Films Directed by Women

About the labor exploits of gold miners, the old partisan Fedor Potanin and his son, the leader Stepan.

Little dog Kashtanka is stolen, sold, tossed out into the street and saved by a clown. Young Fedyushka gets lost looking for the dog and ends up a prisoner of the sinister Mazamet who compels him to rove from house to house to make money, while Fedyushka’s father wanders through the streets in search of his lost child.

In a Kazakh village at the beginning of Soviet power, a wealthy kulak (landowner) voluntarily denounces his opposition to the new regime and hands over his large home to be a new school for the children of the villagers. But three people in the village have difficulty believing that their class enemy is now their friend.

影片由阿什利·阿维斯自编自导，故事基于安娜·休厄尔1877年完成的同名畅销小说改编。原小说以“黑神驹”的视角进行第一人称表达，描绘出一部属于“黑神驹”的自传体回忆录。影片将着重描绘17岁女孩乔(弗依饰)与“黑神驹”(温斯莱特配音)间深厚的情感纽带，是“黑神驹”使乔走出了父母离世的精神创伤。

少年亚当在家里总是受到虐待，当他遇见了自由奔放的流浪者艾丽丝。他和她迅速相恋了，而他也开始滑入毒品成瘾的世界，他的生活也许会变得更糟……

When twenty-four-year-old Jae is released from prison for killing her mother, she returns to her childhood home in small-town Ridgecrest. The desire to go anywhere but there prompts her to agree to join her brother on a road trip out to Death Valley - which results in getting them hopelessly lost in the most stunning, but unforgiving topographical terrain on the planet.

When San Francisco pet shop owner Willa Davis encounters the man who stood her up in high school, she fights both her head and her heart when she starts falling for him all over again ten years later.

在喬治亞黑海沿岸的村莊住著一群看似熟悉彼此的人們。有天，一位村民艾利科被發現在家中自殺，他的孫女因而前來處理後事。在籌辦喪禮的過程中，孫女發現艾利科一段不為人知、不得不由謊言編織而成的悲劇愛情故事。
本片為導演第二部劇情長片。片中的電視新聞報導著宗教保守勢力為反對國際不再恐同日所創立的家庭日，述說著喬治亞對於同志人權的壓迫、社會政治現況與環境問題，並與靜謐的村莊環境形成一大對比。雖然環境是如此不友善，但片中也看見一絲希望。如同導演所說：「本片是對『被遺忘者』致敬，和偏見戰鬥，帶給那些正為自我認同搏鬥的新一代人們力量，並為他們提供一個故事，讓他們想像未來生活的可能性。」

April is released from prison after having been busted as an illegal sex worker. In the basement of a luxury hotel in Tbilisi where she works, she meets Dije, a young man who has left his native country Nigeria behind. Believing he is on his way to Georgia in the United States, he finds himself in a country that offers him no future. April herself is hiding and coming to terms with a lost love that is better not spoken of in Georgian society. Between longing and survival, in the searing heat of the capital, an extraordinary relationship develops between these two people who live on the margins of society.

　　索朗日是一个典型的12岁女孩，好奇心强，充满活力，也许有些过于多愁善感，与父母感情亲昵。但当她的父母开始争吵，争吵，慢慢疏远，离婚的威胁逐渐迫近，索朗日的世界开始分裂。为了让她的家人在一起，忧心忡忡，付诸行动，然后承受随之而来的后果。这是一个关于一个年轻而过分温柔的少女的故事。她想要一件不可能的东西：永远的爱。

鲍里斯和迪米特俩兄弟在巴黎从事医疗工作，他们都热爱自己的病人和彼此。当他们俩同时爱上了朱迪思-一个病人的单身母亲，这使得他们先前不可动摇的关系陷入了前所未有的混乱。

He can deliver a breathtaking speech on the American soul to flabbergasted schoolboys, get mixed up in the private lives of his citizens, and even get his 18-year-old daughter to swear that never, but never, would she leave home. Meet Simon Wolberg, mayor of a small provincial city, madly in love with his wife, an interfering father and provocative son. This man is driven by an obsession with his family. Which leads him to test the force and fragility of these bonds.

苏帕帕吉卡是一名略贝提克演奏者，他在搬家之后遇到了一个盲人女孩儿爱丽丝，但爱丽丝跟苏帕帕吉卡好像天生的对头，二人每次见面都是不欢而散。苏帕帕吉卡为了报复爱丽丝故意装作一个盲人去接近她，爱丽丝并未发现异常，还教给苏帕帕吉卡一些身为盲人的基本常识，使他不必因为眼睛看不见而遭受外界的伤害，没想到，二人的感情突飞猛进，但纸终究包不住火，苏帕帕吉卡装作盲人欺骗爱丽丝的事情终究还是被发现了。爱丽丝瞬间如坠冰窟，但回忆起往日里二人甜蜜的爱恋又依依不舍，最终，爱丽丝原谅了苏帕帕吉卡，二人一起走向了婚姻的殿堂。

俄国导演Kira Kovalenko将执导首部剧情长片[松开拳头](Unclenching The Fists，暂译)。故事发生在北奥塞梯山脉上的一个矿业小镇，故事围绕着一个年轻女人为了摆脱父亲的控制而展开。Kovalenko与Anton Yarush([亲密])和Lyubov Mulmenko共同撰写剧本。

Sofichka returns to her native Abkhaz village in Georgia after twenty years of absence. Seeing again home and meeting with villagers take her to memory lane and all Sofichka’s life passes before her eyes: her wedding with Rufus, betrayal of the neighbour Nuri, difficult years of war, exile in Siberia. But in spite of everything, in spite of all the tough experiences, Sofichka continues to believe in people and in life, staying true to the memory of her husband who died young.

在哪里才有家的感觉？在施塔特阿伦多夫这个有着复杂的排斥和融合外国人历史的德国城市，和蔼可亲的老师迪特·巴赫曼帮助他的学生们体会家的感觉。这些学生年龄在12到14岁之间，来自12个不同的国家，有些人还没有完全掌握德语。在退休之前，老师希望激发这些未来公民对不同工作领域、主题、文化和生活方式的好奇心。看完这部引人入胜、让人感同身受的纪录片，让人不由自主地意识到，如果所有的孩子都能有幸拥有这样高情感、有耐心的老师，冲突就能通过讨论得到缓解，约翰·列侬的"想象"就能成为现实。导演玛丽亚·斯佩德和摄影师Reinhold Vorschneider向人们展示了教育不仅是重要的，而且可以是一个壮观的过程-并将其精彩地呈现在舞台上，以至于电影本身几乎具有了某种英雄气概。

露丝·斯雷特（布洛克饰）因暴力犯罪被判入狱，出狱后的她重新踏入社会，但自己的过去却不被原谅。面对来自她曾经称之为“家”的地方的无情评判，她获得救赎的唯一希望，就是找到当初被自己无奈丢下而疏远了的妹妹。

The Match Factory拿下[苏瓜日记](Tsugua Diaries，暂译)全球销售权。该片由米格尔·戈麦斯([禁忌])、莫琳·法曾德罗共同执导并编剧，马里亚娜·里卡多([禁忌])共同参与编剧工作。该片由克里斯塔·法亚特([一千零一夜第1部：不安之人])、卡里托·科塔([一千零一夜第1部：不安之人])、若昂·蒙泰罗主演，是一部虚构的隔离日记，全片使用16mm胶片在疫情期间的葡萄牙拍摄。

Portraits six lesbian protagonists from rural and metropolitan parts of the formerly socialist Republic and has them tell their captivating and sometimes outrageous life stories.

Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow's unforgettable body of work and involving archival footage, Cheryl Dunn's exceptional portrait captures his all-too-brief life of reckless excess and creativity.