the moonlight by the banks of the Don, Akainya and Grisha plan to run off together, but WWI destroys their plans. Grisha returns from the battlefield to discover that Akainya has betrayed him. Knocking her down in full view of the entire village, the "hero" stalks off to parts unknown. No, Cossacks of the Don is not a feminist manifesto, despite the presence of a woman in the director's chair.
Actress, director, and scenarist Olga Preobrazhenskaya is considered to be one of the most important women in Soviet cinema. She was not only one of the most popular actresses of early Russian film, she was also that country's first female director. Preobrazhenskaya began her career as an actress at the Moscow Art Theater where she recieved her training. After that she acted in many provincial Russian theaters before starring in her first film Kliuchakh schastia (1913), a tremendously popular work based on bestselling novel by Anastasia Verbitskaia. She went on to star in several more big-budget pre-revolutionary movies until 1916 when she co-directed Baryshnia-krestianka with Vladimir Gardin. She did not direct again until 1926 after she had been teaching in the first Soviet film school for several years after the 1917 Revolution. Her next two films were targeted for children. After 1927 she collaborated with director Ivan Pravov until 1941. Their best known film, considered one of the greatest films of early Soviet cinema, was Baby riazanskie (1927) the story of a traditional young woman who is raped by her father-in-law. Preobrazhenskaya continued directing until the end of the '30s.

　斯捷潘·季莫费耶维奇·拉辛Степан Тимофеевич Разин（约1630～1671） ， 俄国农民起义领袖，顿河哥萨克人。17世纪60年代末组织领导了俄国较大的一次农民起义----拉辛农民起义