Tribute to the late composer Gyorgy Ligeti Gyorgy Ligeti (1923-2006) "With the passing of Gyorgy Ligeti on 12 June 2006 at the age of 83 in Vienna following a lengthy illness, the musical world has lost a true maverick. An independent thinker, Ligeti charted a singular route in his music with the evolution of a voice that is hard to ignore. In this respect one is tempted to put him alongside figures such as Boulez, Cage, Stockhausen and Xenakis when considering the major shapers of late twentieth century composition." --Evan Dickerson, Music Web International

If you want to hear music suited to the millennial frenzy, a prime place to start is with Russian maverick composer Alexander Scriabin. In the final years of his unfortunately brief life, he dreamed up transcendent musical projects that make Wagner seem like parlor entertainment. Among the relatively few orchestral works Scriabin did complete are some stunners that blaze a uniquely visionary, idiosyncratic path beyond the impasse of ripe fin-de-siècle romanticism. The three starkly contrasting pieces gathered here offer a splendid entrée into his music. Henry Miller once described the Poem of Ecstasy as "a bath of cocaine, ice, and rainbows." Boulez conjures oceanic heavings and flickering, perfumed washes of color from his players, leading to a mighty orgasm of sound. The composer was also a dynamic virtuoso pianist (a classmate of Rachmaninoff's), and his early concerto shows its debt to Chopin while pursuing an original and tightly integrated blend of soloist and orchestra. Pianist Anatol Ugorski's unflapping conviction reveals the piece for the gem it is--the slow movement's melody is particularly indelible--leaving you wondering why this concerto is programmed so rarely. The piano also adds an important color in Scriabin's 1910 symphonic poem Prometheus, where he ventures even beyond the Poem of Ecstasy into progressive musical territory. From this amalgam of occult mysticism and pioneering harmony, Boulez fashions a majestically textured, multidimensional account that sounds opulent but unclotted. If this whets your appetite for a truly unique composer, try the Scriabin twofer on Chandos that includes his bizarrely brilliant Divine Poem Symphony. --Thomas May

Recording: Cleveland, Masonic Auditorium, 3/1991 (Rhapsodie) & 3/1993
Total time: 70:58

Gustav Mahler
Symphony No. 2, "Resurrection"
Diana Damrau • Petra Lang
Deutschen Staatsoper Berlin Chorus
(chorus master: Eberhard Friedrich)
Staatskapelle Berlin
Pierre Boulez, conductor
Recorded live at the Philharmonie, Berlin, 26-27 March 2005
Picture format: NTSC 16:9 anamorphic
Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1
Region code: 0
Subtitles: German, English, French, Spanish
Booklet notes: English, German, French
Running time: 89 mins (Partitas)
No. of DVDs: 1

Gustav Mahler was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century.

Krystian Zimerman is a Polish pianist and conductor, who has been described as one of the finest living pianists. In 1975, he won the IX International Chopin Piano Competition.

Music in space that processes new dimensions and colours ...
Listeners who think of electronics as cold and alienating will be forced to rethink their ideas: In collaboration with IRCAM at the Pompidou Centre in Paris and the Ensemble InterContemporain, Pierre Boulez has made pioneering recordings of his works Répons and Dialogue de l'ombre double. Both are compositions for live musicians and electronics -- full of imagination, spontaneity and an unparalleled understanding of sound.