Films Directed by Women

没有男人也没有家的导演李灿实在糟糕演员苏菲的家里做着保姆的工作。
有一天，苏菲的法语老师金荣进入了灿实的生活中，随之登场的叫做“张国荣”的男人的身份也让剧情进入了新的高潮。房东奶奶暖心的举动也无时无刻温暖着灿实。之前一直忙前忙后的灿实在丢了工作以后也将迎来自己的春天吗？

宋正远（陈如山 饰）因为癌症去世了，留下了老婆刘三莲（谢盈萱 饰）独自拉扯着儿子宋呈希（黄圣球 饰）。让刘三莲无法原谅的是，宋正远人生的最后一段旅程是和一个名叫高裕杰（邱泽 饰）的男人一起度过的。高裕杰是宋正远从前的恋人，只不过最终宋正远选择了结婚生子去过正常人的生活，而高裕杰则对他一直恋恋不忘。
更让刘三莲无法忍受的是，宋正远竟然将自己的保险金全部留给了高裕杰，不仅如此，自己叛逆的儿子竟然也选择了抛弃自己，赖在高裕杰的家里不肯走，这个男人到底是有什么魔力？！在宋呈希的眼中，高裕杰是一个吊儿郎当的男人，他沉默着凝视着这个男人，仿佛想要从他的身上看到另一个熟悉的身影。

故事讲述一位被工作淹没、对未来根本没有时间去想象的女人，她麻痹的人生被一个总是在生活里找乐子、行事放荡不羁的直播男子打扰后，产生了一连串的发酵过程。

玛卡的事业正处于转折点，不料她神秘莫测的前任却突然出现在马德里。于是，曾因对方而伤心欲绝的她向闺蜜们求助。

24-hour television documentary about Berlin and its inhabitants, reporting in real time on the everyday lives of more than 50 protagonists from a wide range of professions, social classes, religions and ethnicities.

1942, and a spectacular wartime birth in the depths of winter: a young russian nurse unexpectedly goes into labour and, all alone and in freezing temperatures, gives birth to her daughter Tamara in a field on the banks of the Volga. The most personal film to date from co-directors Tamara Trampe and Johann Feindt is dedicated to Tamara's own family history. The search for her unknown father who, as a russian officer, made the young nurse pregnant, is complicated by the fact that her mother has never come to terms with her wartime trauma and worn family photos only seem to show happy-go-lucky life before the war. But the director won't give up so easily and, through a mixture of personal childhood recollections and conversations with relatives and former nurses who were on the front in Ukraine, she puts together the pieces of the puzzle.

1992 documentary film by Tamara Trampe and Johann Feindt

The documentary film reflects on the war in Chechnya based on the experiences of young soldiers who return from the mission mentally and physically broken. Conceived as a montage of emotional confrontations, it gains from the closeness and trust between directors and protagonists. The young men's reflections are expanded and deepened by memories of an elderly Afghanistan veteran, scenes from the Moscow Committee of Soldiers' Mothers and images of a brutal operation by the Russian army against Chechens.

Lullabies are our first connection to the world – a universal experience we all share, yet it remains deeply personal. "Can you recall a song that your mother would sing for you to fall asleep?" is the question Tamara Trampe and Johann Feindt ask people they meet in the streets of Berlin.

愛有三種：婚姻、激情，還有宿命；唯一共通，是皆為鏡花水月。與克萊雅丹妮合編《巴黎眾色相》（2017）的法國作家姬絲汀安戈，剖開自己，以一生為書，道出愛的可望而不可即。以作者第一身自述，從母親視角凝望跌宕成長回憶。鄉下女孩一頭栽進富家子懷抱，走下去是愛的不歸路；啞忍情人的摧殘凌辱，只會對女兒造成無法彌補的傷害。在郭仙妮（《一撞三世界》，37 屆）詩意鏡頭下，一切美麗終將消逝，留下自燃成灰的，只有哀愁與怨恨。

本片讲了俄克拉何马州一位女艺术家在不幸失去了女朋友后 却又意外爱上了哥哥的未婚妻的故事。

紫罗兰是足够老，当她的小山村被残酷地剥夺了所有人的共和党人的压制下下令路易 - 拿破仑·波拿巴在1852年结婚。妇女花费数月时间在完全隔离。绝望有一天看到自己的男人再一次，他们宣誓：如果一个男人来了，他会为大家。生活必须继续在各个腹部和他们中的每一个。

In the heart of the hammam, far from the accusing gaze of men, mothers, lovers, virgins and Islamic fanatics, butts and burqas, mingle and mix, confront one another, with laughter, tears, rage, the Bible and the Koran... before the flash of a dagger and the silence of God.

Ga-young, a filmmaker, visits Seong-bum, an art instructor, to consult on her affair with a married man. The two were once lovers of each other, though that does not stop Seong-bum from becoming a love counselor for Ga-young. Yet, they don′t just consult, but begin exploring new feelings for each other.

一名妇女从秘鲁来到智利做管家。

Cruz is an actress who works as a simulated patient for medical students. One night, while jogging at the gym in her building, she sees a body fall, but instead of helping, she keeps on jogging. Her actions are caught by security cameras and leads to a police inquiry. Unable to explain what happened, she realizes that her work has desensitized her, compelling her to set out on a journey to recover her repressed emotions.

A journey where lies become reality and where the reality takes the shape of a film: that of a documentary road movie based on imaginary facts

In 1995, producer Françoise Etchegaray recorded the production of A Summer's Tale. The footage remained on the shelf for years until director Jean-André Fieschi combined the images with bits of the finished film.

1995 film directed by Françoise Etchegaray

1992 film