当樱花盛开》是德国女导演多莉丝朵利的新作，这位德国女导演导戏已超过三十年，拍片风格以文化及抒情见长，2002年时，她描述多P关系的前卫喜剧《光脱不恋》（Naked）就曾造成轰动。而《当樱花盛开》更是近年热衷日本文化的多莉丝朵利的最新代表作，剧情叙述一对鹣鲽情深的夫妻，当妻子意外死去，丈夫在整理爱妻遗物时，竟发现自己对深爱日本文化的妻子完全陌生，他决定实现与妻子共赏樱花盛开的心愿，于是将妻子衣服穿在自己大衣里，直奔富士山…。

2000年7月、ロンドンでごく限られた友人たちを前に行なわれたシークレット・ギグを収録した1枚。突然登場するタルヴィン・シンに驚かされるなど、プライベートな雰囲気に満ちた内容だ。
2000年7月29日、ヨーロッパ・ツアー終了後、ロンドンのホテルのロビーで行なったシークレット・ギグのライヴ盤。まったく決めごとのない即興2セッションから始まり、ジョビンのカヴァー(4歳の女の娘もヴォーカルで参加!)、そしてオリジナル曲へと、プレイに参加したメンバーたちがリラックスしつつも、徐々に昂揚していく様子が記録されている。決めごとのなかで、日々の閃きを表現する通常のステージとは別の、ウラもの的な楽しさに満ちた作品だ。彼の出発点が、即興的な演奏にあることを知る人には楽しみもひとしお。

The soundtrack CD to 1992 remake of "Wuthering Heights", based on the classic novel by Emily Bronte. Directed byPeter Kosminsky, starring Juliette Binoche (as Catherine Earnshaw), and Ralph Fiennes (as Heathcliff). Original music composed by Ryuichi Sakamoto, music performed by the Royal Philharmonic Orchestra.
The soundtrack CD was released only in Japan, manufactured and distributed by Toshiba EMI, Ltd. Japan (TOCT-6691) long out of print. 25 tracks, 69 minutes of music.

《坂本龙一：琴动我心》阪本龙一是日本最著名的作曲家和音乐制作人，曾为1992年巴塞罗那奥运会开幕式谱曲，他因为电影《末代皇帝》作曲而获得奥斯卡大奖。坂本龙一不仅对于电子、摇滚、爵士等多重音乐风格极具灵感的把握，另一方面则在于他能在商业、艺术和实验之间找到平衡点，作出既有实验意义又有动听旋律的作品。在日本乐坛中，自日本乐团YMO发迹，近年来以横跨流行、电影配乐及古典乐坛的旺盛企图享誉全球的阪本龙一，最擅长在音乐中营造出一幅幅充满异色情境又深刻感人的心灵之音。在东洋乐坛中，他的地位是所有流行制作人与音乐人无限尊崇的大师，1999年以电影《铁道员》主题曲为他在流行音乐榜上再创百万佳绩，在口碑与商业的空前双料成就。

Primarily recording under the name Alva Noto, German audiovisual artist Carsten Nicolai is one of glitch music's most innovative and respected figures.

Alto Saxophone – Akira Sakata
Bass – Hideaki Mochizuki
Bass Clarinet, Alto Saxophone, Soprano Saxophone – Keizo Inoue
Drums – Shota Koyama, Shuichi Murakami
Electric Bass – Rei Ohara*
Guitar – Kazumi Watanabe
Piano, Synthesizer – Ryuichi Sakamoto
Producer – Kazumi Watanabe

VS 601-12

ナレーション／朗読：シガーニー・ウィーバー／演奏：坂本龍一

In 2015 Ryuichi Sakamoto composed the music for Nagasaki: Memories Of My Son, the latest film by legendary Japanese filmmaker Yoji Yamada whose career has spanned six decades and over 80 films. Yamada is perhaps the last director to have lived through what is now known as the Golden Age of Japanese cinema – a period that gave rise to Kurosawa, Mizoguchi and Ozu. The film tells the story of Nobuko Fukuhara, a mother who has lost he son in the atomic bombing of Nagasaki. It is an intimate character study of Nobuko, whose son begins to communicate to hear as a ghost. Ryuichi Sakamoto was thrilled when Yoji Yamada approached him for this project. This beautiful soundtrack by the legendary composer evokes a nostalgic landscape of the humble everyday life of Japanese people while successfully paying homage to the film music of the Golden Age of Japanese cinema. This album – never released outside of Japan – is a must have for any fans of Ryuichi Sakamoto.

Ryuichi Sakamoto's traditional & electronic soundtrack to Merry Christmas Mr Lawrence
In 1983, David Bowie and Ryuichi Sakamoto shared the bill in the unforgettable “Merry Christmas Mr. Lawrence” by Nagisa Å?shima. Its soundtrack, composed by Ryuichi Sakamoto in an original style, combines classical occidental symphonic composition, traditional Japanese sounds, and experimental electronic music.

Ryuichi Sakamoto's frist album since 'In The Lobby - At GEH In London' (2001). Contains his previously unpublished tracks and a track he wrote for a scientific theme park but was previously not included in any of his albums. 2002.

50 track collection chronicling Sakamoto's brilliant career scoring music for major motion pictures, including Merry Christmas Mr. Lawrence, The Last Emperor, The Handmaid's Tale, The Sheltering Sky, High Heels, Little Buddha, Snake Eyes, Love Is The Devil and more. Packaged in a deluxe digipak. Warner Japan. 2002.

Japanese exclusive compilation featuring works from the 80s, including previously unreleased tracks. Midi. 2002.

Japanese 14-track CD album featuring a collection of remixes of tracks taken from his 2004 album 'Chasm' with guest contributions from Keigo Oyamada, Steve Jansen, Craig Armstrong, Aoki Takamasa, Skuli Sverrisson and more and includes an exclusive bonus track produced by Haruomi Hosono. Warner. 2006.